Paint Party Sunday to Benefit IYTI Art for Toys Swap

Tomorrow will be another beautiful day in New Orleans so take advantage of it and come by and create art to benefit ReX’s annual It’s Yours, Take It Art for Toys Swap. This will be the fifth year IYTI will gather donated toys for the Marine Corps Toys for Tots Program. (Click link for more information.) Be a good little elf and create for the kids!

PAINT PARTY – NOLA RISING & IT’S YOURS, TAKE IT
the old XO STUDIOS
the PARK next to 2833 Dauphine Street
(Dauphine and Press Streets… Marigny/Bywater border at the train tracks… New Orleans)
SUNDAY – NOVEMBER 20th – 2011 – NOON until 4ish

 

Mirliton Fest Is Coming!

This gallery contains 18 photos.

I love Mirliton Fest. It’s my favorite out of all the gazillions of fests we have because it’s still a mostly local gathering in an intimate neighborhood park. I’ve volunteered for the past two years and it’s just a blast … Continue reading

St. Claude Ave, October 2010, Photo by Charlotte Hamrick

Swoon At NOMA

Brooklyn-based artist Caledonia Curry, known as Swoon in the street art community, will be unveiling her work, Thalassa, tonight at NOMA.  I first became aware of Swoon’s street art in 2008 when I saw her work (photo below) plastered on the side of a crumbling structure on Tchoupitoulas which is no longer there.

Tchoupitoulas St, November 2008, Photo by Charlotte Hamrick

Back then, I was regularly photographing street art along Tchoupitoulas as I traveled it twice a day to my workplace. I’d never seen art like this on the street before so I contacted ReX of NoLA Rising who told me it was Swoon’s work. I could tell the piece wasn’t actually painted onto the structure and, subsequently, read that Swoon paints onto paper which she applies to buildings with wheat paste.

In the fall of 2010 Swoon visited New Orleans again, leaving, I believe, three images in the Bywater/St.Claude area. I was able to photograph one of the pieces on St.Claude, below. (Update: went by this site 6/11 and the art has been greyed out.)

St. Claude Ave, October 2010, Photo by Charlotte Hamrick

St.Claude Ave, October 2010, Photo by Charlotte Hamrick

From the Times-Picayune:

“Big paper prints are Swoon’s stock and trade, but they’re not the sort of tame art reproductions so often found framed on apartment walls. Swoon, 33, gained international fame as a graffiti guerrilla, aggressively applying her artwork to public places with — or without — the property owner’s permission. But Swoon’s style has always been a bit gentler than most taggers. Curry’s lacy paper prints, often perforated with hundreds of shaped holes and affixed to public walls with old-fashioned wheat paste, aren’t permanent like spray paint. In time, they peel away. And the images she chooses to decorate urban common areas — mostly portraits of benign deities and ordinary folk — don’t have the same alienated bravado of most graffiti writers.”

Michael DeMocker / The Times-Picayune ~ Thalassa, a large-scale sculpture by street artist Swoon, rises in a New Orleans warehouse

Swoon will speak tonight at NOMA at 6 p.m. There is also reception is from 5 to 10 p.m. and Thalassa will be on view through September 25.

ist2_578753_fleur_de_lis_vector_illustration

NOLA Noteworthy

It’s been a busy week in NOLA and I’ve been saving like crazy to my Delicious and Instapaper. I thought I’d share some of  the interesting reading I found this week about our city and her people.

The Rumpus, an online zine based in California, published two NOLA-related stories. One, With Words and With Pretty: Super Sunday 2011 by Benjamin Morris, is a colorful narrative with photos of this years Mardi Gras Indian yearly spectacular. It explains a bit about the Indian culture to those who aren’t lucky enough to live here and unable to see it for themselves.

Also on The Rumpus is NOLA native Mark Folse’s book review, The Last Book I Loved, Mystic Pig. I read this book back in about 2006 and found it a bit too dark and violent for my taste at the time. The city was still in the active aftermath of the storm and my psyche was still a little too sensitive for such an intense story. After reading Mark’s review, though, I’ve decided that it’s a good time to reread this book. Mark also has a FaceBook page for it – click here.

