How Much He Was Loved

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This quick post is really mostly for our NOLA ex-pat readers. Yesterday there was a second line in the French Quarter/Marigny for Coco Robicheaux who died on November 25. This afternoon I’ve been looking at some of the photos and … Continue reading

Another perfect Saturday

Please let me preface that with the fact that I am not one of those “Northshore Snobs”, I’m a yankee who’s been here since ’75, mothered a cajun girl and am not going back. Louisiana is my home and that’s … Continue reading

Peauxdunque Writers Alliance Presents Yeah, You Write

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In 2007, a group of writers came together under the auspices of the Faulkner Society and the Words and Music Conference and formed Peauxdunque Writers Alliance. The crazy name came about because each and every one of the writers felt … Continue reading

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Amy Winehouse in the black for real this time

Amy Winehouse died today, and you can read all about it on the righteous Huffington Post obituary that reminds us her demise was just a “slo-mo car crash.”

Her death is not altogether shocking, but it is disturbing nonetheless.

In a sense, her artistic marketability stemmed from a bad-girlification of 1960s soul music.  She was a skinny, tatted-up tough girl from working-class London, with big hair and a voice to match.  Her struggles with (or seeming acceptance of) drug addiction only enhanced her reputation as a true entertainer, one with moxie, attitude, and presence.

Fans relished her bad behavior, cheering lyrics like “You love blow and I love puff” (Back to Black”) and “I told you I was trouble / You know that I’m no good” (“You Know That I’m No Good”).  Her refusal to go to rehab was celebrated in a Grammy-winning song (“Rehab”), in which Winehouse admits to suffering from addiction and depression.

This glorification of mental illness and self-destructive behavior sends mixed messages to those who also struggle with these issues.  Winehouse’s drug use was not only acceptable but legitimized by her celebrity status.  This was a double validation:  Her drug use fed into her being perceived as a rock star, and her being a rock star forgave her drug use.  And now she’s dead, and no one’s surprised.

So what does it take to remove the idolatry from substance abuse?  The wasted talents of Jimi Hendrix, Jim Morrison, Janis Joplin, and many others including Amy Winehouse now, have all developed into a tragic mythos of “forever young,” without acknowledgement of what really ripped these creative beings from our midst.  The real scourge is untreated illness, the exaltation of which prevents honesty, recovery, and true grit from being communicated to a public sold on the dangerous cheapness of entertainment.

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An Artful Rebirth

Although it has been open for over four years now, there really wasn’t a lot of hoopla about the reopening of the “Bay Bridge” in coastal Mississippi. Here’s a link to the history of the rebuilding of the 54 year old bridge destroyed by Katrina

Unless you enjoy traveling to Gulport/Biloxi and beyond away from I-10, you’ve never had the pleasure of crossing St. Louis Bay. It’s a peaceful ride and quite scenic. An added bonus is that the bridge now has a pedestrian walkway on the eastbound side, complete with artwork done by local artists cast in bronze.

We walked the four mile trek to discover the outdoor art gallery that is located upon the bridge and it was a very enjoyable walk overlooking the Bay. I found it exhilirating to witness the artwork first-hand on a sunny day.

A local sculptor was chosen to create three-dimension plaques using the selected artwork and
using bronze recovered from the destroyed Bay bridge. In addition to the physical link restored by
the bridge, the artwork reflects a symbolic link connecting the past to the present.

Speaking of links, I have provided a link to the best site I could find to give the viewer more insight into each individual artist.

Here are the plaques:

(click on pictures for larger versions)


Artist: Marty Wilson, from Gulfport



Artist: Donna Lynne Riviere



Artist: Robert Waldrop



Artist: Henry Stiller Jr.



Artist: Laura Pecoul



Artist: Patricia Rigney



Artist: Shea Marie Nicosia



Artist: Elizabeth Schafer



Artist: Anita Gallagher



Artist: Vicki Niolet



Artist: Jorge Lovato



Artist: Henry Stiller Jr.



Artist: Julie Mello



Artist: Yuki Northington



Artist: Terry Blake Edwards



Artist: Yuki Northington



Artist: Henry Stiller Jr.



Artist: Terry Blake Edwards



Artist: Lea de Vaux Saucier



Artist: Tazewell Morton


Artist: Henry Stiller Jr.



Artist: Henry Stiller Jr.



