Femme Fatale Friday: Becky Fos

Becky and her art as featured in Borgne Restaurant.

Becky and her art as featured in Borgne Restaurant.

 

I first became aware of Becky Fos’s art on Twitter when she followed our page and her avatar caught my eye.  I clicked on through to her website and was blown away by her vibrant, colorful paintings.(She’s also on FaceBook.) I had to know more and she was gracious enough to consent to an interview. Enjoy!

First, tell us a little about yourself.

I am Texan born, a former Austinitte!  So, to some that would explain my sometimes “weird” clothes.  The city’s motto has been, “Keep Austin weird” for as long as I’ve known it.  I moved to New Orleans in 2002 and never once regretted it.  New Orleans, with it’s heritage, history and culture have completely molded me into the person I am today.  I could never imagine myself being anywhere else.  One of my favorite songs growing up was by Fats Domino, “Walking to New Orleans” and now it all makes perfect sense.

How long have you been painting?

I have been painting my whole life, for as long as I can possibly remember.  I painted on the walls of my room growing up, doodled on notebook paper in school, and now canvas.  My favorite times painting are when my son, Jude (age 6) and I set up shop in the kitchen and go to town!!!

Tell us about the materials and techniques you use.

I like to paint on canvas with pallet knives.  I like to use a lot of paint to create texture and I love color.  SOmetimes I’ve been told that I use too much color, but that’s just me.  And I wouldn’t change a thing.

Tell us a bit about your creative process. Do you start a project with a
beginning, middle and ending in mind or does it evolve as you go?

I begin with a thought or a dream.  Or sometimes a person.  I’ve been inspired by going to concerts around the city and seeing the musician up close deeply inspires me and I must create.  I see the passion on their face while creating their art, and this inspires me.  I love to capture the magic that I’ve witnessed first-hand and that’s how it starts.  So, I have a jumping off point and then it actually evolves.  I paint backwards actually because I paint the focal point first and not the background.  I know everybody is different, but that’s how I start.  SOmetimes I change the background several times.

Is art your full-time occupation?

Yes, my art is a full-time gig for me.  I also do some of the chalk art at Chef, John Besh’s Restaurant, Borgne along with the amazing, Lance Romano.

What is your earliest recollection of art as a passion?

I’ve always loved art.  I was always drawn to things sparkly and colorful.  My mom use to call me her “crow” because a crow will always seem to find that burry treasure of sparkleness.  My passion only grows.

Who are some of your favorite artists?

I feel so bad about saying who my favorite artists are because I have so many friends who are artists.  But just to name a few, Keith Eccles and Terrance Osborne since they have both guided me on this path.  Bansky, Bruni and Van Gogh of course.

If you find yourself losing interest in a project do you push yourself to finish or set it aside for later? Do you have any tips you can share regarding motivation and/or discipline in completing a project?

Not all projects that we start do we stay 100% motivated throughout.  There are actually a few pieces that I’ll be working on at a time.  Sometimes I just have to put one down and walk away, especially when I’m feeling not motivated.  Then I start to feel defeated so it actually motivates me to go back and finish.  It’s these pieces that actually come out the absolute best and I never want to get rid of them and hold on to them.

Where in the city can we see your work?

Lozano & Barbuti Gallery at 313 Royal St in New Orleans carries my original artwork and I actually have a website that I sell my reproductions from: www.beckyfos.com

Where do you see yourself and your work in 5 years?

I have big goals that I’ve set for myself.  I like to aim high.  I plan on having my own art gallery in the french quarter right next to all the big dogs lol.  I’m aiming for the moon! :-)

 

Professor Longhair

Professor Longhair

Glass Woman Prize: Supporting Women’s Writing

Well, National Poetry Month is over and I’m pleased with myself for writing as much poetry as I did. I posted new poems 22 out of 30 days which is the best I’ve done for NaPoWriMo, ever. Last year I didn’t even attempt it so I feel good about this year’s effort. Not that I think all the poems were good ones, but the exercise made me stretch, made me write when I didn’t feel inspired on my own, made me think hard. I had to look for something to inspire, something I don’t do on a regular basis. The NaPoWriMo website was helpful as was reading the work of other poets that gave me ideas or nudged my memory about long-forgotten events. It was a good thing.

A big thing (for me) that happened in April was that I was notified I was a finalist for the 15th Glass Woman Prize for my micro-fiction piece “Something About SW”. I was astonished! I had no idea anything of mine was up for consideration. The Glass Woman Prize is curated by Beate Sigriddaughter to encourage women writersto acknowledge, transparently, who we are, and that who we are is not trivial and unimportant, despite the fact that it is not typically rewarded in a man-made and money-motivated world.

Stats from the website:

As of April 2014:

$10,430 prizes went to 41 prize winners, including $430 in anonymous donations.

5905 direct submissions were read, and an additional estimated 1000 from sources other than direct submissions.

116 stories were posted or linked to the Glass Woman Prize page.

I am honored to be a part what Beate has built and is continuing to build. The winner of the 15th Glass Woman Prize is “Simulacra” by J.P. Reese which I first read on Fictionaut where I commented, “I don’t like how this makes me feel which is what makes it so brilliant.” And I meant it. A good story doesn’t have to make you feel good, it has to make you feel and this story makes you feel, big-time.

I urge you all to go to the GWP page and read the winner’s and finalist’s work and read Beate’s own work, which is phenomenal. The level of talent Beate has gathered for the GWP is amazing and the work is powerful and inspiring. Again, I am in awe of what Beate has done for women’s writing. I hope you will give her your support by reading the work.

Women Who Write: Valentine Pierce

This is the final interview in our four-part series featuring Louisiana women poets in celebration of National Poetry Month. Each profile has featured a poet from New Orleans or Southeast Louisiana including interview, biography and an original poem selected for this feature.

Valentine Pierce

Valentine Pierce

Valentine Pierce is a New Orleans poet, writer, graphic designer, visual artist and actor. A bit of her wisdom: “We are all many things, a vessel of triumphs and trials, worlds within the worlds of all the people in our lives, singular wonders and curiosities of humanness.” Pierce’s debut book, Geometry of the Heart, was published in 2007 by Portals Press. She has been a resident writer at A Studio in the Woods in 2006, had her artwork displayed at Tulane’s Carroll Gallery, and performed in several productions at Ashé Community Art Center. She even won two awards from the American Academy of Community Theatres—to her surprise.