Our own Emilie Staat wrote a wonderful tribute to some NOLA artists on her personal blog, Jill of All Trades, titled “Going To Bragtown”. It’s a great run-down of several of our city’s best and brightest authors, musicians and film makers and all the wonderful things happening to them lately. Thanks, Em!

Dawn Allison of Dawn Breaks blog recently volunteered at the Tennessee Williams Literary Festival and penned a great recollection of her experience including photos, Tennesse Williams Poetry Slam. Wow – I really missed a great event but I won’t miss it next year!

Finally, I want to direct your attention to an upcoming event at The Jazz Suite in Algiers and organized by O. Perry Walker High School  benefitting The Wonderful World of Jazz Foundation. The event also honors Japan native Yoshio Toyama who has come to NOLA for years with his band to play at the Satchmo Summer Fest and is a huge supporter of the O. Perry Walker band. This is such a wonderful story and you can read all about it here.  Here are the particulars of the event:

O. Perry Walker’s benefit and jam session will be April 12 at 7 p.m. at the Suite Jazz Cafe, 3580 Holiday Drive, in Algiers. The Roots of Music kids will lead off the night. Other performers include Rebirth Brass Band, TBC Brass Band and The O. Perry Walker Jazz Ensemble. The Jazz Cafe is an adult venue.

Do you follow NOLAFemmes on Twitter? If you did you would see my tweets about all of this and more. Follow us on Twitter!


A Crown Jewel in New Orleans

It has been close to ten years since I ventured to City Park in New Orleans. Since then the park has recovered from Katrina and is looking as beautiful as she can. Hubby and I had business to do in “Kennah” and chose City Park to kill some time; we were happily surprised in the beauty that the park offers. If you’re interested, this site Offers the history of the Park. I never knew it was once the site of a plantation.

Here are the pictures, in no particular order.

Click on pictures for larger versions.


the sundial


Popp’s Bandstand


Called the “Colombier de Carol”, this building is also called City Park Pigeonierre, or a dovecote.


This is the plaque for the Colombier . Designed and dedicated by former City Park President and New Orleans barrister Felix Dreyfous.

Speaking of signs and plaques, City Park has so many plaques throughout its 1,300 acres and you can find them and their history at this website.

There are so many bridges crossing the Lagoon at the Park. I fell in love with each and every one of them, as none of them are the same.


The Peristyle, built in 1907.


One of the lions outside the Peristyle


I spotted this beauty at a ticket window just outside the kiddie playground.

After walking the length of the lagoon, we decided to cross the street into another fenced in portion of the park and were extremely happy to discover that it was the Bestoff Sculpture Garden!

A coworker told me about this garden several years ago and I’d been meaning to find it. Glad we did today. What a tremendous place to spend some time.

Described by goneworleans about dot com as follows:

It’s a 5-acre garden under cypress and magnolia trees, as well as, centuries-old oak trees laden with Spanish moss, in the heart of City Park. It is beautifully landscaped. The garden contains several water features including a small cascading garden pool with stepping stones to cross. A lagoon that bisects the garden empties into two large basins, each containing a large sculpture. A sculpture pool cascades down into one of the lagoon basins. The lagoons are filled with fish and turtles. Herons and swans inhabit the area as well. Pathways wonder through the garden and lead to the larger sculptures. Because these paths were designed to preserve the extensive root patterns of the over 200 year-old live oak trees, they wonder through the garden in a design dictated by nature. Smaller sculptures are exhibited in the elliptical Sculpture Theater.

For a dollar you can obtain a guide to the sculptures, which I highly recommend.


Entitled “Mother and Child (1988) by Fernando Botero



Tree of Necklaces (reminded me of Mardi Gras) (2002) by Jean-Michel Othoniel


“Window and Ladder – Too Late for Help” by Leandro Erlich


This one is called “Monkeys” by Rona Pondick and it’s really disturbing when you look closely.


“Travelin’ Light” by Alison Saar


Pablo Casals’ Obelisk (1983) by Arman

One of the strangest things we discovered was what appears to be a grave between the sculpture garden and the botanical garden.

We only could spend three hours at the park today, so we agreed that our next trip in two weeks we will visit the Botanical Gardens and the NOMA. Pictures to follow.