Artist: Joan Coleman



Artist: Robert Waldrop

This photo of the bridge reminds one of the resiliance of the people of the Gulf Coast and her beauty

Rebirth, festivals and small town America


Happy Independence Day! I’m posting this slap dab in the middle of the 2011 July 4th Weekend and am hoping that the two readers of this post are enjoying themselves. ;)

We spent our “celebrating America’s Independence” Day in one of my favorite cities, Bay St. Louis, Mississippi.

Located about 40 minutes from our home in Slidell, Bay St. Louis epitomizes the “comeback city”.

On August 29, 2005 Hurricane Katrina made her final landfall at Bay St. Louis. The little town was flattened and it still working on her rebound. In the past six years she’s done well.

click on picture for full size version

My husband and I take pleasure from our trips to Bay St. Louis, especially when we want a fantastic burger. We either go to the Mockingbird Cafe or the Buttercup Restaurant. Both restaurants are on the same street. The joys of small town America.

About four years ago we attended the Crab Festival put on by Our Lady of the Gulf Catholic Church in Bay St.Louis and appreciated the atmosphere, food, music and breezes from the Bay. So we decided to revisit the fest this year and were not disappointed.

While we truly love the French Quarter, PoBoy, Oyster and countless other Festivals in New Orleans, the ambience and down home comfort of a festival away from the Crescent City is a welcome hot weather diversion. The OLG (Our Lady of the Gulf) Fest is well done and small enough allow us park our chairs in a shady spot and take off for a few hours of eating and photography and return to find our chairs still there, unoccupied.

There were more than 50 dishes offered, a good deal of them containing the subject of the Festival.

Here is the food we sampled and savored:


Boiled shrimp (very tasty) and Lake Pontchartrain Crabs (sweet crabmeat)


Fried Catfish with fries, hush puppies and coleslaw


Crabmeat pie and fried softshell crab with cole slaw and seafood smashed potatoes

In between stuffing our faces we took walks and pictures. Our first foray was thru the arts section of Bay St. Louis.


This sweet little courtyard is dedicated to Jean Baptiste Le Moyne, a colonizer in the Gulf Coast region.


Here is a closeup of the plaque in the opening of the courtyard. Apparently Bay St. Louis was originally named Shieldsboro after Thomas Shields, a ship’s purser.

Main Street is the section of town that I love to haunt. It has shops and galleries that beg to be discovered.


This building is one of the few that survived the 30 foot storm surge of Katrina.


One of the tenants of this building, Bay Breeze, rents bikes and kayaks. It also sells home furnishings.


A little watering hole on Main Street by the Bay.


One of the art galleries we visited was Maggie May’s, a purveyor of local art.

I asked the owner if I could take pictures inside and she said as long as it’s not of the artwork. So I took a picture of this nifty glass block window:

There were some very nice pieces and paintings in the gallery which takes up a city block. Plus it has air conditioning, making it a perfect spot if you’re visiting BSL in the summer to take a break from the heat. Attached to the gallery is Lulu, a great little spot to catch a bite to eat. .

Moving across the street we found one of our favorite bread baker Serious Bread. We went inside and got a lovely, crusty loaf of bread and two craisin scones along with a complementary bottle of water from the owner himself! Mr Jensen makes fantastic scones, not dry like most that I’ve sampled.

Fueled up for another leg on our jouney around downtown Bay St. Louis, we carried on and soon discovered the sweetest little community garden which seems to be doing well despite our dry conditions this summer. Here are some pictures of their crops:


This old place is right next to the Mockingbird Restaurant on 2nd Street.


In the garden outside the Mockingbird is this very cool bottle tree.

On the other side of the Mockingbird Cafe is The Shops at Century Hall. Originally built by the Woodmen of the World for fraternal functions, Century Hall now houses an art gallery and many rooms of vintage antiques and one of a kind items. It’s a great place to spend an hour or two.

Here are some of the sights we found interesting:


I found this piece to be rather spooky.


I love this stained glass. Unfortunately, my little tiny house has no room for it.


There is a room devoted to old kitchen tools.


Another room is filled with folk artist and Bay St. Louis resident Alice Moseley’s work, including this video of Alice explaining her art. In another part of BSL you can visit Miss Moseley’s home, which is now a museum.


This plaque depicts the story of BSL’s “angel tree”. The background to the story is here..


Century Hall’s next door neighbor is an ancient cemetery, which I found fascinating.


