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NOLAFemmes

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Category Archives: Oral History

Daisy Pignetti: Blogging the Unfinished Story in Post-Katrina New Orleans

22 Thursday Sep 2011

Posted by Charlotte in Academia, Culture, Education, History, Katrina, Media, New Orleans History, New Orleans Women, NOLA Bloggers, Oral History, Social Networking, Society, Technology, The NoLA Life, Writing

≈ 2 Comments

Tags

Bloggers, Blogging, Disasters, Hurricane Katrina, Media, New Orleans, Oral History, Social Media, Social Networking, Technology, Writing

Daisy Pignetti* is participating on a panel at the Oxford Internet Institute symposium at Oxford University in England and is …

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Guest Blogger Sam Jasper: On Writing in the Wake of Katrina

31 Wednesday Aug 2011

Posted by Charlotte in Guest Bloggers, History, Katrina, New Orleans History, New Orleans Women, NOLA Bloggers, Oral History, The NoLA Life, Writing

≈ 1 Comment

Tags

Blogging, Communication, Disasters, History, Hurricane Katrina, New Orleans, Oral History, Writing

On Writing in the Wake of Katrina I watched CNN on Sunday for a long time, following the path of …

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Thousands of Gulf Coast Residents Sickened by Effects of Oil Spill

18 Monday Apr 2011

Posted by Charlotte in Deepwater Horizon, Environment, Gulf Coast, Health, Louisiana, NOLA Bloggers, Oral History, Pollution

≈ 1 Comment

Tags

BP, Corexit, Environment, Fishers, Gulf Coast, Health, Oil Spill

The following post was originally published April 12 on local blog American Zombie.

More Cries for Help

Last Saturday I spent the day at Dr. Michael Robichaux’s farm in Raceland talking with well over 60 offshore workers, fisherman, and family members who are experiencing extreme health effects from the BP oil spill.  Many of the workers who came into direct contact with the oil and the dispersant, Corexit, are experiencing similar health problems ranging from mild sypmptoms to life threatening conditions.  It’s not only the men who were out on the Gulf during the spill that are sick, family members are experiencing health problems as well.  Even people who swam in the ocean are stricken.

While I can’t confirm this number, I am told by folks monitoring the issues that they estimate thousands, if not tens of thousands, of people along the Gulf Coast from Louisiana to Florida are suffering.   Some are experiencing mild symptoms such as asthma, nausea, and headaches, while others are suffering extreme health issues such as internal bleeding, paralysis and even death….yes death.

The following video is a testimonial from Louisiana charter boat captain, Louis Bayhi.  It’s 6 minutes long and I implore you to watch the entire thing:

Capt. Louis Bayhi – Charter boat captain and BP clean up worker experiencing severe health problems from Blackbird Media on Vimeo.

Louis was one of over 40 fisherman I spoke with on Saturday who is gravely ill.  All of these fisherman confirmed to me that the Gulf is still full of oil and dispersant is continually being deployed….including areas which have been deemed safe for seafood harvesting.

There are more testimonials coming….please help spread this message…please help spread the truth.  The nightmare BP left us with is not over, in fact it may just be starting.  The MSM is not going to report what’s happening, but I implore you to dig deeper and don’t trust what you are being spoon-fed.

I fully expect to get attacked on the seafood issue but my response is fire away…I just spoke with over 40 guys who are out there every day and their concerns have now become mine.  I will take their word over anyone.

Check out the LEAN – Louisiana Environmental Action Network website for more information.

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In The Name of Oil

20 Wednesday Oct 2010

Posted by Charlotte in Deepwater Horizon, Environment, Oral History, Poets

≈ 1 Comment

Tags

Deepwater Horizon, Environment, Oil Spill, Pablo Neruda, Poetry

This video is a production – a very good production – of Pablo Neruda’s poem Standard Oil Co. If the oilspill catastrophe of the Deepwater Horizon last April (6 months ago today) affected you in any way, I think you’ll find this quite provocative. Even if you don’t like poetry.

Trust me.

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Talkin’ Revolution

09 Sunday May 2010

Posted by Charlotte in Community Events & Forums, New Orleans Women, Oral History, Women

≈ Leave a Comment

Tags

History, New Orleans, Storytelling

This Wednesday, join Ms. Doratha “Dodie” Smith-Simmons for storytelling and conversation about New Orleans’ role in the civil rights movement.  Dodie has dedicated her life to the preservation of New Orleans culture, and will offer rememberings of her time as a task force member of the Congress of Racial Equality (CORE), a test rider for the Freedom Rides, and a youth member of the NAACP.