Fishwife

Melissa is a late baby,
Born in the waters of the Atlantic off the U.S. coast.
Her mid-November birth so far from land destines her
To be a fishwife, to hurl her insults at and spin herself down
Back into the waters from which she came.
No land is near enough to this child of the waters.
Even though her foul-mouthed sputterings
Come as tropical storm winds
And sheeted rain far across the waters,
By the time they reach us they are merely a severe rainstorm,
An accustomed annoyance;
Her voice echoes in the thunder but rallies no fear.
We will feel her wet, latent fury but no one
Will be running for higher or distant ground.
She will die as she was born—helpless and hopeless
In the mid-Atlantic waters in late November.

(Note on this poem: A couple of years ago I heard meteorologist Margaret Orr call a storm a fishwife. I’d never heard of a fishwife and didn’t know how it applied. I did some research and learned about fishwives and why some storms are called such. In November 2013 I finally got to use that word, which had been sitting in the word box of my mind.)

 

What is your earliest recollection of the desire to write down your own thoughts?
I don’t recall when I started writing—grade school, I guess. That’s what we called elementary school back then or grammar school.

Do you remember your first poem? What was it about?
The first poem I ever had published, according to my mom, was in the school bulletin at Joseph S. Craig, when I was in the second grade. The only line I remember is “on the outside looking in.” I remember the first poem I ever got published, in 1983. At that time it was titled “Always Strong.” I revised it so the theme was more universal and retitled “Soul of the Universe.” It was published in the now defunct Day Tonight/Night Today.

Is writing your full-time occupation?
Writing was my full-time occupation. I was a journalist for about 30 years. I was a journalist, photojournalist, layout person, editor, managing editor and press chief. I also had a weekly column, “Marrero Musings,” in the Times-Picayune for seven years. And I did freelance writing. Now my full-time job is graphic design and most of the published work is poetry. I also have odd jobs including freelance graphic design, sewing, and crafting.

Is poetry your primary genre? Do you work in any others?
Poetry is my primary genre but I write in a variety of genres from simple prose to essays to plays, to one-act-shows. I really don’t categorize my work in the sense of right now I am going to write an essay or now I’ll write a poem. I just write and let it happen. I even have a novel in progress—since July 2005. It is called “Dead North.” It got it’s name from the Federal Flood commonly known as Hurricane Katrina. It is a novel about a major hurricane. I’ve been interested in hurricanes all my life and said to myself, hey, “No one has written a novel about a hurricane.” It seems centuries ago that I read a book about a major storm that brought a bad spirit to a certain island. That was part of my inspiration. Hurricanes were the other part and I had tons of secondhand research. A month later I began to get firsthand information. I am not sure that that novel will ever be finished because going from poetry-length to book-length is a feat.

I write short stories, too. They have never been published because most need a tremendous amount of work. I did have one critiqued about 10 years after I wrote it. The ending was weak but the person who critiqued it, a writer I respect, said it would only take me about 20 minutes to fix then ending. He was right but I’ve never had it published. I have a three or four other books that are laying around in a bin somewhere, too.

I even have a whole book, a short one, called “Boundaries of a Life,” which is journaling and poetry about coping with grief. Hmmm, perhaps I need to pull that one out.

As you can see, writing is my life—paid or unpaid.

Do you have a favorite place to write or a routine that’s particularly conducive to your creativity?
Generally, whenever the muse strikes. I don’t usually decide to write, that is decided by my muses, my environment, my mood. Writing just happens for me. But, if I were to choose a place, it would be my home because there are no interruptions. I don’t have to be concerned with time, place, space. When my children were young, it was after they went to bed. Generally thought, poetry hits me in the midst of everyday living and I write it then to keep from losing it.

Where was the strangest place that inspiration hit you for a poem and how did it turn out?

Probably the seafood market that was once on St. Roch at St. Claude. I wrote a poem on a napkin with a burned out match. I can’t remember the name because I was a teenager but I still have it somewhere.

Oh, wait, once, in a restroom I pulled a paper towel off a shelf. When I had entered I wondered why so many of them were on the floor. When I pulled mine, a second one just floated down like a butterfly so I wrote a brown butterfly poem about it. Don’t know where that poem is right now.

Are there any recurrent themes in your poems? If so, why do you think that is?
I think the only recurring theme in my poems is life. That’s what I write about. The here and now, the hurt and happiness, the smiles and tears.

I am somewhat a collector of words. Do you have any favorite words?
I collect words and phrases. Often they end up in poems. Can’t think of any phrases to share but some of my words have to do with poems like Onomatapeia and iambic pentameter. I also collect names because they are amazing Like Beth Kneebone, She Ping, Cleopatra Pendleton, William Dear, Freeman A. Hrabowski III., and Jacqueline Goodchilds are just a few I have on my desk right now.

Do you have any tips to share regarding motivation and/or discipline in completing a piece?
I don’t know what tips would be useful because writing is such a personal art. Sometimes you have to stay still, stay home, skip the television program to work through a piece, sometimes you have to set it aside long enough for other things to fill you mind and then go back to it because it becomes fresh again that way. Sometimes you have to leave home and go to a park or a retreat. When I had the opportunity to be the writer-in-residence at A Studio in the Woods in 2006 it was the first time in my life that I could spend every waking moment writing. And I did. I was amazed at the amount of work I completed in one month. I wish I could do that all the time. I have several friends to thank for that for constantly telling me to submit until finally I gathered up my courage and did it. My fear was that I didn’t stand a chance because there are so many great writers in New Orleans. I came back from Phoenix, AZ, where I was living with friends after the storm.
(Editors note: the storm = Hurricane Katrina)

Who are some of your favorite poets and why?
Goodness. That list is so long: Paul Laurence Dunbar, Langston Hughes, Maya Angelou, Elizabeth Barrett Browning, all of the Black Renaissance poets, just about every poet in this city, the poets I recently met at the Acadiana Word Lab, most of the poets I’ve met in my life. What I like is the work, the words they put down, the sound, rhythm, music of the words, how they approach their topics whether main stream or taboo, the many ways writers write. I am probably not explaining this well because it is impossible to say exactly. I just know that poets inspire me, cause me to challenge myself, bring me great joy and sometimes bring tears to my eyes.
I have been inspired to write many poems based on hearing other poets read their work.

Finally, do you have any upcoming readings or appearances you can share with us?
My next events are workshops at the Algiers Regional Library April 19 and 26, 2p. It’s called “Stand Up, Look Up, Speak Up: How to present your work in public.”
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Thank you, Valentine, for sharing your work and your thoughts with us today.

Thanks to all of the wonderful women poets that participated in this series. It was great!

To read all interviews for Women Who Write, click here.