Doves carved into a tree that died from the saltwater intrusion from The Storm seem to flutter among the graves.


some graves were behind old gates like this one


This angel, most likely carved from a Katrina tree, presides over the small cemetery.

Back at the Crab Fest they were still boiling crabs and shrimp


Ceiling fans and the breeze from the Bay kept it tolerable in the afternoon.

We decided to catch some of the more unique and patriotic outfits at the fest

One of the bands that played early in the day was the 41st National Guard Army Band They rocked.


Toward the late afternoon, we took a walk toward St. Stanislaus College and chilled out on the bench, watching the Bay and the crowds.


Seeing the beach being restored six years after the storm is very heartwarming .

All in all it was a relaxing and enjoyable trip. One that assures us that we will

Freret_Market_Logo

New Orleans Most Interesting Market

New Orleans artists and crafters are gearing up for the city’s “most interesting market”- Freret Market! Saturday, June 4 (tomorrow) catch your favorite NOLA crafters and artists from 12pm-5pm near the corner of Napolean and Freret.

I particularly love this market as 3 of my favorite things in life are sold there: food, art, and flea market items (which are always great for repurposing!) The day also includes live music…lots of live music…because let’s not forget- this is New Orleans! Tomorrow will be my third time participating in the Freret market as a vendor and one of the characteristics I have enjoyed is watching the market rapidly grow over such a short span of time. The momentum of the team that leads the market is incredible. Freret now boasts 80+ vendors with a waiting list! I (and my business partner in crime Jeremy) are honored to be among so many local talents. The camaraderie formed between repeat vendors is priceless.

Markets such as this are a huge reminder to everyone in our city about how important it is to shop local.

Mark your calendar to attend. Tomorrow will be the last Freret market until September. (Although we’re hitting record high temps now, July and August typically get even hotter!) And drop by our booth (SHULTZILLA) and say hi :)

Keep it cheeky!

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For more info on the Freret Market, visit: freretmarket.org

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NOLA Noteworthy

It’s been a busy week in NOLA and I’ve been saving like crazy to my Delicious and Instapaper. I thought I’d share some of  the interesting reading I found this week about our city and her people.

The Rumpus, an online zine based in California, published two NOLA-related stories. One, With Words and With Pretty: Super Sunday 2011 by Benjamin Morris, is a colorful narrative with photos of this years Mardi Gras Indian yearly spectacular. It explains a bit about the Indian culture to those who aren’t lucky enough to live here and unable to see it for themselves.

Also on The Rumpus is NOLA native Mark Folse’s book review, The Last Book I Loved, Mystic Pig. I read this book back in about 2006 and found it a bit too dark and violent for my taste at the time. The city was still in the active aftermath of the storm and my psyche was still a little too sensitive for such an intense story. After reading Mark’s review, though, I’ve decided that it’s a good time to reread this book. Mark also has a FaceBook page for it – click here.

Our own Emilie Staat wrote a wonderful tribute to some NOLA artists on her personal blog, Jill of All Trades, titled “Going To Bragtown”. It’s a great run-down of several of our city’s best and brightest authors, musicians and film makers and all the wonderful things happening to them lately. Thanks, Em!

Dawn Allison of Dawn Breaks blog recently volunteered at the Tennessee Williams Literary Festival and penned a great recollection of her experience including photos, Tennesse Williams Poetry Slam. Wow – I really missed a great event but I won’t miss it next year!

Finally, I want to direct your attention to an upcoming event at The Jazz Suite in Algiers and organized by O. Perry Walker High School  benefitting The Wonderful World of Jazz Foundation. The event also honors Japan native Yoshio Toyama who has come to NOLA for years with his band to play at the Satchmo Summer Fest and is a huge supporter of the O. Perry Walker band. This is such a wonderful story and you can read all about it here.  Here are the particulars of the event:

O. Perry Walker’s benefit and jam session will be April 12 at 7 p.m. at the Suite Jazz Cafe, 3580 Holiday Drive, in Algiers. The Roots of Music kids will lead off the night. Other performers include Rebirth Brass Band, TBC Brass Band and The O. Perry Walker Jazz Ensemble. The Jazz Cafe is an adult venue.

Do you follow NOLAFemmes on Twitter? If you did you would see my tweets about all of this and more. Follow us on Twitter!