What: Talkin’ Revolution: Conversations with Elders who Led the Way, featuring Dodie Smith-Simmons
When: Wednesday, May 12, 7pm
Where: The 7th Ward Neighborhood Center,
1910 Urquhart Street at Pauger Street

Patois and Junebug Productions are proud to present this first installation of the monthly summer series Talkin’ Revolution: Conversations with Elders who Led the Way. Talkin’ Revolution highlights the voices of local heroes in the struggle for justice and equality.

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NoLA Hosts Regional Premiere of ‘Ameriville’ This Week

22 Monday Feb 2010

Posted by Charlotte in Community Events & Forums, Katrina, Oral History, Theatre

≈ 2 Comments

Tags

Ameriville, Ashé Cultural Arts Center, Katrina, New Orleans, Southern Rep Theatre, Theatre, Tuland University Dept of Theatre

Southern Rep Partners with Junebug Productions, Ashé Cultural Arts Center, and Tulane University
for the Regional Premiere of Ameriville
by Universes, which runs February 24 – March 7, 2010.


In AMERIVILLE, the critically acclaimed Bronx-based ensemble group gives an emotionally riveting performance that is not only about Katrina, but also about the struggles and heartbreaks that happened in New Orleans. With the unbelievable power and passion that Universes brings to the stage, stories, facts, and memories are brought back through a mixture of poetry, hip-hop, jazz, and theatre.

Created by Universes, AMERIVILLE gives new insight and urgency to our national re-examination of what it means to be American – with heart, impassioned stomps, and incandescent harmonies. It’s a jubilant cry to rebuild America itself. Universes has created their own brand of high-energy performance, rooted in hip-hop but drawing on a global multitude of lyrical and musical influences and performance styles.

AMERIVILLE will be directed by Chay Yew, who is both a director and award-winning playwright, currently living in New York City. He has directed countless shows and is a recipient of the Dramalogue and OBIE Awards for Direction. As an alumnus of New Dramatists, he currently serves on the Executive Board of the Society of Stage Directors and Choreographers. Yew is a graduate from Boston University.

Steven Sapp, Mildred Ruiz-Sapp, Gamal Abdel Chasten, and Ninja make up Universes. All four actors are the founders of the company. Steven Sapp, a graduate from Bard College, is a playwright/actor. Mildred Ruiz-Sapp is part of this group as a playwright/actress/vocalist. Gamal A. Chasten is a songwriter/poet/screenwriter whose work has toured in over 25 U.S. cities and 5 countries. Ninja (William Ruiz) is a playwright/director and also a graduate of Bard College. Universes is a National / International ensemble Company of multi-disciplined writers and performers who fuse Poetry, Theater, Jazz, Hip-Hop, Politics, Down Home Blues and Spanish Boleros to create moving, challenging and entertaining theatrical works. The group breaks the bounds of traditional theater to create their own brand, inviting old and new generations of theater crafters as well as the theater goers and new comers to reshape the face of American Theater.

Southern Rep Artistic Director Aimée Hayes was drawn to this wide-reaching partnership out of a shared belief in the power of Universes’ production. “When I saw AMERIVILLE in last year’s Humana Festival, I jumped to my feet along with the rest of the audience to applaud before the lights came down at the end of the show. After seeing a production that spoke to my hometown in such a ground-breaking and inspirational way, I knew we had to find a way to bring it here to share with our friends and neighbors.”

Southern Rep is proud to be part of this expansive partnership project with Junebug Productions, Ashé Cultural Arts Center, and Tulane University Department of Theatre and Dance that brings together such a diverse group of stakeholders, including school principals, teachers, members of the media, church and business leaders, as well as organizations’ board members to ensure the widest possible impact of Universes’ work in New Orleans. Thanks to the support of the National Endowment for the Arts, Louisiana Division of the Arts, Arts Council of New Orleans, New Orleans Jazz and Heritage Foundation, and the National Performance Network, Southern Rep sees AMERIVILLE and Universes’ residency as fruitful and productive endeavor to benefit the New Orleans community at large.

Junebug Productions (JPI,) a professional African American arts organization located in New Orleans, Louisiana, produces, tours and presents high quality theater, dance and music that encourages and supports African Americans in the Black Belt South who are working to improve the quality of life available to themselves and others who are similarly oppressed and exploited. For the past 29 years, the company has toured the U.S. and performed internationally with John O’Neal, Junebug’s Artistic Director who co-founded the Free Southern Theater in 1963 as a cultural arm of the southern Civil Rights Movement. Junebug Productions is currently creating the Free Southern Theater Institute (FSTI) to codify the particular techniques, ethics, and aesthetics developed by FST and Junebug Productions. Artists from around the region and the nation will be able to come to New Orleans, learn the FST and JPI technique and work with the local community and artists. Junebug is currently offering the third of three pilot program courses, “From Community to Stage”, bringing in artists to work with community residents, high school and university students.