Musings about controlled madness

Photo credit: Traveling Mermaid/Charlotte Ash

With regard to the Eris parade incident, rumors have been flying today and few verifiable facts have surfaced. As usual, the NOLA.com account of this incident is drawing a variety of opinions and reactions: New Orleans police and marching group clash Sunday night in Marigny

This incident reflects the general conundrum I’ve been considering during the past week: On one hand, the City of New Orleans’ Administration and the New Orleans Police Department do appear to be selectively enforcing laws; on the other, it’s a fact that many of our city’s citizens cherry-pick which laws they’ll choose to obey.

Does the lack of a parade permit warrant the use of pepper spray, stun guns, or batons? My response is an unequivocal “No.”

But I’d also like to ask, could this incident have been avoided? Maybe.

I do not doubt that many of the participants in the Eris parade spend a great deal of time creating beautiful and fantastical costumes, planning for the event, and composing original music to perform during the parade’s night of marching. That being said, why is it unreasonable to ask that someone in the organization crosses the T’s and dots the I’s by securing a parade permit and the required NOPD escort?

I learned today that the cost for a parade is $875 to meet the minimum requirements (a $275 flat fee for the parade permit and $600 for the required minimum of four NOPD officers to provide an escort and control traffic for the parade participants). It’s my guess that $10 per person marching/participating would more than cover these fees, or that the money could possibly be raised through a one-night benefit event at a local bar or club.

Accounts of the alleged violence perpetrated by the NOPD are being shared at lightning speed, however, I’ve yet to see any investigative effort with regard to reports of so-called parade participants dancing on parked cars, kicking over mailboxes, tagging and scratching cars, or throwing bricks and bottles (nor are these alleged acts mentioned in the NOLA.com story).

It has also been reported that six law enforcement officers were injured; is there more information available regarding the circumstances from which these injuries resulted? Has anyone seen or documented the reported damage to the two police cars? Has it been confirmed that all of the law enforcement officers involved were, in fact, NOPD officers? Where are the photos and videos documenting the reported incidents? Without these facts, the story is far from complete.

All things considered, I would like to learn more about what occurred before everything went sideways.

The Krewe of Eris was formed in 2005; its brief history also includes other clashes with law enforcement. I have to wonder, is this part of the Krewe’s modus operandi? (Simply put: Why is it okay to accuse the NOPD of repeatedly offending, while it seems that this recently-created krewe is somehow above reproach?) Why didn’t the parade disband on Sunday night when the crowd was told to disperse or when it reportedly faced a barricade?

It’s ironic. While researching the parade permit details earlier today, I had the pleasure of watching the Red Beans and Rice Lundi Gras parade cavort down my street, filling the block where I live with joy, color, and music (an organization that’s only in its third year of marching). I’d estimate that there were about 200 participants (with newcomers joining in as the parade flowed by); they were led by an unmarked, lighted police car and had three motorcycle/scooter cops controlling traffic (who facilitated the parade crossing N. Rampart Street at an intersection without a traffic signal). The presence of the NOPD officers did not inhibit the parade or its participants in the slightest.

With that in mind, I ask this final question: If the Krewe of Eris had obtained a permit and secured the required police escort, would the alleged threats to public safety and incidents of property damage have been as likely to occur? This one act of compliance could have been sufficient to deter those who may have been determined to be destructive instead of celebrating creativity. It is unfortunate the event’s founders did not act to protect its participants in this manner.

All those questions aside, I don’t see the artists and musicians as being the troublemakers in this incident; I am disheartened that they were caught up in the fray. If it is determined that the NOPD (or any law enforcement agency) used excessive force or engaged in unwarranted action, then I expect those officers to be identified and prosecuted aggressively to the full extent of the law.          None should be exempt from being held accountable (regardless of occupation or avocation).

Femme Fatale Friday: MetryChick

Today we’re featuring New Orleans’ jewelry and home accessories designer Celeste Haar of MetryChick. Celeste describes her designs as “NOLA Style With Metry Attitude” and specializes in original hand-crafted  jewelry and hand etched glass home accessories. I talked to Celeste recently for the scoop behind her unique designs.