A Crown Jewel in New Orleans

It has been close to ten years since I ventured to City Park in New Orleans. Since then the park has recovered from Katrina and is looking as beautiful as she can. Hubby and I had business to do in “Kennah” and chose City Park to kill some time; we were happily surprised in the beauty that the park offers. If you’re interested, this site Offers the history of the Park. I never knew it was once the site of a plantation.

Here are the pictures, in no particular order.

Click on pictures for larger versions.


the sundial


Popp’s Bandstand


Called the “Colombier de Carol”, this building is also called City Park Pigeonierre, or a dovecote.


This is the plaque for the Colombier . Designed and dedicated by former City Park President and New Orleans barrister Felix Dreyfous.

Speaking of signs and plaques, City Park has so many plaques throughout its 1,300 acres and you can find them and their history at this website.

There are so many bridges crossing the Lagoon at the Park. I fell in love with each and every one of them, as none of them are the same.


The Peristyle, built in 1907.


One of the lions outside the Peristyle


I spotted this beauty at a ticket window just outside the kiddie playground.

After walking the length of the lagoon, we decided to cross the street into another fenced in portion of the park and were extremely happy to discover that it was the Bestoff Sculpture Garden!

A coworker told me about this garden several years ago and I’d been meaning to find it. Glad we did today. What a tremendous place to spend some time.

Described by goneworleans about dot com as follows:

It’s a 5-acre garden under cypress and magnolia trees, as well as, centuries-old oak trees laden with Spanish moss, in the heart of City Park. It is beautifully landscaped. The garden contains several water features including a small cascading garden pool with stepping stones to cross. A lagoon that bisects the garden empties into two large basins, each containing a large sculpture. A sculpture pool cascades down into one of the lagoon basins. The lagoons are filled with fish and turtles. Herons and swans inhabit the area as well. Pathways wonder through the garden and lead to the larger sculptures. Because these paths were designed to preserve the extensive root patterns of the over 200 year-old live oak trees, they wonder through the garden in a design dictated by nature. Smaller sculptures are exhibited in the elliptical Sculpture Theater.

For a dollar you can obtain a guide to the sculptures, which I highly recommend.


Entitled “Mother and Child (1988) by Fernando Botero



Tree of Necklaces (reminded me of Mardi Gras) (2002) by Jean-Michel Othoniel


“Window and Ladder – Too Late for Help” by Leandro Erlich


This one is called “Monkeys” by Rona Pondick and it’s really disturbing when you look closely.


“Travelin’ Light” by Alison Saar


Pablo Casals’ Obelisk (1983) by Arman

One of the strangest things we discovered was what appears to be a grave between the sculpture garden and the botanical garden.

We only could spend three hours at the park today, so we agreed that our next trip in two weeks we will visit the Botanical Gardens and the NOMA. Pictures to follow.

iCon

Femme Fatale Friday: Sha’Condria “iCon” Sibley

Through an email from a friend I recently became aware of a very talented NOLA poet and performer, Sha’Condria “iCon” Sibley. She was competing in the 2011 Brenda Moosey WoWPS Video Competetion on Poetry Slam, Inc. with her poem “Voices”. She won. (Click here to view the video.) One look and listen and I was hooked by the passion and words of this young woman. I contacted her to ask for an interview for the blog and she was graciously accepted. Keep your eye on this woman – she’s going places!

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How long have you been creating poetry?

As far as the number of years I’ve been “creating” poetry, I will say that I’ve been “creating” it my entire life. All of my life experiences–past, present, and future–have contributed to each poem I’ve written and will ever write. I’ve been “writing” poetry for approximately 18 years.

Is poetry your primary genre? Do you work in any others?

At the moment, poetry is my primary genre, but it is not the extent of who I am as an artist, writer, and performer. I also enjoy writing songs, short stories, and plays. Right now, I’m actually working on–what will soon be–my first novel, so I’m very excited about stepping into new territory.

What is your earliest recollection of writing and poetry as a passion? Do you remember your first poem?

I actually started out writing raps in my purple 1-subject spiral notebook around the age of 12. Naturally, I began to experiment with a more free style of writing, becoming less confined by rhyme patterns and rhythm. I’ve kept a journal since 4th grade. That was the birth of my poetry, short stories, and plays. For some reason, I’ve just always known that I was a writer. I never had an aha! moment. It’s just always been there for as long as I can remember. Even before I ever completed my written anything, I knew that I was capable and called for such. Unfortunately, my personal internal memory card has malfunctioned and will not allow me to go back and retrieve my first poem ;)

Do you prefer the spoken word genre of poetry over the written and, if so, what exactly draws you to the spoken word?