Ashé Cultural Arts Center is an effort to combine the intentions of neighborhood and economic development with the creative forces of community, culture and art to revive and reclaim a historically significant corridor in Central City New Orleans: Oretha Castle-Haley Boulevard, formerly known as Dryades Street. Ashé is a gathering place for emerging and established artists to present, create and collaborate in giving life to their art so as to activate the artistic, creative and entrepreneurial possibilities available in our community. Storytelling, poetry, music, dance, photography, and visual art all are a part of Ashé’s work to revive the possibility and vision of a true “Renaissance on the Boulevard.”

The Tulane Department of Theatre and Dance is a multi-disciplinary program that offers a fusion of performance styles and techniques in the framework of a liberal arts setting. Their diverse and international faculty teaches a mix of approaches that allow their students to explore all aspects of the theatrical and dance arts in order to help them prepare for the world around them. After beginning with the solid foundation of a hands-on curriculum, students are allowed to individualize their journey by choosing study in numerous areas that include academic research, storytelling, regional and international dance styles, acting methodology, community action, directing, choreography, design and technical stagecraft. The Department’s goal is to create the beginnings of a well-rounded dance or theatrical artist who understands where she or he fits into a larger performance community.

TICKETS AND LOCATION:

Regular ticket prices range from $20-$35: $35 for Opening Night, Wednesday February 24 (includes post-performance reception); Individual tickets are $26-$29 with special discounts for students, seniors, K-12 teachers, active military, theatre professionals (with ID) and groups of ten or more. $10 Student Rush tickets are available 15 minutes before curtain on a cash-only basis, with student ID. On the edge of the French Quarter, Southern Rep Theatre is conveniently located on the 3rd floor of the Shops of Canal Place, where validated parking is available. For more information and to order tickets, call (504) 522-6545, or visit southernrep.com.

Southern Rep continues to show that it is staging the most important, challenging, and downright mesmerizing pieces of theater New Orleans audiences are graced to experience. – Theodore P. Mahne, The Times-Picayune Lagniappe

“Their energy and realness is unmatchable.” — The Village Voice

Ameriville is an experience on many levels: percolating, bubbling, and broiling, flooding the theatre to the very last row. Hold your breath and dive in. – Theatre Louisville

“A headlong explosion of poetry, percussion, and multi-culti musical exploration that absolutely demands to be seen.” — The Boston Globe


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Women in Song: Sweet Honey in the Rock

13 Friday Nov 2009

Posted by Charlotte in Musicians, Oral History

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Tags

Ella's song, Music, Sweet Honey in the Rock

Words written here would only spoil the song and the message. Enjoy.

Sweet Honey in the Rock

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LadyFest New Orleans’ 3rd Year

04 Wednesday Nov 2009

Posted by Charlotte in Art, Artists, Community Events & Forums, Culture, Festivals, Music, New Orleans Women, Oral History, Poets, Women

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Tags

Art, LadyFest New Orleans, Music, New Orleans, Oral History, Poetry, Women, Women Artists

ladyfestposter

LadyFest New Orleans is a non-profit music, spoken word and arts festival organized by local women to showcase, celebrate and encourage activism through the arts for and by New Orleans women. It also serves as a benefit for local organizations that support women.

The festival runs for five days at five different venues. It will begin on Wed., Nov. 4, 6 pm at St. Anna’s Episcopal Church, 1313 Esplanade, New Orleans, with a Homily by Deacon Joyce Jackson, the first and only black woman Episcopal deacon in New Orleans. This will be followed by gospel music from Tonia Scott and the Anointed Voices who were the featured choir in “Skeleton Key”. The Queen Clarinet of Louisiana, Doreen Ketchens, will close out the evening with lots of hot music from Doreen’s Jazz New Orleans.

The festival moves to Snug Harbor on Thur., Nov 5 with two shows 8 and 10 pm at Snug Harbor Jazz Bistro, 626 Frenchmen, featuring Cindy Scott, Leah Chase, Megan Swartz on piano, Cori Waters on drums and Cassandra Falconer on bass.