How long have you been making jewelry and home accessories and what inspired you to choose this craft?
I started MetryChick in 2007. I taught myself how to etch glass after needing some Christmas gifts and looking to do something different. Since I taught myself I didn’t know about using stencils so I learned the hard way for a while. I got used to it and still don’t use stencils in any of my etching – this allows my etching to be very detailed and nothing is off limits. The saying is that you have to break a lot of eggs to make a good omelet and I seemed to break a lot of glass in the beginning until I got the hang of it. I also made a lot of UGLY glasses. My mom still has some of those – gawd bless her! I expanded into jewelry in 2008 as a way to increase the portability of my items at festivals and shows. My family was affected by a layoff and I needed to broaden my business base, so I took glass and expanded into jewelry. I have an obsession for all things glass – kind of like a barracuda, I love shiny things!

Is it your full-time occupation?
I was working part time in childcare until June, 2010. MetryChick.com is now my full time obsession.

What is your earliest recollection of design and art as a passion?
I have always been that kid that was drawing or writing or reading. I believe that my love of art and design came directly out of my love for reading. It really sparked my imagination. I learned how to cross stitch when I was about 7 for my new cousin. That was the first craft I remember making.

Tell us a bit about your creative process. Do you start a project with a beginning, middle and ending in mind or does it evolve as you go?
My creative process is kind of fluid. I usually start the project with the finish in mind. I know in my mind’s eye what I want the finish product to look like. I think my mind’s eye is a little nearsighted because the finished product is kind of blurry and I need to flesh out the final details. I am also a little ADD with my process. I can never have just one thing going. I usually have 2 or 3 at one time.

Do you have a favorite place where you design that’s particularly conducive to your creativity?
Sitting at my computer is where I usually get my ideas and start research or graphic design from there. I would love to say that it is sitting under the oaks at City Park, but really, it’s the computer.

Do you have any tips you can share regarding motivation and/or discipline in completing project?

Treat your work and projects as living and breathing beings. You have to tend to them until they are grown.

Who’s work has inspired yours?
A love of all things New Orleans was instilled in me by my Dad. My grandfather was a milk man for Borden’s so we would ride around the city talking about PawPaw’s routes and customers. That love was reinforced by a long time family friend, Gasper J. “Buddy” Stall. “Uncle” Buddy was a staple in my life as I grew up and I read and still have every single one of his books. I am a plethora of odd New Orleans trivia thanks to Uncle Buddy. His research of the city and state showed that history can be fun and that all sides of stories have to be fleshed out. It was through this love of all things in New Orleans history that I created and expanded my business.

Where do you see yourself and your work in 5 years?
World Domination. LOL! I see myself constantly growing and expanding. I think that if you let your art plateau or stop evolving that it will do just that. I always aim to make customers and not sales. I just believe in possibility and know that if I continue to put good Karma out into the world that it will come back to me. I just keep on planning not to plan too much. Life is too much fun of a journey to keep making plans. I am excited to see where I will evolve to in 5 years.

Where can we buy your designs?
You can shop online at Metrychick.com, or at any of these retailers that carry MetryChick – this list is always expanding!
Aluj Salon, Arthur Hutton Salon, Daydream Massage, DeJaVu Interiors, Designer’s Gallery, Fleurty Girl, Fun Rock’n Stuff, Pop City & Booty’s Fun Rockn’ Stuff You Want, Jazz Boutique, Milan Hair Salon, My Oh My gifts, Our Little Secrets, Paradise Cafe, Regan’s Hair Salon – Now Salon Sanity, Rose Lynn’s Hallmark, Serenity Day Spa and Gifts, TileMax, Touro Gift Shop

ReX Announces: Toys For Tots / It’s Yours, Take It


NoLA Rising has a long history of distributing artwork at no cost to the New Orleans area. After hurricane Katrina, it was a guiding mission of Rex to replace street signs and paint signs of hope for those who had returned to the city. One person made a movement of dozens of artists.
For the fourth installment of New Orleans’ It’s Yours, Take it, Rex would like to continue the practice of a holiday art swap. For the third year in a row, artwork has been created and sent in for a toy for art swap to raise toys for the Marine Corps Toys for Tots program. The premise is simple: Someone brings a brand new toy in a box to donate to children and they get to take a piece of art with them. The toys are then donated to the Marine Corps’ Toys for Tots program for their annual distribution.
Last year, we again had well over 120 toys donated for the cause and had a small garrison of Marines there to support the cause.
The exchange will be Saturday, December 11th from 12:00 to 3:00  pm at the HiHo Lounge, 2239 St. Claude Ave, New Orleans.