I really enjoy both, but if someone were to twist my arm and force me to choose, I guess I would go with spoken word since that is where a poem comes to life. That is how the world was formed–through words spoken. Let there be Light, and so there was. The tongue is what gives the words the power. Spoken word is also how I conquered my shyness through the realization that I have the power to manifest things just by speaking them and that I have an audience of people captive, if only for 3 minutes. It is one of the greatest adrenaline rushes ever!

How did you first get involved in poetry slams?

I started out judging poetry slams at True Brew Cafe on Julia Street back in the day when Pozazz Productions was the lifeline of the poetry scene in New Orleans. In the back of my mind, I was like I wanna do that. I CAN do that!…I’m gonna do it! Well, I didn’t…immediately. When I returned to New Orleans after being displaced in L.A. for a year after Katrina, I was like I gotta take this more seriously! I may never have a chance to do it again. I began to build up my confidence quickly, and then Asia Rainey asked me to compete in The Battle of the Boot, an annual fund-raising slam against Baton Rouge. I was shaking so bad, I could hear it! But I got up and did my thang, and to my surprise, I had one of the highest scores of the competition. After that, I was hooked!

Is writing your full-time occupation?

Writing is not my full-time occupation. It is not my goal to become a full-time writer, because there are so many other things that I do. My goal is to become a full-time artist period.

How much editing do you do to a piece? Do you ponder and rewrite or just go with your gut?

Sometimes my pieces require little editing. They just come to me the way they’re supposed to be at that time. At other times, I have to go back and rework them, especially for timing purposes when slamming or when writing group pieces. Some pieces require a lot of research and re-working to incorporate information and my point of view/concept successfully. There are even poems that I’ve performed numerous times that are years old that I’ve gone back later and edited. I don’t think a poem is ever finished though. It is constantly re-writing itself.

Do you have a favorite place to write that’s particularly conducive to your creativity?

I don’t really have a favorite place to write, but it is hard for me to write under pressure or when it feels forced. That’s when I usually go blank or come up with something really corny and useless. At home in my bed with a pen and my notebook has proven to be the best place for me to create so far, but sometimes I do enjoy sitting outside, being close to nature, and creating.

Who’s work has inspired yours?

I don’t know if any particular writer has inspired my work, but I will say that my parents, grandmother, and some friends have inspired me as a writer. I do enjoy the works of Langston Hughes, Zora Neale Hurston, Arna Bontemps, Audre Lorde, Toni Morrison, Zadie Smith, Patricia Smith, Sunni Patterson, Asia Rainey, Lionel King, Asali Devan, my fellow Team SNO (Slam New Orleans) team-mates, and the list goes on…

Where do you see yourself creatively in 5 years?

In five years, I see myself, most likely, no longer slamming but still performing spoken word in an international setting. I see myself as a published, best-selling author and playwright, and respected visual artist. I pray that I am a wiser, more effective, and more confident artist by then, and I hope to make a living and change lives through my art.

Please share some of your favorite poetry and writing places in New Orleans and on the internet.

To watch/perform poetry, I really miss True Brew Cafe, but right now, Pass It On at the McKenna Museum of African-American Art on Saturday nights is the place to be! My friends over at NOYO Designs have really done an amazing job at picking up and carrying the torch for the New Orleans poetry community! On the internet, of course, YouTube is an easy place to find a lot of diverse poetry performances that wouldn’t normally be documented elsewhere.

Where can we hear or read more of your work?