On Friday, Nov. 6, Sweet Lorraine’s, 1931 St. Claude is the place to be with Charmaine Neville, David & Roselyn, Estelle Compagne on flute, GaBrilla Ballard, Lynn Drury & the Pfister sisters accompanied by Amassa Miller on Piano, Cori Waters on drums and Cassandra Falconer on bass.
Poet Valentine Pierce will be reading from her work also.

Sat, Nov. 7th the show moves to the Marigny Theatre, 1030 Marigny at St. Claude to enjoy blues with Beth Trepagnier, hear Gina Forsyth, dynamite on guitar or fiddle, and be amazed by Kayne Reznick‘s lusty irreverent folk songs, Lindsay Mendez performing music from her new CD, Olivia Greene bringing a fresh slant to jazz accompanied by Cori, Cassandra and Estelle. Then Some Like It Hot tears up the evening.

Sun., Nov. 8th, LadyFest New Orleans 2009 has its final performance at the Ashe’ Cultural Arts Center 1712 Oretha Castle Haley Blvd., from 11 am to 6 pm with 30 X 90, Dixie Rose, Hazel and the Delta Ramblers, Kelcy Mae, Margie Perez, Olga and Troi Bechet with Mimi Geste on Piano, Cori Waters on Drums, Cassandra Falconer on Bass and Estelle Campagne on Flute.

For more info, including some great photos, visit LadyFest New Orleans.org

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Not that different, you and I

17 Saturday Oct 2009

Posted by A Mueller in Artists, Culture, Food, Human Rights, Louisiana, Oral History

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Tags

amueller, New Orleans, New Orleans food, New Orleans Palestine, Palestine

I was spending the night as a guest in a refugee camp in Palestine, an area filled with sad eyes and stories of destruction and personal loss. Many of the people living in this camp have had their homes destroyed by the government’s failure to protect them, allowing corrupt government to take away everything they worked so hard to have. They fled after the homes were destroyed, to different areas throughout Palestinian territory: friends, family, and refugee camps like the one I was at that night.  Images of the homes left destroyed, demolished, and ruined by Hurricane Katrina flashed in my head as I sat on Miss Eman’s make-shift front porch, a place where she welcomed friends and guests and they talked about their lives and sometimes they didn’t talk about anything at all and just sat in silence.  The plywood and tin shacks that these families now live in were the Palestinian FEMA trailers that so many found refuge in after they had nothing left at all. As Eman offered me a glass a tea, a sign of love and culture for Palestinians, I smiled. I thought back to my first glass of sweet tea in New Orleans, made by Miss Dorothy, the 80-year-old woman who lived beside us.

Besides the king of mint, Palestinian tea was just like the sweet tea from back home. While I was observing everything around me with a heavy heart, it felt nice to be sitting out on the front porch drinking sweet tea. A bit of home in a country thousands of miles away, struggling, facing unspeakable odds every day. It was then I decided that the phrase, “Do you know what it means to miss New Orleans?” could apply to Palestine, offering reminiscence of a time when life wasn’t so controlled, so difficult, so full of destruction and strong spirits that would have been broken anywhere else. New Orleans has a sister out there in the world, that sister is Palestina.

Eman is a single mother, left so when her husband was killed by settlers as we was returning home from working in his fields. Eman’s family never got justice for her husband’s death, too often the case in an area where settlers are often given special treatment of military police and often times inhumane prison conditions, physical violence, and corruption among staff are not exceptions, but the rules. Human rights organizations have investigated these claims, much like the current situation happening at Orleans Parish Prison in New Orleans right now. The Department of Justice hasn’t come in to intervene on behalf of the Palestinian people, however, and the treatment has become expected, almost excused, because it is so widely-known to happen, what really can they do against a system that looks out for itself, not people.

Eman had seen many terrible things in her life, particularly during the second Intifada, a Palestinian uprising that led to many protests, demonstrations, and death.  She wasn’t afforded the luxury of therapy – mental health services were nearly non-existent in her area – so she dealt with her troubles by using her hands. Some of her neighbors created clay pots to deal with their difficulties. Others wrote the most beautiful and depressing poetry I ever had the honor of reading. Eman cooked. I had told her about some of the dishes that New Orleans was famous for, surprised to find Palestinian equivalents. Qidra was the Palestinian answer to jambalaya, a dish with rice, meat, vegetables, and spices cooked in large quantities, often served at happy occasions and while surrounded by friends and family. Bandoora maqliya is  tomato slices fried in olive oil with garlic and chopped basil, the Palestinian fried green tomatoes. They have their gumbo, too, often made with lamb. Their sweets include pastries with combinations of sugars and spices and nuts. Just as it is in New Orleans, cooking for loved ones and sharing food is an expression of love, a time to come together and enjoy one another’s company, to drink in all the blessings one has, even when it feels like the rest of the world has offered nothing but abandonment and looking the other way at the tragedy that has struck.