A Meeting of ReX & The Grey Ghost

Art Is Not A Crime ~ Aerosol on canvas by ReX Dingler

 

“Fred Radtke and I in a show together.  Like two feuding brothers.  Proceeds from the sale of either piece go to an art scholarship as requested by Radtke.  When they contacted him and he said he’d do it, he would only do it if the piece was going to be for sale and that the proceeds went to an arts scholarship.  So, they contacted me to see what my opinion was and if I wanted to put a piece in.  I was floored.  And I think it’s admirable of him to do it.  So, I told them that I’d put a piece in if the same stipulation applied…that the piece would be for sale and that it would go to the art scholarship that was picked by either Radtke or whomever chose it.” ~ReX Dingler*

The UK art exhibit 100sqft 5, New Orleans edition, debuts Saturday night, October 23rd as part of “Arts After Dark” at ArtEgg Studios, 1001 South Broad Street from 6:30pm – 10:30pm. According to ArtEggs Studio manager Ashley Boudreaux in today’s Lagniappe, Fred Radtke, aka The Grey Ghost, will be participating in the show. Apparently, someone ironically suggested that unclaimed squares in the exhibit be “greyed” out , referring to Mr. Radtke’s years of indiscriminately painting cement colored paint over graffiti, murals and street art in the city and engaging ReX Dingler in a prolonged “graffiti war”. Ms. Bourgeois contacted him about participating in the show and was “absolutely floored and touched” when he agreed.  “Floored” I get, “touched” – not so much.

The meeting of ReX and The Grey Ghost will definitely add a layer of  interest to the “Arts After Dark” open house for locals familiar with the past history of these two. In the spirit of good artsmanship, ReX has shared the Lagniappe story on his FaceBook page and Twitter today. ReX’s  contribution to the show is the art pictured above but, as of this writing, Fred Radtke’s contribution remains unknown.

~ ~ ~

*Rex Dingler is a New Orleans native who believes that the will of the people is the force of life & that philosophy follows into his artwork. Heralded as the street artist who founded NoLA Rising, a project that delivered hope across New Orleans in post-Katrina months, Rex quickly spread his message of renewal, rebirth and faith to over 30 countries. Rex has exhibited in New York, Miami, Tel Aviv and New Orleans and has been working to promote a mural arts program in Greater New Orleans. Rex’s street art roots have most recently been prominently mentioned in Untitled II: The Beautiful Renaissance; an international street art book published in London. He has been the subject of debate on numerous websites in New Orleans, New York and abroad, most notably in the Village Voice and CultureBot where they deemed him the leader of the largest contemporary arts movement in the American South. His works have appeared in every type of media; details of which can be found in the publications: The Times-Picayune, The Gambit, City Business, Antigravity Culture Magazine, Where Y’at, The Oregonian, CultureBot, Preservation in Print, The Trumpet, The Village Voice, MTV and local television stations WDSU and WWL.

Local Photographer Organizes Humanitarian Project

Art for Art’s Sake is rolling this week-end and one of NOLAFemmes favorite sisters is participating in a photo show on Magazine Street. New Orleanian Laura Bergerol is a world-renown professional photographer who contributed to our Katrina Photo Project this year with several of her beautiful and haunting photos of homes in the city. Laura and Boise based photographer Stacy Ericson created Images Without Borders in the wake of the Haitian earthquake in an effort to supply humanitarian aid through their talent as photographers. They enlisted other photographers to join the cause and now you can view and purchase their stunning photographs this week-end at a showing at The Shop of  the Two Sisters, 1800 Magazine Street during Art for Arts Sake.  All proceeds with be donated to Doctors Without Borders, less the cost of printing, and are limited edition prints that will be retired after purchase.

Laura was kind enough to give NOLAFemmes access to the photographs in the show so we could share a few of them with our readers. So, if you’re out and about for this event Saturday evening, be sure to stop by The Shop of the Two Sisters to catch Laura’s show between the hours of 6 and 9 p.m.  Here is a listing of participating Magazine Street merchants.

New Orleans = A Canvas For Art Post-Katrina

I photographed Rex & friend at a paint party in the St. Roch Community in March of '09

Rex Dingler, creator of NOLA Rising, is interviewed by Where Y’at Magazine on the rise of the activist Nola street art movement that arose post Katrina in our city.