Women Who Write: Julie Kane

This is the third in a four-part series featuring Louisiana women poets in celebration of National Poetry Month. Each profile will highlight a poet from New Orleans or Southeast Louisiana including interview, biography and an original poem selected for this feature.

Julie Kane

Julie Kane

Our featured poet today is Julie Kane. Julie’s poetry collections include Rhythm & Booze (University of Illinois Press, 2003), which was Maxine Kumin’s selection for the National Poetry Series and a finalist for the Poets’ Prize; Jazz Funeral (Story Line Press, 2009), which won the Donald Justice Poetry Prize, judged by David Mason; and Paper Bullets (White Violet Press, 2014), a new collection of light verse. Together with Grace Bauer, she co-edited the anthology Umpteen Ways of Looking at a Possum: Critical and Creative Responses to Everette Maddox (2006), which became a finalist for the Southern Independent  Booksellers Alliance book prize in poetry. The nonfiction Vietnam memoir that she co-authored with Kiem Do (Counterpart: A South Vietnamese Naval Officer’s War, 1998) became a History Book Club featured alternate selection. Recently she wrote the libretto for Starship Paradise, a one-act opera with music by Dale Trumbore that was produced by Center City Opera Theater of Philadelphia. Her poems appear in over forty anthologies and in journals such as Barrow Street, Prairie Schooner, Rattle, and The Southern Review. They have also been featured on Poetry Daily, Verse Daily, and The Writer’s Almanac with Garrison Keillor. The 2011-2013 Louisiana Poet Laureate,she has also been the George Bennett Fellow in Writing at Phillips Exeter Academy, the New Orleans Writer in Residence at Tulane University, a faculty member of the West Chester Conference on Form and Narrative in Poetry, and a Fulbright Scholar to Vilnius Pedagogical University in Lithuania. Currently she is a Professor of English at Northwestern State University in Natchitoches, Louisiana, and a Contributing Editor to Light Magazine.

THOSE SUNDAY DRIVES

You used to bore me with your monologues
on drives through old “New Awlins” neighborhoods:
what family had what house when you were young
and where some candy store or bank had stood.
Who cares about the past? I used to think.
We Yankee Irish pulled up roots a lot,
escaping relatives with chicken coops
and cabbage boiling in a kitchen pot.
But that was all before the hurricane
our Mason-Dixon love did not survive—
a minor loss beside a thousand dead,
four houses flooded out of every five.
So much has changed: Time speeded up her clock,
and now I bore all riders with my talk.

What is your earliest recollection of the desire to write down your own thoughts?
When I was seven years old, I had a collection of fairy tales by Hans Christian Andersen with several blank white pages at the end. I knew with absolute certainty that I was supposed to write my own story on those pages, and I did, printing it in pencil. It was about a girl who was helping her mother make whipped cream, but she whipped it too long and it turned into butter, and then her fairy godmother appeared and granted her one wish, and she turned the butter back to “wiped cream.” I still have that book.

Do you remember your first poem? What was it about?

I don’t remember the very first one, but I have a copy of one I wrote in 5th grade, when we were studying logging in our social studies textbook (God only knows why). It begins: “The loggers are busy cutting trees / with saws that sound like bumblebees . . .”

Is writing your full-time occupation?

Ha! Advice to any aspiring poets out there: don’t quit your day job! I am an English professor at Northwestern State University in Natchitoches, Louisiana. Before I got my doctorate, I worked for many years as a technical writer and editor.

Is poetry your primary genre? Do you work in any others?

Yes, it is my primary genre, but I also publish creative nonfiction, and I write scholarly essays and book reviews about literature. Last year I wrote the libretto for a one-act opera that was produced by Center City Opera Theater of Philadelphia.

I’m always interested in the writing process. Tell us a little about yours. Do you ponder a poem for a while, keeping it in a draft stage and working on it periodically or do you write it all at once, as the inspiration and words strike you? How much editing do you do on a piece?

I can write prose when I am not inspired and produce a lousy first draft, and then go back to it and improve it later, but poetry is different—I have to be feeling inspired to write a poem, or it just does not flow. I handwrite in pencil on lined paper, and I keep crossing out and crumpling up sheets of paper—the first draft of a one-page poem might take me several hours. Then I have to put it aside for awhile, a few days or a few weeks, before I can look at it objectively and tweak word choices or individual lines. Sometimes I will get the idea for a poem but know that I am not ready to write it yet. There are a few poems that have taken me years between the time the idea came to me and the time I felt ready to write it.

Do you have a favorite place to write that’s particularly conducive to your creativity?

I have a huge study with bookshelves and a desk, but my favorite place to write is a little breakfast table that looks out on my yard, with birdfeeders and trees and flowers.

I read an interview where you said you can not force poetry if you’re not feeling
inspired (and I silently cheered!). So many writers advise to write every day, to
actually force yourself, that it’s good practice. What do you think about that p.o.v.?

I think it’s a good idea to write every day if you are working on a novel or a dissertation or
another long prose work, but it does not work for me in terms of poetry. It does for some poets,though.

Where was the strangest place that inspiration hit you for a poem and how did it turn out?

There have been times when I was driving my car and a line or idea would come to me, and I have had to fish in my purse for a pen and the back of one of the deposit slips in my checkbook to try to write it down while driving. Then sometimes I go back to those cryptic jottings and wonder, What on earth was I thinking?

Are there any recurrent themes in your poems? If so, why do you think that is?

Other people are better than I am at spotting themes, since I am inside the poems and they are outside. But certainly, love and the breakdown of contemporary relationships, fate versus free will, alcoholism, mortality, Irish Catholicism, Louisiana nature and culture.

I am somewhat a collector of words. Do you have any favorite words?

I think my favorite is “newfangleness,” from the 16th century poem “They Flee from Me,” by Sir Thomas Wyatt the Elder. It means “fickleness.”

Do you have any tips to share regarding motivation and/or discipline in completing a piece?

You have to love the act of writing enough to finish what you start, or what’s the point? There are so many other things competing for our time and attention—there is no need to torture yourself, if you don’t love to do it. It can be hard sitting down in the writing chair and getting started, but once that creative flow takes over, it should be more fun than Netflix or Facebook!

I know that you studied briefly under Anne Sexton at Boston University. What is the one most important thing you learned from her?

She told us not to be afraid to be a fool for poetry—not to worry about whether anyone would like us or respect us because of what we wrote. It was the opposite of the advice my mother drilled into me while I was growing up, which was to always worry about what other people were thinking, to be well-behaved at all times.

