Guest Blogger Theo Eliezer of Momma Tried Magazine on Issue 1, the Importance of Body Diversity, and How to Order Issue 2!

MT_Local

Local Honey by Xavier Juarez with Georges by Jeff Nelson

Long time readers of Nola Femmes may remember my last guest blog post from 2013 when my partner and I were gearing up to print the first issue of our indie publication, Momma Tried magazine. Looking back on that piece now it seems like I wrote it a lifetime ago. So much has happened since then: we were super fortunate to raise the money for our printing costs thanks to hundreds of people via Kickstarter, our first printer dropped us because they said our content was “clearly intended to cause arousal” (but we found a new more progressive printer in Iceland!), we had the most wonderful launch party at Parse gallery, and to top it all off, one of our most exciting developments has been getting the magazine stocked internationally in Paris, London, and Amsterdam! International distribution was one of our most ambitious goals when we first started working on self publishing the magazine, so it’s incredible and surreal that our New Orleans nudie mag is now at the Tate Modern!

 Creating the second issue of Momma Tried has been amazing and challenging, and we’re so proud of the finished result. As with Issue 1, I conceived of and art directed three nude photo editorials and recruited friends to join us in making them come to life, including the very talented photographers Daniel Ford, Josh Smith, and Sarrah Danziger. All of our our nude editorials feature people that are members of our New Orleans community: artists, teachers, bartenders, musicians, indie filmmakers, drag queens, activists, and contributors whose work appears elsewhere in the magazine, all collaborating in the creation of images that celebrate the body, gender expressions, and sexuality in a range of diverse forms. As part of our ethic of embracing the nuances of everyone’s varying identities, none of our model’s bodies have been digitally retouched in the photos that you’ll see in the magazine. It just seems so much more healthy, interesting, and artistically valuable to show how beautiful and charismatic people are without photoshop changing the way their bodies look. In addition to our amazing models, a number of our contributors are also New Orleans-based artists, such as photographer Xavier Juarez, whose candid approach to photography (seen in the layout sample above) is so dreamy and intimate that I feel like I was right beside him as he captured each photo.

 We’ve come so far in the past year between sending Issue 1 off into the world and working so hard on bringing together a new group of over 60 artists and writers, and now we’re incredibly close to printing our second issue! The very last step of the process is underway: we’re raising money for our printing costs with a presale campaign (via Kickstarter) that allows our readers to purchase the issue at the normal retail price, and through everyone’s backing, we hope to have the funds needed to send the issue to our printer by mid-October! If you’d like to learn more about Momma Tried, are curious to see more samples of content for Issue 2, or want to preorder your copy, please check out our campaign, and share it with friends who might be interested in reading our next issue of Momma Tried! We hope you love it!!

 

 The Momma Tried Issue 2 presale campaign will run from Tuesday Sept 8th – Wednesday Oct 9th

 For more about Momma Tried: www.mommatriedmagazine.com

Contact: editor@mommatriedmagazine.com

Hot Reads 9/7/14

Women, women, women. In retrospect it seems that last week my reading was all about women and all the myriad ways they think, feel and engage in this world. I think I have a really great line-up of articles to share. Enjoy!

Photo via The Guardian

Photo via The Guardian

From The Guardian: Mary J Blige interview: ‘The UK is a better place to make music than the States’
Tagline: The soul singer talks about her month in London making an album with the cream of British talent including Disclosure, Naughty Boy and Sam Smith – and why she just had to meet Mitch Winehouse.
Favorite quote: “When I’m singing, I don’t think about anything but what I’m doing. I could look crazy in that moment, it doesn’t matter to me. I’m just trying to get all this stuff out. Because it feels good to get it out. It feels good to sing. It’s like you can fly almost, when you singing that stuff.”

From The Washington Post: Being informed and fashionable is natural for women.
Favorite quote: “Is it so inconceivable that a smart, accomplished woman would have both the latest issue of the Economist and the second season of “The Mindy Project” downloaded on her iPad? Sorry, but modern women see no contradiction there.”

Photo via Goodreads

Photo via Goodreads

 

From The Rumpus: Interview with Maya Angelou by New Orleanian Whitney Mackman
Favorite quote: “I don’t expect negative, and when I find it, I run like hell and holler “fire!”