Having access to the city so soon after the devastation caused a sense of panic in Dingler’s mind. A simple phone call from a friend became the starting point for what would result in a post-Katrina street art movement—a movement that would later be named NoLa Rising.

I have my own NOLA Rising art story. I lost my job after the storm when Tenet Health Systems didn’t come back and participate in the rebuilding of our city. In early 2006 I was hired by a local hospital uptown and drove to work everyday down the length of Tchoupitoulas St. On the corner of Tchoupitoulas and Napoleon Ave was a boarded up (as were most) building with a NOLA Rising sign on the door. It was a beautifully multi-colored sign that gave me hope each day as I passed through the streets of a still broken city lined with flooded-out cars and garbage. The day the sign was gone was a sad one for me – it had given me hope each day that one day our city would be back.

Dingler painted on any bit of scrap wood he could find. Thousands of signs were popping up all over the city. Most were simple road markers, but others were messages of hope.

I said it before and I’ll say it again. Thanks, Rex, for all you’ve done and continue to do for the people of New Orleans. You’re a pretty cool guy.

“To me, the most valuable thing in becoming socially visible through the artwork I put up is standing up as a voice of expression in our city when people are trying to take the artist voice away,” he later noted. “That’s when I learned that not only my voice is important, but everyone’s voice is important, no matter what the persecution is going to be.” ~~Rex Dingler

Femme Fatale Friday: Heather Elizabeth

Today we’re featuring New Orleans’ jewelry designer Heather Elizabeth of Heather Elizabeth Designs. Heather specializes in original hand-crafted New Orleans inspired jewelry and accessories. I talked to Heather recently for the scoop behind her fabulous designs.

Heather Elizabeth

How long have you been making jewelry and what inspired you to choose this craft?

I started making New Orleans photograph jewelry in 2002. My inspiration simply comes from my love affair with the city of my birth, New Orleans. I am a 5th generation New Orleanian. I moved to NYC in 1995. I got so homesick in NYC that within a year I was back at home in my beloved New Orleans. Upon my return, I was hungry to know everything about NOLA. I had piles of New Orleans history books on my nightstand and I was shooting a lot of film around the city from 1996-2002. I decided to quit my job as the window dresser of Hurwitz Mintz on Royal Street in 2002. I had no idea what I was going to do to support myself. I looked around my home at all of my NOLA photographs laying around and my history books. It was at this point that an idea popped into my head to make jewelry of my NOLA photos. I started with only necklaces in 2002 and now the rest is history.

Is it your full-time occupation?

Heather Elizabeth Designs is my fulltime occupation.

What is your earliest recollection of arts and crafts as a passion?

I have been involved in arts and crafts since I was a little girl. My grandmother was very creative. She could sew elaborate dresses and make just about anything she wanted with her bare hands. Her own mother was milliner on Louisiana Avenue in the early 1900’s and made gorgeous hats. I spent a lot of time with my grandmother and I think she had a tremendous impact on the nature of my business. It’s sad because she passed away when I was only 18 years old. But, I know she is watching over me and helping me in any way that she can. So, I suppose I am indebted to my ancestors for my creative streak.

Tell us a bit about your creative process. Do you start a project with a beginning, middle and   ending in mind or does it evolve as you go?

My projects definitely have a beginning, middle and ending. I tend to be a person that concentrates on the    end result. So, I usually “flesh” the whole idea out on paper and then proceed with creating the piece.

Whose work has inspired yours?

I am particularly fond of the portrait miniatures that men & women owned as keepsakes in the 1700 and mid- 1800’s. I also love all Victorian jewelry and Art Nouveau jewelry. I am especially fascinated with mourning jewelry of the Victorian period. The craftsmanship of these pieces has inspired me to create some new hand cast designs which I will be debuting in the Fall. If I were to pick an artist in the present day, it would be my friend Kiki Huston. She is a local jewelry designer and although her work is contemporary, she inspires me to keep coming up with new ideas and to try new techniques.

If you find yourself losing interest in a project do you feel guilty and push yourself to finish or set it aside saying, “ah it’s just not meant to be”? Do you have any tips you can share regarding motivation and/or discipline in completing projects?