After visiting with Eman, I wandered a bit and found an old man surrounded by men much younger than him, all sitting on the beach. It reminded me of the men I often saw sitting on neutral ground while driving around the city. I was invited over to join them, the elder telling me stories about his Palestinian heritage, the resentment felt towards Palestinians by the rest of the Arab world, and gave me an oral history peppered with personal narratives. Occasionally I would look up and see a carriage pulled by a donkey pass, making me smile and think of the French Quarter. He went into detail about the Palestinian arts and the many wonderful artists that came from Palestine, too far ahead of their time to ever be awarded any real acclaim outside of Palestine, but important to the expression of the Palestinian people. He told me about authors I needed to read, boasting about which ones he saw writing outside a cafe in the city or while sitting alone on that very beach. He sang a song, lyrics unknown to me, that had the sadness, despair, and celebration that St. James Infirmary had – invoking in me the same emotions, the same deep thoughts.

Education was a problem in Palestine, not enough schools, not enough school supplies, not enough staff. It felt bizarre, being surrounded by another culture in another land and finding so many similarities between Palestine and New Orleans. It challenged my internal thoughts, being raised in the West and quite ignorant to Palestinian issues – not discussed on the news unless it portrayed Palestinians or Palestine in a bad light, talking heads saying Palestinians should just move away and stop the suffering.

New Orleans shouldn’t rebuild. Who cares about New Orleans. I am so sick of hearing about New Orleans and Hurricane Katrina. It has been four years, they need to stop whining. You have all heard phrases like this. You have all heard phrases like this and felt ire and spite and sadness as another part of the country called to take away your right to exist in the place that you love.

As I returned home, I reflected on what I had experienced. From sharing the sounds of Paul Sanchez with twenty-something Palestinians while they shared with me Palestinian hip hop, all from their front porch, to sharing stories of the culture and Palestinian heritage, to having their right to exist questioned, and choosing to exist despite a ruling system of corruption, crime and injustice.

Palestine and New Orleans, we aren’t that different after all.

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Loup Garou: Howl To The World!

30 Wednesday Sep 2009

Posted by Charlotte in Advocacy, Community Events & Forums, Culture, Environment, Louisiana, Oral History, Theatre

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Tags

A Studio In The Woods, ArtSpot Productions, Environment, Gulf Restoration Network, Louisiana Wetlands, Loup Garou, Mondo Bizarro, New Orleans, New Orleans City Park

Loup Garou: A new performance by ArtSpot Productions and Mondo Bizarro

image1

Former A Studio in the Woods artists-in-residence ArtSpot Productions, Raymond “Moose” Jackson, and Monique Michelle Verdin have collaborated on this amazing production – be sure not to miss it!

=====

ArtSpot Productions and Mondo Bizarro present Loup Garou, a new environmental performance that explores the deep interconnectedness between land and culture in Louisiana. The outdoor performance runs October 8-25, 2009 in the abandoned fields of City Park’s old East Golf Course. Performances are Thursdays at sunrise (7am) and Fridays, Saturdays and Sundays at 5pm.

Every half hour, Louisiana loses a football field’s worth of wetlands to the Gulf of Mexico.
Six major hurricanes in the last four years have exacerbated an already dire situation. What will become of Louisiana’s rich cultural traditions and industries as the land that has nurtured them disappears?

Performed by Nick Slie, written by Raymond “Moose” Jackson, directed by Kathy Randels, and designed by Jeff Becker, Loup Garou is part performance, part ritual, part howl to the world about southeast Louisiana’s plight. We invite you to join us as we sing a song of love and hope for our precarious homeland.

Presented In collaboration with the Gulf Restoration Network and New Orleans City Park.

What is a Loup Garou?

He is a wild and dangerous entity (some say a werewolf) well anchored in the folk traditions of southern Louisiana. His story comes from France through Acadia down the Mississippi and numerous inland routes to Louisiana.

When: October 8-25, 2009
Thursdays at 7am; Fridays, Saturdays & Sundays at 5pm
Where: City Park old East Golf Course on Filmore near Wisner
Tickets: $15; $10 Artists, Students and Seniors.
Seating is limited. For reservations, please call 504-826-7783.

For more information visit www.artspotproductions.org

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