 

 

 

From Slate: That Screaming Lady
Tagline: Lena Dunham, Jill Soloway, and other funny women on what Joan Rivers meant to them.
Favorite quote: “She ran at comedy full-tilt and punched a hole so big that any girl who wanted to give it a try could walk right through.”

Photo via Slate

Photo via Slate

From The Daily Mail UK: Margaret Atwood on being called offensive and man-hating
Tagline: Almost 30 years after the publication of The Handmaid’s Tale, her work has lost none of its ability to unsettle.

Favorite quote: ‘Social media was supposed to make us all aware of one another’s point of view, but it self-sorts,’ she says.‘People turn off anything they don’t already like and only pay attention to people who agree with them. That can be very polarising.’

 

From The Daily Mail UK: The Secret Torment of Joni Mitchell
Tagline: Unflinching insight into the reclusive 70s icon’s battles with a disease that makes her skin crawl, is haunted by stalkers and the heartache of giving her daughter up for adoption.
Favorite quote: “I’d come through such a rough, tormented period as a destitute, unwed mother. It was like you killed somebody. I had some serious battles for a twenty-one-year-old.”

From Brain Pickings: Famous Writers on the Creative Benefits of Keeping a Diary
Tagline: Reflections on the value of recording our inner lives from Woolf, Thoreau, Sontag, Emerson, Nin, Plath, and more.
Favorite quote: “We are creatures of remarkable moodiness and mental turbulence, and what we think we believe at any given moment — those capital-T Truths we arrive at about ourselves and the world — can be profoundly different from our beliefs a decade, a year, and sometimes even a day later.”

From Luna Luna Magazine: Gossip as a Mean of Bonding
Favorite quote: “It’s a shame that humans bond so effectively over gossip that can destroy someone so easily.”

wall

Book List: Unbeknownst to me, August was Women in Translation 66016-witmonth3252btext1Month which was created to  “Increase the dialogue and discussion about women writers in translation”. Our list this week is via Maclehose Press   and features such countries as Portugal, Italy, Germany, and Mozambique in its list of books by women. We have some catching up to do! Next year we’ll be ready.

 

And our poem of the week is by Laurel Blossom. Big thanks to Laurel for granting permission to post her poem, Radio. I’m dedicating this poem to my dear friend, Harriet, whose car was stolen a few days ago.

Radio

No radio
in car

No radio on board

No radio
Already stolen

Absolutely no radio!

Radio broken
Alarm is set
To go off

No radio
No money

No radio
No valuables

No radio or
valuables
in car or trunk

No radio
Stolen 3X

No radio
Empty trunk
Empty glove compartment
Honest

In car
Nothing of value

No radio
No nuthin
(No kidding)

Radio Broken
Nothing Left!

Radio Gone
Note Hole in Dashboard

Warning!
Radio Will Not Play
When Removed
Security Code Required

Would you keep
Anything valuable
On this wreck?

No valuables
In this van

Please do not
Break in
Unnecessarily

Thank you
For your kind
Consideration

Nothing of value
in car
No radio
No tapes
No telephone

_______________________

Don’t forget to check out our Pinterest board during the week for more Hot Reads and have a great reading week!

Hot Reads 8/17/14

Another week has passed and another list of great reading to share with you. First up are three essays about New Orleans. Well, we can never get in enough reading about our city, now can we? One is about cocktails and culture, one has all the color and flair of the French Quarter and one of its legendary characters, and another features one woman’s unique way of coping after Katrina and how it changed her life. All three are wonderful in different ways.

Photo credit: Pableaux Johnson for The Bitter Southerner

Photo credit: Pableaux Johnson for The Bitter Southerner

First up, from The Bitter Southerner (an online journal I just love): “No.4″ in their Cocktail Series featuring SoBou bartender Abigail Gullo.
Favorite quote: “Steen’s Cane Syrup is such an integral part of my own life that I’ve often worried that eventually I’ll be drowned in a great wave of the sticky-sweet cane juice, preserved forever like a gluttonous bug in amber.”
Note: True dat! If you grew up in Louisiana or Mississippi and didn’t have Steen’s in the house, what was wrong with your family?

 

 

 

 

 

 

From The Oxford American: “The Chess King of Decatur Street”
Favorite Quote: “Acers pushed his plastic chair back, stood, and made a grand bow, sweeping his arm from high above his head to down around his ankles. “Dear sir,” he cried, “we shall not speak of things that cannot come to pass.””