Very little of my work can be found on YouTube, but I can be seen at Pass It On at the McKenna on most Saturdays and performing all over the place! I will be competing at the Women of the World Poetry Slam in Columbus, Ohio, on March 9-12, and competing along with Team SNO in this year’s Southern Fried Regional Poetry Slam in Atlanta (the first week of June) and at the National Poetry Slam in Boston (early August). I plan to publish my novel by the end of the year and am working on compiling a collection of my poetry. Other than that, I can be found on FB (along with millions of other people!), where I regularly announce my upcoming performances and post poems. My website is in the works now, and will be up within the next few months as well.
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Originally from Alexandria, Louisiana, Sha’Condria “iCon” Sibley has been penning poetry, plays, songs, and short stories since the age of 12. Since making New Orleans her home in 1998, iCon has been an integral ingredient in its artist gumbo. She has held the titles of the 2009 Louisiana Individual Poetry Slam (LIPS) Champion, 2009 NOYO SlamChampion and Female Poet of the Year, and winner of the 2009 NOYO Poem of the Year. As one-fifth of “Mighty,Mighty” Team SNO (Slam New Orleans), New Orleans’s first slam team since Hurricane Katrina, iCon has helped to lead the team where no other New Orleans slam team has gone before—consecutively winning the Battle of the Boot (2009-10), 2nd place at Southern Fried Regional Poetry Slam 2010, and Group Piece Finals Champions at the National Poetry Slam 2010. Currently, she is the winner of the 2011 Brenda Moosey Video Slam. A lover of the stage, iCon has also been featured in productions such as the musical, Badu-izms (Fringe Festival 2009), and Eve Ensler’s A Memory, a Monologue, a Rant, and a Prayer (V-Day 2010). She was also featured in the EngageNOLA/Humid Being’s “If I Were Mayor” commercial for the 2010 New Orleans mayoral race. In March 2010, iCon released her first CD, The Art of Lyrical Horticulture which has received much love and praise underground for its flavorful blend of song and spoken word. She is also featured on many other artists’ works such as Team SNO’s Da Cypher, Suave’s Hip-Hop Soul Revival, and MF’N Entertainment’s The Reconception. Still relatively new to the game, iCon has already shared stages with the likes of Sunni Patterson, Taalam Acey, Kelly Love Jones, Amanda Diva, and Asia Rainey. However, her passion far surpasses the stage and extends into the community, where she has worked with and for several non-profits, while still finding time to teach writing workshops in public schools and assisting with the New Orleans Youth Slam (NOYS) team. With a dash of poetry, singing/rapping, acting, hosting, visual arts, teaching, and activism, Sha’Condria “iCon” Sibley adds just the right seasoning to an increasingly flavorful gumbo!

Happy Talk: Writing, Books, Blogs & Getting Rid of Stuff

No, this isn’t a post about  Kermit’s new CD which is on my very short list of must-haves but, yes, I did steal the title from him. My must-have list is very short because I have begun a journey of decluttering my life and home and have vowed that any material item I purchase must be something I really need or can’t live without. I’ve been thinking about this for a long time…..my house is bursting at the seams and all this stuff has become a bigger and bigger background stress for me.

Today is my first step toward purging some of the stuff in my home that I really don’t need and can’t use. I cleaned out my closet and donated 3 large lawn and leaf bags full of clothes, shoes and handbags to the Vietnam Veterans of America. I even purged items I held onto in the last 3 closet cleanings.  Let me tell you, when I lugged those heavy bags down the stairs and out the door this morning I felt such a lightness of spirit it was exhilarating! And when I looked into my closet which is now only half full, I felt like I was floating on a cloud. It was all just stuff I didn’t need. And this is only the beginning. I have 4 more bedroom closets, 2 linen closets, 3 bathroom vanities and a kitchen full of cupboards to purge and I Will. Be. Ruthless.  Oh yeah, and a sideboard full of dishware I never use too. I just don’t need it all.

Serendipitously, I found the website Miss Minimalist (whose motto is “living a beautiful life with less stuff”) and may I say Yay! What an inspiration she is with her wealth of experience and tips. If you’re on a decluttering journey too I highly recommend her website.

So a couple of unexpected things happened to me recently that have made me a happy girl and I’m going to tell y’all about them. Two of my loves in life are photography and poetry and I dabble a bit in each. I have a blog where I post poetry that I write and interact with others who share that passion but I’ve kept it a bit of a secret for the past 3 years and published under the pseudonym Zouxzoux. In January of this year I took the shaky step of submitting some of my poetry to online zines for publication. I guess I had beginners luck because the very first submission was published in The Dead Mule School of Southern Literature and I’ve really had very few rejections from other zines I’ve submitted to since. Anyway, a few weeks ago I received notification from St. Somewhere Journal that they’ve nominated one of my poems for the Pushcart Prize. I was (and still am) astonished and very grateful – it’s such a privilege, especially for a struggling writer like me. I know thousands of writers are nominated and it’s unlikely I’ll actually win but the fact that I was nominated has really given me a boost of confidence and that means so much. Another source of that strange feeling known as confidence comes from my friend and mentor, Tammy Vitale. I met Tammy several years ago online and she has really been a creative inspiration for me. When she heard about the nomination, she asked if she could interview me for a post on her wonderful website, Women, Art, Life: Weaving It All Together and I was, of course, thrilled. Here is the link to the interview and I encourage you to peruse her website – it is such a positive and beautiful place to visit.