You were Louisiana’s Poet Laureate for 2011-2013. Do you remember how you felt the minute you were told that you were chosen?

I was sitting in my office at work, getting ready to teach a night class, when I opened an email message from a member of the governor’s staff. It said that the governor would like to name me the next Poet Laureate. I was so happy and excited, I let out a very loud scream! And then a student who was out in the hall poked his head in my office to ask if I were OK.

Did you learn anything that surprised you during your time as Poet Laureate?

I was stunned to find so many thousands of people who care about poetry, all around the state: from teenaged dropouts in an alternative high school to the Colonial Dames of Shreveport.

There is a burgeoning poetry community online and new lit journals popping up all the time. Some people think it’s just so much “look at me” noise and unworthy of notice while others celebrate more open and diverse opportunities for poets to share their work. What do you think?

I think online publication is wonderful—it means that anyone can find and read your poem online, and that the size of the audience is potentially unlimited. I love the look and feel of a beautiful print journal or a book, but I also love the democracy of online publishing. Also, online forums and listservs and social media make it possible for writers who share a certain interest—such as those of us who write in form, the so-called “New Formalists”—to share news and build a sense of community that counters the isolation of writing.

I find it impossible to name one poet who is my favorite – I have several. Who are some of your favorite poets and/or poems?

It is impossible for me to name all of my favorite living poets, but I can name some of my favorites who are no longer living: the ancient Chinese poets including Po Chu-i, Sir Thomas Wyatt the Elder, John Donne, Charles Baudelaire, Constantine Cavafy, William Butler Yeats, Robert Frost, Edna St. Vincent Millay, Dorothy Parker, Anna Ahkmatova, Sylvia Plath, Anne Sexton, Seamus Heaney.

Finally, do you have any upcoming readings or appearances you can share with us?

I have several readings coming up in Washington, DC, next week. Together with the current Louisiana Poet Laureate, Ava Leavell Haymon, I will be reading at the National Press Club of Washington, DC, at 12 noon on April 15. That reading is sponsored by the American Women Writers National Museum. That same evening at 7 PM, Ava and I and two other women poets will be reading at the Arts Club of Washington. The following day, we will read our poems for a taping of Grace Cavalieri’s radio show, “The Poet and the Poem.” Later this month (April 27), I will be taking part in a reading at the Zachary Public Library that will honor the memory of Wilmer Mills, a Louisiana poet who died young.

_______________________________

Thank you, Julie, for sharing your thoughts with us today!

To read all interviews for Women Who Write, click here. Next Friday: Valentine Pierce.

Women Who Write: Cassie Pruyn

This is the second in a four-part series featuring Louisiana women poets in celebration of National Poetry Month. Each profile will highlight a poet from New Orleans or Southeast Louisiana including interview, biography and an original poem selected for this feature.

Cassie Pruyn

Cassie Pruyn

Today we feature Cassie Pruyn. Cassie is a New Orleans-based poet born and raised in Portland, Maine. She is currently studying at The Bennington Writing Seminars. Her obsessions include geographic history, geographic mystery, and the impossible struggle to express place through language. Her poems have been featured in The Double Dealer, she placed second runner-up in the 2013 William Faulkner-William Wisdom Creative Writing Competition, and she was a finalist in the 2013 Indiana Review 1/2K Prize.

THE NEW ORLEANS AFFAIR

Poor Mississippi. 
Barge-laden, crowned with bluffs. 
She’s been scorned by this city, 
who once loved her enough 

to lay himself down along 
her S like a set 
of ribs (overeager stone- 
stacker, naive architect). 

Her lover’s put a wall up. 
He won’t touch her, won’t 
let her leave––he’s boarded shut 
the windows, girdled her, stripped 

her banks clear of “debris.” 
In the beginning, he smelled 
of blood and fresh pralines. 
She lapped at him nightly, cradling 

his churches and ridges, 
porches and cisterns; she flooded 
him yearly, tickled his drainage. 
Still he insisted 

on having her tamed. 
Planning her revenge, crisscrossed 
with tourniquets, she’ll claim 
him again––it’s his loss, 

she’ll make sure of it. For near 
the levees’ concrete bases,
small cracks have begun to appear. 
She strokes the crevices

with her long tongue, reminiscing: 
Remember those hand-dug canals?
Canoes made of cypresses? 
Even those vulgar sawmills 

she’d prefer to this half-sunk grime. 
Only muffled voices 
now, as she considers her choices; 
seagulls, girders, and plenty of time.


How long have you been writing and what inspired you to choose this craft?

I’ve been writing poetry, at least semi-consistently, for about fifteen years. Like many writers, I started out as an avid reader, but primarily of novels and stories. I’ve given a fair amount of thought, therefore, to the question “why poetry?” as opposed to any other genre or craft, and my best guess is that it comes out of a strong love of words––for the musicality and physicality of words in specific––and also for the compactness inherent in poetry as opposed to prose. I always loved a good story as a kid, but I also loved song lyrics. I loved the container of the song, the way a song can be used as a vehicle for expression. But I was not cut out to be a musician—the words would come, but never a melody.

I also think the way I experience and think about the world lends itself to writing poetry––or at least the desire to write poetry. Any writer has to be a keen observer, but I imagine for a fiction writer this act of observing has more to do with the way human beings relate to one another, or to themselves, as it pertains to the sustainment of a narrative. Well, really, I have no idea how fiction writers think—narrative and imagining characters is never something that has come naturally to me. Rather, I seem to experience the world as a series of atmospheric moments––a kind of holistic sensory impact, as encapsulated by specific moments in time. This is also why I love writing about space and place.


Is poetry your primary genre? Do you work in any others?

Yes; and not yet. I can count on one hand the number of times I’ve attempted to write a story, and they were all in response to prompts given by teachers. As I mentioned above, I’m a reader of narrative but not yet a writer of narrative. At some point, I’d really love to expand that part of my brain (because they really do feel like separate mental faculties––the writing of poetry vs. the writing of narrative prose) and challenge myself to attempt a novel, but who knows when and if that will happen. I do love writing critical prose—reviews, close readings, and the like—however.


What is your earliest recollection of writing and poetry as a passion? Do you remember your first poem?

I love this question! It’s been great to think back to those sentimental, angst-ridden poems of my adolescence. While I can’t remember my absolute first poem, I know I began writing them in earnest when I was 11, my first year in middle school and my first year in a new town. I grew up in an 18th century farmhouse in rural Maine, but when I was 11, after my parents had split up, we moved to the suburbs. If a new school, combined with the onslaught of puberty and a huge geographical/atmospheric change wouldn’t inspire a young poet-to-be to begin writing, I don’t know what would! I remember coming home from school, gazing out the window, and writing rhyming poems in my journal. I seem to remember a poem that revolved around the trope of  a red rose with prickly thorns (obviously!).