Image Credit: Dadu Shin for The New York Times

Image Credit: Dadu Shin for The New York Times

From The New York Times: “What the Sparrows Told Me”
Favorite Quote: ” My father had been told that he had terminal cancer 40 days after Katrina. He didn’t know a Mugimaki flycatcher from a Hudsonian godwit. But during his last days he loved to watch the birds come to his feeders. If watching birds could help my father die, maybe it could help me live and teach.”
Note: I remember well the eerie quiet after the storm, the absence of birdsong. It was a sweet moment when I realized I was hearing the tweets of the first returned birds.

 

 

From Unclutterer blog: Modified Principals of Sanitary Design
Favorite quote: “This list may seem restrictive, but we have found when items do pass the test, they last longer, we use them more often, and we have very little mess to clean up afterwards.”
Note: Despite the dry, textbook title of this piece, it has some good ideas about what to take into consideration when you’re about to make a purchase. This was a timely article for me because lately I find myself thinking, “I wouldn’t have bought this if I’d realized what a chore it would be to keep clean”!

Photo Credit: Antoine Bruy

Photo Credit: Antoine Bruy

 

From HuffPo: “Photographer Documents The Men And Women Who Choose To Live Off The Grid”
Favorite quote: “These are, in some ways, spontaneous responses to the societies these men and women have left behind. This documentary project is an attempt to make a kind of contemporary tale and to give back a little bit of magic to our modern civilization.”

 

From Women Writers, Women’s Books: “5 Life Lessons From Women Writers”
Favorite Quote: “And finally, Maya Angelou, Pam Houston, and Amy Tan taught me that laughter, and in particular the ability to laugh at yourself and life’s absurdities, is key to moving from merely surviving to thriving.”

 

MILLENNIALS_COMBO-master495From The New York Times: “The Millennials Are Generation Nice”
Favorite Quote: “Taken together, these habits and tastes look less like narcissism than communalism. And its highest value isn’t self-promotion, but its opposite, empathy — an open-minded and -hearted connection to others.”
Note: This piece made me look at Millennials in a deeper way, as more than social media addicts and narcissists.

 

 

Our book list of the week comes from Bitch Media:  “Hot Off the Small Press”, “As summer is quickly coming to a close, take some time to bask in the sun and soak in a good book. Here are some short, sweet, stellar reads for the rest of August, all works are recent releases from independent publishers.”

And, finally, our poem of the week is “Long Gone and Never Coming Back” by Michael Gillian Maxwell on Literary Orphans.
Favorite Quote (rather,stanza):

“a soldier in fatigues, just back from deployment
tattoos on his knuckles, his face a mask
of sorrows and regrets”

Have a great reading week, y’all. Don’t forget to check in with our Hot Reads From NOLAFemmes.com Pinterest board.

Missing New Orleans

I was offered a place at an artist’s residency called Soaring Gardens for the month of September. I wasn’t entirely sure how I was going to finance a month of writing without a source of income, so I launched a GoFundMe campaign. While I haven’t yet hit my goal amount, I’ve been inspired and encouraged by the generosity and support of everyone who’s donated and that has made me more determined than ever that this is going to happen.

With that in mind, I thought I’d share a list of what I’ll miss about New Orleans while I’m gone for the month. I’ve picked 6 things for the 6 days left of the fundraiser, which wraps up next Wednesday, August 20th.

1. My communities of friends, fellow writers and artists and other tango dancers. All the coffee dates, writing meetings and tango events that I would otherwise attend were I here. This includes one regular Peauxdunque Writers Alliance meeting and a special tango workshop with amazing teachers.

2. Saints games! I’ll miss the first 4 regular season games, unless I can find a local bar and convince them to show the games. The house is very rural, so this could be touch and go. But even if I do manage to watch them while I’m gone, I’ll miss the experience of watching them with friends *here* at places like Pelican Bay.

3. Speaking of Pelican Bay, one of my favorite things to do lately is pick up one of their daiquiris and take it to Indywood Theater (they’re close to each other on Elysian Fields and Indywood is BYOB). I’ve seen so many amazing movies there recently and their August calendar looks great. I’m afraid to even see what I’ll miss in September.