Then a few days ago I won a copy of Debra Shriver’s beautiful book, Stealing Magnolias: Tales From a New Orleans Courtyard.  (Check out this great piece about the book on Style Court.) I had entered a photography contest on FaceBook sponsored by Glitterati which asked for photos of New Orleans and I won! I entered a photo of Nick’s Supermarket on Washington Avenue (below). It’s not what most people think of when photographing the city so I guess that’s what caught their eye. Of course, to the locals, it’s pretty much a typical scene although I’m sure there are plenty of locals who pass scenes like this everyday and never really see. I know not everyone likes street art but I think it’s really interesting and, often, carries a message if you’re only open to it. This creature is known as “Tard” and the lettering is by local sign painter Lester Carey who’s painted many, many of the signs you see everyday in the city. There’s a great write-up about him here on NO Notes blog so go on over and read his story. It’s fascinating. One local who photographs scenes we all might pass everyday without seeing is the blogger at What I Saw Riding My Bike Around Today. I’ve been following her for probably a year or so now and she always has fantastic local photos as well as interesting posts. You should visit.

Well, I’ve about run out of “Happy Talk” for the moment and the cat is meowing for supper so I’d better get off my butt and get going. Have a great week-end, y’all!



In The Name of Oil

This video is a production – a very good production – of Pablo Neruda’s poem Standard Oil Co. If the oilspill catastrophe of the Deepwater Horizon last April (6 months ago today) affected you in any way, I think you’ll find this quite provocative. Even if you don’t like poetry.

Trust me.

Femme Fatale Friday: Heather Elizabeth

Today we’re featuring New Orleans’ jewelry designer Heather Elizabeth of Heather Elizabeth Designs. Heather specializes in original hand-crafted New Orleans inspired jewelry and accessories. I talked to Heather recently for the scoop behind her fabulous designs.

Heather Elizabeth

How long have you been making jewelry and what inspired you to choose this craft?

I started making New Orleans photograph jewelry in 2002. My inspiration simply comes from my love affair with the city of my birth, New Orleans. I am a 5th generation New Orleanian. I moved to NYC in 1995. I got so homesick in NYC that within a year I was back at home in my beloved New Orleans. Upon my return, I was hungry to know everything about NOLA. I had piles of New Orleans history books on my nightstand and I was shooting a lot of film around the city from 1996-2002. I decided to quit my job as the window dresser of Hurwitz Mintz on Royal Street in 2002. I had no idea what I was going to do to support myself. I looked around my home at all of my NOLA photographs laying around and my history books. It was at this point that an idea popped into my head to make jewelry of my NOLA photos. I started with only necklaces in 2002 and now the rest is history.

Is it your full-time occupation?

Heather Elizabeth Designs is my fulltime occupation.

What is your earliest recollection of arts and crafts as a passion?

I have been involved in arts and crafts since I was a little girl. My grandmother was very creative. She could sew elaborate dresses and make just about anything she wanted with her bare hands. Her own mother was milliner on Louisiana Avenue in the early 1900’s and made gorgeous hats. I spent a lot of time with my grandmother and I think she had a tremendous impact on the nature of my business. It’s sad because she passed away when I was only 18 years old. But, I know she is watching over me and helping me in any way that she can. So, I suppose I am indebted to my ancestors for my creative streak.

Tell us a bit about your creative process. Do you start a project with a beginning, middle and   ending in mind or does it evolve as you go?

My projects definitely have a beginning, middle and ending. I tend to be a person that concentrates on the    end result. So, I usually “flesh” the whole idea out on paper and then proceed with creating the piece.

Whose work has inspired yours?

I am particularly fond of the portrait miniatures that men & women owned as keepsakes in the 1700 and mid- 1800’s. I also love all Victorian jewelry and Art Nouveau jewelry. I am especially fascinated with mourning jewelry of the Victorian period. The craftsmanship of these pieces has inspired me to create some new hand cast designs which I will be debuting in the Fall. If I were to pick an artist in the present day, it would be my friend Kiki Huston. She is a local jewelry designer and although her work is contemporary, she inspires me to keep coming up with new ideas and to try new techniques.