Is writing your full-time occupation? If not, how do you fit writing into your work and personal life?

I consider writing to be my full-time job at the moment, in part because I am finishing up my MFA this semester, but I also work as a full-time nanny. Right now, my schedule involves dropping the kids off at school, writing most of the day, and then picking them up and working until 7 o’clock. It’s a lucky little life I lead; I love my job and I love having a lot of structured time to write. At some point, I’d love to teach in some capacity, but I also feel inclined to hold onto the schedule I have. Aside from money, time seems to be that thing that professional (or non-professional) writers covet the most. I feel lucky to be able to have that right now.

I’m always interested in the writing process. Tell us a little about yours. Do you ponder a poem for a while, keeping it in a draft stage and working on it periodically or do you write it all at once, as the inspiration and words strike you? How much editing do you do on a piece?

I find it really difficult to talk about process, because I find my process is constantly shifting to accommodate whatever project I’m working on. And in general, I find the process of writing a poem/series of poems to be an often frustratingly fluid experience. I try to balance structure with inspiration, routine with spontaneity, in order to be the most productive I can be without at the same time choking my poems before they even have a chance to come out. I’ll say, “Ok, I’m going to start writing at 9:30 and stop at 1:00, I’m going to turn off my phone, I’m going to take one or two short breaks, I’m going to work on developing this part of my project,” etc. but then who knows what actually happens on any given day within the parameters I’ve set for myself. I might strike upon an entirely new idea, I might finish something I hadn’t planned on finishing, or I might get virtually no writing done and spend the day sighing and un-inspired. If I ever start to feel uninspired, though, I run to the bookshelf immediately!

The amazing essayist Jo Ann Beard, in a lecture I heard her give once, said that process is as unique as a fingerprint: it’s utterly different for everyone. I find that idea really liberating. She said, regardless of whatever form it takes, though, that it has to do with entering into and staying inside of––for as long as possible––that realm of imagination, with sustaining the imaginal logic of whatever the piece of writing may be. This is an insanely difficult thing to do. She likened it to trying to hold a beach ball underwater for hours at a time, without letting it bob back up to the surface. I think that analogy is really apt. Process is definitely an unwieldy beast.

I do know that I spend an incredible amount of time editing––or reimagining––every poem I write. I tend to work in series of poems, and so I spend a lot of time rearranging and re-conceiving how my poems relate to one another, as well as tweaking individual lines and words. Writing successfully, for me, has everything to do with editing, which is not to discredit the value of those momentary bursts of inspiration––but those, for me, can come at any time during the process of working on the poem, and not just when I’m first setting it down on the page.

Do you have a favorite place to write that’s particularly conducive to your creativity?

When I’m trying to come up with a new idea, I really enjoy writing in coffee shops. I like the buzz and the energy (although I’m always the dork in the corner with ear plugs in; I can’t write to music because it messes me up when I’m trying to “hear” my poems). But, because I tend to come up with long-term “project” ideas that often require research or printing a bunch of poems out and rearranging them, I do a lot of my writing at home. I’ll write anywhere in my apartment––on the couch, on the bed, at my standing desk, at the counter. I find when I’m really trying to sit with a poem or group of poems, really trying to “hold the beach ball under,” as it were, I like to be at home. As most writers seem to be, I am very introverted. While I enjoy being the fly on the wall sometimes, the occasional “flaneur” about town, at the end of the day I really just want to be alone in my little cave!

Do you have any tips you can share regarding motivation and/or discipline in completing a piece?

Don’t give up! Allow yourself to struggle! Sit with the discomfort of struggling. This is something I’ve learned the hard way, and will probably learn the hard way again. I’m a perfectionist, and I like to achieve––but this is something you have to both cultivate and push against as a writer. You have to want it enough to keep going, but be humble enough to understand that you’re going to have to mess it up to get it right. I’ve been circling about one project––one source of inspiration––for over five years now, and failed countless times in trying to give voice to this inspiration. Like, really failed. But, it’s like Bob Dylan says: “There’s no success like failure.” It’s such a cliche but it’s true. Understand that you’re going to “fail,” but don’t let it demoralize you; learn from it instead. And, during those occasional moments of confusion and panic, if you come back to your essential love for writing, the reason you came to it in the first place, you’ll push through to the other side. At least this is what I tell myself literally every. single. day. It’s far easier said than done, but I think it’s the difference between writing and, well, not.


Who’s work has inspired yours?

There are many poets who’ve inspired me, but Elizabeth Bishop is someone I’m thinking a lot about right now. Bishop achieves this very real intimacy with the reader, but never by giving the reader information about herself directly. You get to know her by looking with her. She describes objects and landscapes with such detail and texture, and the way you end up feeling close to her is by getting to see these things too, in the way that she sees them. It’s about witnessing the rhythms of the poet’s unique mind, thinking the way she thinks for the duration of the poem. I am not what you would call a “confessional” poet. Even when I am writing on or from emotion, I am always fictionalizing it to a certain extent. I think I am an inherently private person. But a writer has to make the reader feel welcome, nonetheless; she has to let the reader get to know her in certain essential ways, even if it’s not the way she’d let, say, her best friend get to know her. Bishop really exemplifies this. Plus, she writes about geography too.


I find it impossible to name one poet who is my favorite – I have several. Who are some of your favorite poets and/or poems?

I could never pick just one favorite either, but here are some poets I love:

Frank Bidart, Rita Dove, Anne Carson, Elizabeth Bishop, Rainer Maria Rilke, Sarah Messer, Derek Walcott, Seamus Heaney, Maggie Nelson, Frank Stanford, Lyn Hejinian, Donald Hall, Joan Ashbery, Joseph Brodsky, Marianne Moore, Sylvia Plath, Shakespeare….and that’s just poetry! I could go on and on….


Where do you see yourself with regard to your writing in 5 years?

It feels silly to try and predict what I might be working on in 5 years, although it seems as though I’ve got two projects going at the moment––I thought they belonged together at first, but now I don’t think they do. I’m working on a series of historically-based poems about Colonial America, and another series having to do with a particular relationship in my life. It’d be great if, say, I finished one of those projects and published it as my first book of poems, and were on my way into writing my next book in five years. Who knows how these plans will change, though. It may take considerably longer to achieve that. I also have an idea for a series of poems on the Mississippi River. I’d like to write a magical-realism history of the Mississippi River, in verse––go big or go home, right?!