4. While this isn’t technically a New Orleans thing (or in Sept), I’m going to miss the So You Think You Can Dance tour at the Saenger on October 1st. I’ll be driving back from the residency then, unfortunately. Darn!

5. Whenever I’ve left Louisiana in the past, I’ve craved good red beans and rice as soon as I cross the state line. So I’m sure that will happen now. And I’ll miss the roast beef po’boy at Parkway Bakery. I’ll miss a lot of other favorite restaurants/dishes, too many to name, but I know I’ll miss being able to get those red beans and that roast beef po’boy. It’s only a matter of time.

6. I’m not sure what I’ll do without the New Orleans Public Library. While the house has a library, I have been so spoiled by our wonderful library system and librarians. Books, movies, music, all at my fingertips. They just had a wrap party for their summer reading program and had adult summer reading activities all summer as well. But, in any season, the library is my mainstay. I’m going to be very sad when I take all my borrowed books back, and when I suspend all my holds. That will be the moment when I’ll know this dream I’ve been working toward has become a reality.

I know I’ll miss so much more than this (and people will be the biggest part), but I think I’ll be surprised by what I’ll miss once I’m at the residency. Luckily, it’s only a month and I’ll be back for the Louisiana Book Festival and Words & Music and… It will be a lot of fun to enjoy those six things (and everything else) once I’m back, having missed them for a little while. I hope you’ll enjoy all that New Orleans has to offer in the meantime.

There will be a going away party/celebration this coming Sunday the 17th, starting at 2 p.m. at Pelican Bay. If you’d like to contribute to the campaign, send me off or just enjoy brunch and daiquiris, you should swing by.

Hot Reads 8/10/14

From our Pinterest Hot Reads board, a list of our favorite reads on the internet during the past week. Enjoy!

huffpoflapper1. From HuffPo: “Dating in the 1920’s: Lipstick. Booze, and the Origins of Slut Shaming”
Favorite quote: “The new woman of the ’20s was totally different from her mother. She worked and voted. She smoked, drank and danced. She dated. She celebrated her new freedoms in style. She was a flapper.”

2. Also from HuffPo: “The Real “L” Word (Especially in the Bible Belt”) Is….”
(H/T: Part Time Monster)
Favorite quote: “Ministry isn’t always a sermon or a church service. No! Ministry is about loving people — all people. Jesus was radically inclusive. Just look at the woman at the well and the lepers, all considered abominations by the religious people. Jesus loved them, and He included them. That’s what I want to do with The Dandelion Project.”

3. Aaaaand, three times the charm. From HuffPo: “These Are the Things Men Say To Women On the Street”
This is shit that happens when you’re just walking down the street minding your own business. No favorite quote here. The pictures tell the story. huffpo

4. From Humanistic Paganism: “A Pedagogy of Gaia: How Lammas Changed My Life” by New Orleans blogger and activist Bart Everson.
Tagline: What can we learn, and how can we teach, from the cycles of the Earth — both the cycles within us, and the cycles in which we find ourselves?
Favorite Quote: “We may discover unexpected depths and make new connections if we are open to possibilities.”

photo(2)5. From Thought Catalog: “How and Why To Keep a Commonplace Book”
Favorite Quote: “Some of the greatest men and women in history have kept these books. Marcus Aurelius kept one–which more or less became the Meditations. “
Note: I’ve keep one of these little books off and on over the years. Here’s two of my old ones. For me, it’s a creative addition to traditional journaling. Plus, I love quotes.

 

6. From TammyVitale.com: “Things That Strike My Fancy”tammyv
Favorite Quote: “So each new creation we allow to come through us may have been written/sung/painted/danced/spoken before, but in this instance it is filtered through our unique human experience and so it must be something new under the sun. Bayles and Orland, in Art and Fear say: Each new piece of your art enlarges our [everyone' else's] reality. The world is not yet done.”
Note: this is a really great essay on nurturing inspiration in your art and writing.