If I start to lose interest in a project, I just take a break for a few days and come back to it. Sometimes it may even be as long as a week or two, but in the end I will get my projects done. As far as motivation goes, one thing I value is having a bulletin board with pictures of things that inspire me to be creative. I change the pictures on my inspiration board every now and then to keep things fresh. I am in the process right now of remodeling my studio space. One of things I will do when everything is in place in the studio, is to hang some art work of my friends who show at the local art markets. The art work of my friends will also serve to keep me inspired while I am busy at work!

Where do you see yourself and your work in 5 years?

In 5 years I see myself owning a Heather Elizabeth Designs boutique selling my unique jewelry in New Orleans.

Where can we purchase your jewelry?

You can purchase my jewelry online at http://www.hedesigns.com. You may also purchase my work at the Arts Market of New Orleans, Bywater Art Market & Harrison Avenue Marketplace year round (with the exception of June, July and August). And, lastly my work is sold at select shops around the GNO area and they are listed on my website.

Where you can find Heather Elizabeth on the web:

Heather’s FaceBook Page

Heather on Twitter

Heather’s Blog

Art & The Oilspill

Here’s Banksy’s Priest’s reply to the oilspill. Boos & hisses to @verbz on Twitter for attributing this to Banksy. Boos & hisses to me for being gullible.

Update: There’s some question whether this work is indeed that of Banksy. I’ve attempted to contact him & will let you know if I receive a reply.

Update 2: Have learned from a reliable source that this is indeed the work of Priest and so have amended title & commentary. My apologies. This, boyzngrrlz, is what happens when one acts before verifying.

Can You Name 5 Female Artists?

That’s the question posed in the beginning of the trailer for Who Does She Think She Is?, a documentary film by Academy Award Winning filmmaker Pamela Tanner Boll, the co-executive producer of  Born Into Brothels.

Watching and listening to the trailer for this film really brought home for me the  gender-specific issues women face in the artistic community in terms of the devaluation and lack of recognition for their work. Take the following statistics from the film’s press kit for instance:

Source: Guerrilla Girls
• The number of professionally trained artists and art historians in the U.S. – Males 52%, Females
48%
• Percentage of artists at major institutions:
o National Gallery of Art — 98% male, 99.9% white
o National Portrait Gallery — 93% male, 99% white
o Hirshhorn Museum – modern and contemporary art — 95% male, 94% white
• Exhibition opportunities: Juried (artists unknown to juror) – Males 52%, Females 48%
• Exhibitions opportunities: Invited (artists known to juror) – Males 80%, Females 20%
• Gender distribution of visual artists in art texts – Males 90%, Females 10%
• Of the over 100 Tonys awarded since 1947 for theater direction, only 2-5% have been to women
Directors; only 2-6% to African American Directors.

Source: A Room of Her Own: A Foundation For Women Writers and Artists
• Only 9 out of 52 winners of the National Book Award for Fiction are women.
• Only 11 out of 48 winners of the Pulitzer Prize for Fiction have been women.
• Women writers won 63% of the awards but less than 30% of the money in awards reported by
Poets & Writers. (Jan/Feb ‘03 issue).
• 94% of all the writing awards at the Oscars have gone to men.
• A recent study by the Coalition of Women’s Arts Organizations showed that in all 1-person shows
for living artists in American museums, only 2% of the featured artists are women.
• 51% of all visual artists are female and women hold 53% of art degrees, but 80% of college faculty
members are male.

~~~

The film follows the lives of 5 women and their struggle to balance family and art.

“Through their lives, we explore some of the most problematic intersections of our time: mothering and creativity, partnering and independence, economics and art. The film invites us to consider both ancient legacies of women worshipped as cultural muses and more modern times where most people can’t even name a handful of female artists.”

I do believe the value disparity between men and women artists isn’t as wide in New Orleans as in the rest of the country. We’re lucky to live in a city where art, music, food, theatre and, indeed, all genres of the creative are valued and celebrated. If only the rest of the country and the world shared our views.

This looks to be a very important and thought-provoking film and oh, how I wish it would be screened here. According to the website, the closest it will come is Atlanta. Here are the particulars:
ArtMamas Atlanta
Saturday, March 27, 2010 @ 4:30pm
The Grounds Coffee House
898 Oak Street SW Suite F
Atlanta, GA 30310
Free Admission

Update: Read Liprap’s beautiful post here about the art of Jay DeFeo.