Whatever I’m doing, I hope I’m making time to write and feeling inspired. That’s all I really want for myself, period––but it’d be nice if something got published here and there along the way….

Are there any online or print journals you read and recommend? Are there any venues for sharing/listening to poetry that you recommend?

I’m definitely in the beginning stages of combing through all the awesome journals available online or in print. As in, I’ve only been playing the trying-to-get-published game for about a year (although that’s not the only reason to read literary journals!), and not as consistently as I ought to be. I find the process pretty overwhelming. There is so much out there. And if I could afford to just buy subscriptions to all of the journals that look interesting, and had the time to read all of them, I really would. It seems really difficult, however, to put quality time into your writing and to also find enough time to really expose yourself to the world of published work. I don’t know how people do it!

As for the second part of the question, I think any poetry event––readings, Slam performances, etc.––in New Orleans is worth going to. It’s such a welcoming (and relatively small) city, so going to these events is a great way to meet people, and to connect and reconnect with other local writers. I’m easy to please with this type of thing––I love just being around other people who also find it worthwhile to sit down and write every day, regardless in our potential aesthetic differences. I think New Orleans is a great place to be an artist right now, for many reasons. It’s a highly inspiring, highly stimulating place with delightfully low levels of pretentiousness, and you’ll start to hear it creeping in to everyone’s work, your own included, which just serves to create another connection between you and other local writers.

What are some of your favorite words and why?

This is even harder than picking a favorite author! In general, though, I like English words with more Germanic sounds, words with texture and punch. I also like single-syllabic words a lot.Straw. Gut. Hook. Orange. Those are my favorites tonight!

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Thank you, Cassie, for sharing your interesting pov with us today!

peauxdunqueCassie will be reading at the upcoming literary event Yeah, You Write, a Word Rebellion: Readings and Music, on April 18 at Cafe Istanbul. For more info see the FaceBook page of Peauxdunque Writers Alliance, sponsors of the event.

 
To read all interviews for Women Who Write, click here.

Next Friday: Julie Kane

Women Who Write: Kelly Harris

This is the first of a four-part series featuring Louisiana women poets in celebration of National Poetry Month. Each profile will highlight a poet from New Orleans or Southeast Louisiana including interview, biography and an original poem selected for this feature.

Kelly Harris

Kelly Harris

This week we feature Kelly Harris. Kelly earned her MFA in poetry from Lesley University in Cambridge, Mass. She has been awarded fellowships by Cave Canem and the Fine Arts Work Center and won a Wendy L. Moore Emerging Artists Award from the Museum of Contemporary Art Cleveland. Her poems have appeared in Say It Loud: Poems for James Brown, Yale University’s Caduceus, PMS, The Southern Women’s Review, PLUCK Magazine, DrumVoices Revue and other publications. The Kent State University graduate serves on the board of STAIR, (Start the Adventure in Reading) and is the editor/founder of brassybrown.com

Kelly will be speaking at The Contemporary Arts Center on April 18th in celebration of National Poetry Month and the 30 Americans Exhibition.

 

Stick Fighter
for Winnie Mandela

his breath on your neck

    his morning posture
    at the breakfast table

keepsakes of an ordinary wife

    freedom is not a love story

jumping the broom
is a weapon against those

    who see no danger in a woman

wearing a gele
crossing the threshold

    of her forbidden country

she is mad as the man
she married

can’t wait for God’s will

    demons are necessary
there must be blood

concrete to kiss
a modest woman will not have

    her name carved in stone
freedom is not a love story

               Winnie

the iron that sharpened him
all those years
               into a fist

~ ©Kelly Harris

How long have you been writing and what inspired you to choose this craft?

As a child I could always recite speeches and poems. I don’t really know how I developed the skill. I just always remember speaking somewhere and being mindful at an early age. I’ve been writing seriously since I was an undergraduate at Kent State University. I entered the university as a magazine journalism major, but it was always poetry that had a hold on me. I won a pageant contest my freshmen year. My talent was poetry, and soon after I become a poetry editor for the Black student’s publication and ran a poetry series that’s still active today. I don’t think I ever woke up one morning and said to myself, “I’m going to be a poet today.” I believe life calls us to become who we are meant to be.

Is poetry your primary genre? Do you work in any others?

Poetry is my first literary love. My blog, BrassyBrown.com, allows me to stretch my writing and of course, share my poetry. I just finished a major writing project about Black women in New Orleans that should be released soon by a nonprofit. I also do freelancing when I can. I am in the process of trying to find interest for my children’s book manuscript called “My Hoodie Keeps me Warm.” It’s the story of a group of African-American teenage boys being racially profiled. I am looking for a press for my poetry manuscript, “Revival.”

What is your earliest recollection of writing and poetry as a passion? Do you remember your first poem?

My first poem was called “Be a Leader Not a Follower.” I wrote it in 5th grade at my grandmother’s coffee table. I used to write poems in a spiral, pink Mead notebook. I threw
away many of my earliest poems because I was teased for being a poet. There weren’t a lot of poetry programs in the schools I went to. I didn’t pick up writing again until about 11th grade. I grew up in a very poor neighborhood. The great thing about my street was people were always talking, gossiping, cussing, and when you juxtaposed that with jump rope songs, hip-hop, my mother’s music collections, attending church with my family and black girlhood, it makes for great poetry.

Is writing your full-time occupation?

I wish. I’m a stay-at-home-mom and do contractual gigs in literacy, strategic planning and business writing. This may be hard to imagine, but I think becoming a mom has helped me become a better writer. It’s sharpened my attention to details and sound. To watch my 18-month-old daughter’s evolution of speech really has helped me think about language as a unit of the body.

I’m always interested in the writing process. Tell us a little about yours. Do you ponder a poem for a while, keeping it in a draft stage and working on it periodically or do you write it all at once, as the inspiration and words strike you? How much editing do you do on a piece?

I can sit and write a blog a lot easier and faster than a poem. Being a mother has forced me to write at God-awful-times, but I get it done because I do see writing as my life’s job. Most of my poems begin handwritten. When I type poems, I edit too fast. It’s just too convenient to backspace. I’m more likely to delete lines or words that may be useful later. I often do mental mapping of my poems. It helps me weed out clichés and tendencies and helps me see the possibilities for a poem.

Do you have a favorite place to write that’s particularly conducive to your creativity?