7. And our list for the week comes from Part Time Monster: “Top Ten Tuesday: Top 10 Books I’d Give to Readers Who Haven’t Read Southern Literature”
A great book list that you should check out. I’d add Mystic Pig by Richard Katrovas,  Atchafalaya Houseboat: My Years in the Louisiana Swamp by Gwen Roland and French Quarter Fiction: The Newest Stories of America’s Oldest Bohemia edited by Joshua Clark.
What book would you add?
8. And finally, great poem of the week is “Don’t You Miss the Phone Booth” by Kate Peper on Rattle. Well, don’t you? If you haven’t thought about it, read this poem. Really.
A little snippet:

Oh, sure, back then it meant people couldn’t reach you 24/7,
photos snapped from your cell at a dinner party couldn’t be sent
to your loved ones in Zurich, or your pre-teen’s thumbs
couldn’t get the workout from texting, but hey—

Hot Reads

I’ve said it before and I’ll say it again: I love Pinterest. I think there are a lot of people out there who think Pinterest is for housewives to post recipes and baby stuff but it’s so much more! The idea of a virtual bulletin board is so much fun and that’s what Pinterest is. There’s so much I run across on the internet that I want to keep. In the past I’ve used Delicious and Instapaper which are good sites in their own way but I rarely went back to look for anything I kept there. I don’t use them anymore because I’ve started using Pocket where I’ve been very diligent about proper and useful tagging so I can find something when I want it. So far, so good. But the thing I love about Pinterest is the dominant visual aspect of it which makes it so easy to find stuff. I’m a very visual person and Pinterest is perfect for cataloging the gorgeous photography and art that I love, for giving me the push to try that new recipe (yes!) that I saved that looks so damn good. (See previous post!) It’s great for so many things and now I’ve started a new board which is what this post is about.

On my personal Pinterest account I’ve started a “Hot Reads From NOLAFemmes.com” board. I’ve been keeping articles from the internet that grab me on Pocket since I opened the account but I really like, again, the visual aspect of Pinterest that helps to pique your attention. These are pieces I want to share with our readers so I hope you’ll follow and enjoy the board. I also plan to try to post my Hot Reads here every week (or so) with a link to the board.

So what were my Hot Reads last week? I thought you’d never ask!

hotreads11. From Mother Jones, “Lidia Yuknavitch Flicks Off Frued.
Tagline: An irreverent remake of a renowned case, the new novel “Dora: a Headcase” delivers a gritty take on girlhood.
My favorite quote: “I want to create new girl myths,” she says of Dora. “Instead of always talking about how women struggle in the face of certain models, what if we spent more energy highlighting all these great other possible girl-paths, and turned away from the dominant culture?”

2. The Wall Street Journal: “Maggie Gyllenhaal on The Honorable Woman.”hotreads2
Tagline: Just as war in Israel and Gaza fills the news, a drama on SundanceTV explores the region’s turmoil.
My favorite quote: “Behind my intention in making this is compassion and, maybe it’s naive, a belief in the possibility of reconciliation, which our show never takes off the table.”
Note: I watched the premiere of this series and it’s looking really promising.

3. From The New York Times, “Roxane Gay’s Bad Feminism.”
Tagline: The author speaks with Jessica Gross about her favorite definition of feminism, ‘‘Sweet Valley High’’ and the fetishization of bad writing.hotreads3
My favorite quote: “I think that narrative is a fetish among faculty, not a reality. They fetishize the idea of bad writing, and they are more interested in the lore of bitching about students’ writing than they are in actually evaluating students’ writing as it is.”
Note: Gay’s Bad Feminist comes out this week and I can’t wait to get my pre-ordered copy!

4. From HuffPo, 8 Great New Books By Women You Should Definitely Readhotreads4
Every Hot Reads list has to have a book list and this is the one that intrigues me the most.
Maddie Crum begins by saying, “2014 has been deemed the Year of Reading Women. I wholeheartedly support this movement; after all, only diminutive steps have been made towards gender parity in the literary world since the institution of VIDA’s annual book review count (with the notable exception of the New York Times book review, which bounded towards equal coverage in just one year).”
I say, Yep! Read women! And follow the Twitter feed.

hotreads55. From Brain Pickings, Vacation Sex: A Poem by Dorianne Laux
Every Hot Reads list MUST include a great poem and this is a great poem and a great way to end the list. The piece includes text and video and, damn, who doesn’t want to read about vacation sex?

Femme Fatale Friday: Becky Fos

Becky and her art as featured in Borgne Restaurant.

Becky and her art as featured in Borgne Restaurant.