If you find yourself losing interest in a project do you feel guilty and push yourself to finish or set it aside saying, “ah it’s just not meant to be”? Do you have any tips you can share regarding motivation and/or discipline in completing projects?

If I start to lose interest in a project, I just take a break for a few days and come back to it. Sometimes it may even be as long as a week or two, but in the end I will get my projects done. As far as motivation goes, one thing I value is having a bulletin board with pictures of things that inspire me to be creative. I change the pictures on my inspiration board every now and then to keep things fresh. I am in the process right now of remodeling my studio space. One of things I will do when everything is in place in the studio, is to hang some art work of my friends who show at the local art markets. The art work of my friends will also serve to keep me inspired while I am busy at work!

Where do you see yourself and your work in 5 years?

In 5 years I see myself owning a Heather Elizabeth Designs boutique selling my unique jewelry in New Orleans.

Where can we purchase your jewelry?

You can purchase my jewelry online at http://www.hedesigns.com. You may also purchase my work at the Arts Market of New Orleans, Bywater Art Market & Harrison Avenue Marketplace year round (with the exception of June, July and August). And, lastly my work is sold at select shops around the GNO area and they are listed on my website.

Where you can find Heather Elizabeth on the web:

Heather’s FaceBook Page

Heather on Twitter

Heather’s Blog

Can You Name 5 Female Artists?

That’s the question posed in the beginning of the trailer for Who Does She Think She Is?, a documentary film by Academy Award Winning filmmaker Pamela Tanner Boll, the co-executive producer of  Born Into Brothels.

Watching and listening to the trailer for this film really brought home for me the  gender-specific issues women face in the artistic community in terms of the devaluation and lack of recognition for their work. Take the following statistics from the film’s press kit for instance:

Source: Guerrilla Girls
• The number of professionally trained artists and art historians in the U.S. – Males 52%, Females
48%
• Percentage of artists at major institutions:
o National Gallery of Art — 98% male, 99.9% white
o National Portrait Gallery — 93% male, 99% white
o Hirshhorn Museum – modern and contemporary art — 95% male, 94% white
• Exhibition opportunities: Juried (artists unknown to juror) – Males 52%, Females 48%
• Exhibitions opportunities: Invited (artists known to juror) – Males 80%, Females 20%
• Gender distribution of visual artists in art texts – Males 90%, Females 10%
• Of the over 100 Tonys awarded since 1947 for theater direction, only 2-5% have been to women
Directors; only 2-6% to African American Directors.

Source: A Room of Her Own: A Foundation For Women Writers and Artists
• Only 9 out of 52 winners of the National Book Award for Fiction are women.
• Only 11 out of 48 winners of the Pulitzer Prize for Fiction have been women.
• Women writers won 63% of the awards but less than 30% of the money in awards reported by
Poets & Writers. (Jan/Feb ‘03 issue).
• 94% of all the writing awards at the Oscars have gone to men.
• A recent study by the Coalition of Women’s Arts Organizations showed that in all 1-person shows
for living artists in American museums, only 2% of the featured artists are women.
• 51% of all visual artists are female and women hold 53% of art degrees, but 80% of college faculty
members are male.

~~~

The film follows the lives of 5 women and their struggle to balance family and art.

“Through their lives, we explore some of the most problematic intersections of our time: mothering and creativity, partnering and independence, economics and art. The film invites us to consider both ancient legacies of women worshipped as cultural muses and more modern times where most people can’t even name a handful of female artists.”

I do believe the value disparity between men and women artists isn’t as wide in New Orleans as in the rest of the country. We’re lucky to live in a city where art, music, food, theatre and, indeed, all genres of the creative are valued and celebrated. If only the rest of the country and the world shared our views.

This looks to be a very important and thought-provoking film and oh, how I wish it would be screened here. According to the website, the closest it will come is Atlanta. Here are the particulars:
ArtMamas Atlanta
Saturday, March 27, 2010 @ 4:30pm
The Grounds Coffee House
898 Oak Street SW Suite F
Atlanta, GA 30310
Free Admission

Update: Read Liprap’s beautiful post here about the art of Jay DeFeo.