I write when and where I can, but I must admit I don’t write well in crowds or with lots of noise. Libraries used to be my ideal place, but now they are not guaranteed places of silence. There are very few public places where you can find solitude. Usually when everyone is sleeping, I am writing.

Do you have any tips you can share regarding motivation and/or discipline in completing a piece?

I have an MFA in Creative Writing and I sat through all sorts of lectures about motivation and discipline. First, it takes courage to write and hard work to write well, but the writing process is a lot more complicated than that. I’ve learned that everyone is different. I’ve tried to sit down each day and write on a schedule. I just can’t do it. I’m not wired that way, and my life is too hectic for structured writing. I make sure I take in a lot of music, interviews, reading, conversations and vocabulary words so that I am stock piling ideas and energy for poems to come. I’m always working on about 3-4 poems at a time. And I keep a journal of lines I’ve never used and mental notes that I sometimes use for things I’m working on. (See photo sample below)

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Whose work has inspired yours?

It depends where I’m at in my life and what I’m writing. I recently just bought “Teaching My Mother How to Give Birth” (Mouthmark Press) by Warsan Shire. She packs a lot into a line. Recently the poetry world lost Wanda Coleman and Jayne Cortez—two amazing poets of color. I’ve been re-reading a lot of their work. I bought a Sonia Sanchez album, “A Sun Lady for All Seasons” last month and she’s really got me thinking about how to effectively use repetition and sound.

Speaking of sound … Bobby McFerrin. I’m not talking about “Don’t Worry Be Happy.” He’s amazing. To me there is no other human voice on the planet that creates sound and words the way he does. My 18-month-old taps her chest and improvises with him when I watch him on YouTube. It’s pretty funny, but in watching her and him, it’s a great lesson in the art of timing.

Where do you see yourself with regard to your writing in 5 years?

Hopefully I can increase my publishing credits and teach. I really miss teaching poetry to young people. I’ve had brief opportunities to guest instruct at NOCCA and Lusher, and I loved it.

Please share five poetry books you’d recommend.

“Blacks” by Gwendolyn Brooks (I mean, do I really have to explain?)

“Rice: Poems by Nikky Finney” (“Head Off and Split” won the National Book Award for Poetry but her other books are worth reading too).

“Trouble the Water: 250 Years of African American Poetry” edited by Dr. Jerry Ward (Former Dillard University Professor)

“How I Got Ovah: New and Selected Poems by Carolyn M. Rodgers” (Not as widely known, but should be).

“The Never Wife” by Cynthia Hogue (I bought this book at Dauphine Books in the French Quarter and had no idea there would be some poems about NOLA in it. It’s a wonderful book)

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Thank you, Kelly, for this inspiring interview!

 

Women Who Write

Audubon Park Labyrinth, New Orleans

Audubon Park Labyrinth, New Orleans

 

During the month of April, Poetry Month, I’ll be featuring four women poets from Louisiana. They will tell us their writing process, what they read, who they admire, what their favorite words are and many, many other things. They will share a poem with us. They will be beautiful examples of why you should date/love/marry/admire/emulate women who write.

It’s going to be great.

“You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.

Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.

She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.

Buy her another cup of coffee.

Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.

It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.

She has to give it a shot somehow.

Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.

Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.

Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.

If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.

You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.

You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.

Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.

Or better yet, date a girl who writes.”
Rosemarie Urquico

 

 

Books, TV, Movies: Charlotte’s Lists of Top Fives For 2013

Everybody’s doing the obligatory year-end lists so I thought I’d jump on the band wagon with my top five faves for movies, TV and books. I decided to limit myself to five so I wouldn’t spend too much time on the laptop. lol. Everything is listed from 5 to 1, 1 being the favorite.

First of all: movies. I love Independent film and I rarely run out to see a movie when it first comes out in theatres. In fact, I prefer watching on TV in the comfort of my home.  Just released blockbusters? Forget it. The movies I’ve selected are ones I watched this year but none of them were released this year. All of them I discovered on my own through chance and thoroughly enjoyed. Predictably, all but one are dramas as that’s my preferred genre.

TV: Three of my five favorite shows were on Sundance Channel with two being Sundance Original Series. I love Sundance. It was a little hard narrowing my favorite TV down to five since I am a true child of the TV generation. As with movies, I prefer the quirky, original and creative in my TV viewing. See what you think.

Books: I don’t rush out and read the just-released bestsellers, as a rule. However, four of my five were released this year and I’m pretty sure a couple of them are on the Bestsellers list. (Not sure as I don’t consult any of them.) After reading this article and this article, I’ve decided 2014 will be a year of reading only women writers. It’s long overdue and I urge you all to do the same in support of women’s writing.

Movies

Bonus Pic: ( because I realized after publishing that I have 6 movies listed)
You Can Count on Me – Starring Laura Linney, Mark Ruffalo, Matthew Broderick, Directed by Kenneth Lonergan, 2000
A young mother’s drifter brother shows up back in their hometown after years away and out of touch. The dynamics between the siblings (Linney and Ruffalo), who are complete opposites, makes for a very interesting movie. Not a lot of action here, but a thoughtful unfolding of how differences in perception can create misunderstanding and resentment in relationships. Laura Linney is a nuanced actor and one of my favorites – I’ll watch anything she’s in. Ruffalo plays his well-honed bad beautiful boy that you want to kiss and slap at the same time. Watch this movie if you don’t require car chases and exploding things.

5. The Savages – Starring Laura Linney and Philip Seymour Hoffman, Directed by Tamara Jenkins, 2007
Linney and Hoffman portray two siblings who are juggling caring for their sick father with their own busy lives. Their emotional journey as they watch the deterioration of their father and the subsequent decisions they must make for his care is one many of us in our 40’s and 50’s are familiar with. This movie really touched me in a big way as I’ve recently dealt with this issue myself. Sometimes it’s helpful to see your own struggles played out on screen so you realize it happens to other people too. Linney and Hoffman give skillful, poignant performances and I wouldn’t expect anything less from them.

4. The Darjeeling Limited – Starring Owen Wilson, Adrien Brody and Jason Schwartzman, Directed by Wes Anderson, 2007
Hilarious. These are three brothers who travel to India to find themselves and bond after their father’s death. The predicaments they get into will make you giggle, or at least smile. I thoroughly enjoyed this offbeat comedy that also has a few tender moments.

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3. The Deep End – Starring Tilda Swinton and Goran Visnjic, Directed by Scott McGehee and David Siegel, 2001
A mother struggles to keep her son from being implicated in a murder. Both Tilda Swinton and Goran Visnjic are great in this movie, their casting was perfect. Tilda gives a convincing, heart-wrenching performance of a mother stoically trying to keep her shit together while slowly unraveling as she tries to keep life normal while dealing with blackmailers (Visnjic) threatening to expose her son as a murderer. This movie held my attention from start to finish with a strong story and compelling acting. Highly recommend.