 

I first became aware of Becky Fos’s art on Twitter when she followed our page and her avatar caught my eye.  I clicked on through to her website and was blown away by her vibrant, colorful paintings.(She’s also on FaceBook.) I had to know more and she was gracious enough to consent to an interview. Enjoy!

First, tell us a little about yourself.

I am Texan born, a former Austinitte!  So, to some that would explain my sometimes “weird” clothes.  The city’s motto has been, “Keep Austin weird” for as long as I’ve known it.  I moved to New Orleans in 2002 and never once regretted it.  New Orleans, with it’s heritage, history and culture have completely molded me into the person I am today.  I could never imagine myself being anywhere else.  One of my favorite songs growing up was by Fats Domino, “Walking to New Orleans” and now it all makes perfect sense.

How long have you been painting?

I have been painting my whole life, for as long as I can possibly remember.  I painted on the walls of my room growing up, doodled on notebook paper in school, and now canvas.  My favorite times painting are when my son, Jude (age 6) and I set up shop in the kitchen and go to town!!!

Tell us about the materials and techniques you use.

I like to paint on canvas with pallet knives.  I like to use a lot of paint to create texture and I love color.  SOmetimes I’ve been told that I use too much color, but that’s just me.  And I wouldn’t change a thing.

Tell us a bit about your creative process. Do you start a project with a
beginning, middle and ending in mind or does it evolve as you go?

I begin with a thought or a dream.  Or sometimes a person.  I’ve been inspired by going to concerts around the city and seeing the musician up close deeply inspires me and I must create.  I see the passion on their face while creating their art, and this inspires me.  I love to capture the magic that I’ve witnessed first-hand and that’s how it starts.  So, I have a jumping off point and then it actually evolves.  I paint backwards actually because I paint the focal point first and not the background.  I know everybody is different, but that’s how I start.  SOmetimes I change the background several times.

Is art your full-time occupation?

Yes, my art is a full-time gig for me.  I also do some of the chalk art at Chef, John Besh’s Restaurant, Borgne along with the amazing, Lance Romano.

What is your earliest recollection of art as a passion?

I’ve always loved art.  I was always drawn to things sparkly and colorful.  My mom use to call me her “crow” because a crow will always seem to find that burry treasure of sparkleness.  My passion only grows.

Who are some of your favorite artists?

I feel so bad about saying who my favorite artists are because I have so many friends who are artists.  But just to name a few, Keith Eccles and Terrance Osborne since they have both guided me on this path.  Bansky, Bruni and Van Gogh of course.

If you find yourself losing interest in a project do you push yourself to finish or set it aside for later? Do you have any tips you can share regarding motivation and/or discipline in completing a project?

Not all projects that we start do we stay 100% motivated throughout.  There are actually a few pieces that I’ll be working on at a time.  Sometimes I just have to put one down and walk away, especially when I’m feeling not motivated.  Then I start to feel defeated so it actually motivates me to go back and finish.  It’s these pieces that actually come out the absolute best and I never want to get rid of them and hold on to them.

Where in the city can we see your work?

Lozano & Barbuti Gallery at 313 Royal St in New Orleans carries my original artwork and I actually have a website that I sell my reproductions from: www.beckyfos.com

Where do you see yourself and your work in 5 years?

I have big goals that I’ve set for myself.  I like to aim high.  I plan on having my own art gallery in the french quarter right next to all the big dogs lol.  I’m aiming for the moon! :-)

 

Professor Longhair

Professor Longhair

Glass Woman Prize: Supporting Women’s Writing

Well, National Poetry Month is over and I’m pleased with myself for writing as much poetry as I did. I posted new poems 22 out of 30 days which is the best I’ve done for NaPoWriMo, ever. Last year I didn’t even attempt it so I feel good about this year’s effort. Not that I think all the poems were good ones, but the exercise made me stretch, made me write when I didn’t feel inspired on my own, made me think hard. I had to look for something to inspire, something I don’t do on a regular basis. The NaPoWriMo website was helpful as was reading the work of other poets that gave me ideas or nudged my memory about long-forgotten events. It was a good thing.

A big thing (for me) that happened in April was that I was notified I was a finalist for the 15th Glass Woman Prize for my micro-fiction piece “Something About SW”. I was astonished! I had no idea anything of mine was up for consideration. The Glass Woman Prize is curated by Beate Sigriddaughter to encourage women writersto acknowledge, transparently, who we are, and that who we are is not trivial and unimportant, despite the fact that it is not typically rewarded in a man-made and money-motivated world.

Stats from the website:

As of April 2014:

$10,430 prizes went to 41 prize winners, including $430 in anonymous donations.

5905 direct submissions were read, and an additional estimated 1000 from sources other than direct submissions.

116 stories were posted or linked to the Glass Woman Prize page.

I am honored to be a part what Beate has built and is continuing to build. The winner of the 15th Glass Woman Prize is “Simulacra” by J.P. Reese which I first read on Fictionaut where I commented, “I don’t like how this makes me feel which is what makes it so brilliant.” And I meant it. A good story doesn’t have to make you feel good, it has to make you feel and this story makes you feel, big-time.

I urge you all to go to the GWP page and read the winner’s and finalist’s work and read Beate’s own work, which is phenomenal. The level of talent Beate has gathered for the GWP is amazing and the work is powerful and inspiring. Again, I am in awe of what Beate has done for women’s writing. I hope you will give her your support by reading the work.

Women Who Write: Valentine Pierce

This is the final interview in our four-part series featuring Louisiana women poets in celebration of National Poetry Month. Each profile has featured a poet from New Orleans or Southeast Louisiana including interview, biography and an original poem selected for this feature.

Valentine Pierce

Valentine Pierce

Valentine Pierce is a New Orleans poet, writer, graphic designer, visual artist and actor. A bit of her wisdom: “We are all many things, a vessel of triumphs and trials, worlds within the worlds of all the people in our lives, singular wonders and curiosities of humanness.” Pierce’s debut book, Geometry of the Heart, was published in 2007 by Portals Press. She has been a resident writer at A Studio in the Woods in 2006, had her artwork displayed at Tulane’s Carroll Gallery, and performed in several productions at Ashé Community Art Center. She even won two awards from the American Academy of Community Theatres—to her surprise.

Fishwife

Melissa is a late baby,
Born in the waters of the Atlantic off the U.S. coast.
Her mid-November birth so far from land destines her
To be a fishwife, to hurl her insults at and spin herself down
Back into the waters from which she came.
No land is near enough to this child of the waters.
Even though her foul-mouthed sputterings
Come as tropical storm winds
And sheeted rain far across the waters,
By the time they reach us they are merely a severe rainstorm,
An accustomed annoyance;
Her voice echoes in the thunder but rallies no fear.
We will feel her wet, latent fury but no one
Will be running for higher or distant ground.
She will die as she was born—helpless and hopeless
In the mid-Atlantic waters in late November.

(Note on this poem: A couple of years ago I heard meteorologist Margaret Orr call a storm a fishwife. I’d never heard of a fishwife and didn’t know how it applied. I did some research and learned about fishwives and why some storms are called such. In November 2013 I finally got to use that word, which had been sitting in the word box of my mind.)

 

What is your earliest recollection of the desire to write down your own thoughts?
I don’t recall when I started writing—grade school, I guess. That’s what we called elementary school back then or grammar school.

Do you remember your first poem? What was it about?
The first poem I ever had published, according to my mom, was in the school bulletin at Joseph S. Craig, when I was in the second grade. The only line I remember is “on the outside looking in.” I remember the first poem I ever got published, in 1983. At that time it was titled “Always Strong.” I revised it so the theme was more universal and retitled “Soul of the Universe.” It was published in the now defunct Day Tonight/Night Today.

Is writing your full-time occupation?
Writing was my full-time occupation. I was a journalist for about 30 years. I was a journalist, photojournalist, layout person, editor, managing editor and press chief. I also had a weekly column, “Marrero Musings,” in the Times-Picayune for seven years. And I did freelance writing. Now my full-time job is graphic design and most of the published work is poetry. I also have odd jobs including freelance graphic design, sewing, and crafting.

Is poetry your primary genre? Do you work in any others?
Poetry is my primary genre but I write in a variety of genres from simple prose to essays to plays, to one-act-shows. I really don’t categorize my work in the sense of right now I am going to write an essay or now I’ll write a poem. I just write and let it happen. I even have a novel in progress—since July 2005. It is called “Dead North.” It got it’s name from the Federal Flood commonly known as Hurricane Katrina. It is a novel about a major hurricane. I’ve been interested in hurricanes all my life and said to myself, hey, “No one has written a novel about a hurricane.” It seems centuries ago that I read a book about a major storm that brought a bad spirit to a certain island. That was part of my inspiration. Hurricanes were the other part and I had tons of secondhand research. A month later I began to get firsthand information. I am not sure that that novel will ever be finished because going from poetry-length to book-length is a feat.