2. Brothers – Starring Jake Gyllenhaal, Natalie Portman and Toby McGuire, Directed by Jim Sheridan, 2009
Just before a young Marine (McGuire) is deployed (again) to Afghanistan, his younger black sheep brother (Gyllenhaal) is released from prison. The story revolves around what happens in Afghanistan and what happens back home. I have to say I was impressed most by McGuire’s performance as he was not an actor I cared much for until this movie. His acting here was pretty incredible in my eyes. Gyllenhaal and Portman (as McGuire’s wife) give solid performances too but McGuire is clearly the star here. This is a tense yet, in some ways, tender movie. Some of it is hard to watch but definitely worth the effort. Highly recommend.

1. Snow Cake – Starring Sigourney Weaver, Alan Rickman and Carrie-Ann Moss, Directed by Marc Evans, 2006
OK, movies like this are why I love Independent Film. This is a wacky, crazy, insightful, sweet movie that I will definitely watch again. (I don’t often do that.) Rickman and Moss meet up serendipitously on the road, both returning to their homes after prolonged stints away. Weaver plays Moss’s mother who is a highly functional autistic, Rickman ends up staying with her and the story unfolds and keeps you watching and guessing how it will ever end. If you don’t like this movie then I can’t imagine why not. Weaver and Rickman are great and play two of the most memorable characters you’ll ever meet. Highly recommend.

The movie that most disappointed me: Silver Linings Playbook Maybe it was the mood I was in at the time but Jennifer Lawrence’s character kind of drove me crazy and I wanted to smack Bradley Cooper. I kept looking at the clock during the entire movie.

TV

5. Downton Abbey – PBS – What’s better to take you away from reality than a historical family dynasty story set in another country? The acting is fantastic, the sets opulent, the cinematography bucolic, the fashion glittering and, oh yeah, those dreamy English accents. What’s not to like? It’s worth it just to watch magic unfold from Maggie Smith’s Dowager Countess Violet. Eight more days to season 4 – I can’t wait! Squee! maggie

4. Rectify – Sundance Channel –  A young man is released from prison after nineteen years on Death Row after DNA evidence exonerates him. This series follows Daniel as he tries to assimilate back into his old life where he encounters prejudice and resistance as well as support and love. This is a well-written series that makes you think about how opinions that seem so solid can be so wrong.

3. The Returned – Sundance Channel – A French (subtitled) zombie series that isn’t your same old hum-drum, flesh dropping zombie series. I am wild for this series. Basically, it takes place in a small, isolated community in France where deceased loved ones, looking as they did at death,  begin appearing, unaware that they’ve been dead. You can not take your eyes off this show and I can’t wait for Season 2. (Here’s a good synopsis on Flavorwire.)

2. Breaking Bad – AMC – If you don’t know about this series then you’ve been living under a rock. I watched the first four seasons on DVD this year, one after the other, then watched season 5 live. I was shocked by how this show pulled me in with season one. Really, I didn’t think I’d like it, thinking it was all about drugs and addicts and all the shit that goes along with that scenario. In reality, it’s one of the most well-written, well-acted and emotionally compelling shows I’ve ever seen. Now I’m watching re-runs on Sundance.

1. Top of the Lake - Sundance Channel – A  detective returns to her hometown to investigate the disappearance and suspected abuse of a pregnant teenager. The detective (Elizabeth Moss) unearths long-held town secrets and faces demons from her past in this dark, suspenseful series. As with Breaking Bad, this is a well-written and acted show that pulls you in and won’t let go. Elizabeth Moss is riveting in this, playing a much more tortured, compelling character than her gullible Peggy on Mad Men. She was nominated for a Golden Globe and  an Emmy for Best Actress in a Mini-series or Movie and should have won. Filmed in New Zealand, the cinematography is uh.may.zing, winning Adam Arkapaw the Emmy for Outstanding Cinematography for a Miniseries or Movie.

The program that most disappointed me: American Horror Story: The Coven. This show is just too corny. I wanted to like it simply because it’s filmed here and set here and stars Jessica Lange and Angela Bassett but those  facts aren’t enough to make me sit through it one more time.

Books

5. The Paris Wife by Paula McLain – The story of the relationship between Ernest Hemingway and his first wife, Hadley Richardson. It was fun reading about Paris in the Jazz Age and the antics of the “Lost Generation”. I have to say, though, that if this is really the way Hemingway treated his women then he’s lost some of my respect. One can be a lauded writer but if you treat people like crap it diminishes the work, for me.

4. The Lowland by Jhumpa Lahiri – Set in India and America, this is the story of two brothers, their family and a country torn apart by revolution. It’s a page-turner, for sure.

3. Tenth of December by George Saunders – A collection of short stories every one of which is a gem. I swept through this book in no time and plan to read it again. Highly recommend. the-year-of-magical-thinking

2. The Year of Magical Thinking by Joan Didion – If you’ve lost someone close to you, this is the book to read – grab it now! It gave me some solace in the year after my mother’s death by identifying and explaining patterns, behaviors and thinking that seemed wacked out but, in truth, is part of the grieving process. Skillfully and lovingly written, Didion walks us through the long protracted illness of her daughter, the sudden death of her husband and her life in the year afterward. You will see yourself in her story. Highly recommend.

1. And the Mountains Echoed by Khaled Hosseini – The best book I read this year, hands down. Set in Afghanistan, this is the story of a poor family, their struggle to survive and the ensuing life of a son and daughter. This is a richly detailed and engrossing story, a book I couldn’t put down. Until this, Hosseini’s A Thousand Splendid Suns had been my favorite book. Highly, highly recommend.

The book that most disappointed me: Gone Girl by Gillian Flynn. After a promising start this book quickly became Bor.Ing. That is all.

I hope you enjoyed my list of Top Fives and maybe feel inspired to read or watch some of these recommendations. Do you have any favorite movies, TV shows or books you’d like to share?

halloween in New Orleans

Folks in New Orleans really get into Halloween, decorating everything in celebrating the big holiday of fall. Many homes parallel the decorations on homes during the Christmas season. One of the more infamous homes that celebrates the end of October can be found along St. Charles Avenue near Audubon Park. Here they are, the New Orleans skeleton gang!

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Fall is truly the best time to be in New Orleans – Happy Halloween everyone!