I write short stories, too. They have never been published because most need a tremendous amount of work. I did have one critiqued about 10 years after I wrote it. The ending was weak but the person who critiqued it, a writer I respect, said it would only take me about 20 minutes to fix then ending. He was right but I’ve never had it published. I have a three or four other books that are laying around in a bin somewhere, too.

I even have a whole book, a short one, called “Boundaries of a Life,” which is journaling and poetry about coping with grief. Hmmm, perhaps I need to pull that one out.

As you can see, writing is my life—paid or unpaid.

Do you have a favorite place to write or a routine that’s particularly conducive to your creativity?
Generally, whenever the muse strikes. I don’t usually decide to write, that is decided by my muses, my environment, my mood. Writing just happens for me. But, if I were to choose a place, it would be my home because there are no interruptions. I don’t have to be concerned with time, place, space. When my children were young, it was after they went to bed. Generally thought, poetry hits me in the midst of everyday living and I write it then to keep from losing it.

Where was the strangest place that inspiration hit you for a poem and how did it turn out?

Probably the seafood market that was once on St. Roch at St. Claude. I wrote a poem on a napkin with a burned out match. I can’t remember the name because I was a teenager but I still have it somewhere.

Oh, wait, once, in a restroom I pulled a paper towel off a shelf. When I had entered I wondered why so many of them were on the floor. When I pulled mine, a second one just floated down like a butterfly so I wrote a brown butterfly poem about it. Don’t know where that poem is right now.

Are there any recurrent themes in your poems? If so, why do you think that is?
I think the only recurring theme in my poems is life. That’s what I write about. The here and now, the hurt and happiness, the smiles and tears.

I am somewhat a collector of words. Do you have any favorite words?
I collect words and phrases. Often they end up in poems. Can’t think of any phrases to share but some of my words have to do with poems like Onomatapeia and iambic pentameter. I also collect names because they are amazing Like Beth Kneebone, She Ping, Cleopatra Pendleton, William Dear, Freeman A. Hrabowski III., and Jacqueline Goodchilds are just a few I have on my desk right now.

Do you have any tips to share regarding motivation and/or discipline in completing a piece?
I don’t know what tips would be useful because writing is such a personal art. Sometimes you have to stay still, stay home, skip the television program to work through a piece, sometimes you have to set it aside long enough for other things to fill you mind and then go back to it because it becomes fresh again that way. Sometimes you have to leave home and go to a park or a retreat. When I had the opportunity to be the writer-in-residence at A Studio in the Woods in 2006 it was the first time in my life that I could spend every waking moment writing. And I did. I was amazed at the amount of work I completed in one month. I wish I could do that all the time. I have several friends to thank for that for constantly telling me to submit until finally I gathered up my courage and did it. My fear was that I didn’t stand a chance because there are so many great writers in New Orleans. I came back from Phoenix, AZ, where I was living with friends after the storm.
(Editors note: the storm = Hurricane Katrina)

Who are some of your favorite poets and why?
Goodness. That list is so long: Paul Laurence Dunbar, Langston Hughes, Maya Angelou, Elizabeth Barrett Browning, all of the Black Renaissance poets, just about every poet in this city, the poets I recently met at the Acadiana Word Lab, most of the poets I’ve met in my life. What I like is the work, the words they put down, the sound, rhythm, music of the words, how they approach their topics whether main stream or taboo, the many ways writers write. I am probably not explaining this well because it is impossible to say exactly. I just know that poets inspire me, cause me to challenge myself, bring me great joy and sometimes bring tears to my eyes.
I have been inspired to write many poems based on hearing other poets read their work.

Finally, do you have any upcoming readings or appearances you can share with us?
My next events are workshops at the Algiers Regional Library April 19 and 26, 2p. It’s called “Stand Up, Look Up, Speak Up: How to present your work in public.”
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Thank you, Valentine, for sharing your work and your thoughts with us today.

Thanks to all of the wonderful women poets that participated in this series. It was great!

To read all interviews for Women Who Write, click here.