Paint Party Sunday to Benefit IYTI Art for Toys Swap

Tomorrow will be another beautiful day in New Orleans so take advantage of it and come by and create art to benefit ReX’s annual It’s Yours, Take It Art for Toys Swap. This will be the fifth year IYTI will gather donated toys for the Marine Corps Toys for Tots Program. (Click link for more information.) Be a good little elf and create for the kids!

PAINT PARTY – NOLA RISING & IT’S YOURS, TAKE IT
the old XO STUDIOS
the PARK next to 2833 Dauphine Street
(Dauphine and Press Streets… Marigny/Bywater border at the train tracks… New Orleans)
SUNDAY – NOVEMBER 20th – 2011 – NOON until 4ish

 

A portion of New Orleans’ Louis Armstrong Park re-opened to the public (finally!)

This gallery contains 4 photos.

Another (partial) milestone was reached today in the City that Care Forgot’s recovery from the aftermath of Hurricanes Katrina and Rita: a portion of the Louis Armstrong Park in the Faubourg Tremé neighborhood re-opened! The Tremé Brass Band kicked things … Continue reading

Another perfect Saturday

Please let me preface that with the fact that I am not one of those “Northshore Snobs”, I’m a yankee who’s been here since ’75, mothered a cajun girl and am not going back. Louisiana is my home and that’s … Continue reading

Art Comes Alive

This gallery contains 2 photos.

We did a weekend pass at the Gretna Fest this year and were treated to one of the most magnificent displays of pride and beauty on Friday evening: The Mardi Gras Indians paraded thru the festival grounds and – thanks … Continue reading

Daisy Pignetti: Blogging the Unfinished Story in Post-Katrina New Orleans

Daisy Pignetti* is participating on a panel at the Oxford Internet Institute symposium at Oxford University in England and is presenting her paper “Blogging the Unfinished Story in post-Katrina New Orleans” on Friday. Her paper features my writing from my … Continue reading

Guest Blogger Sam Jasper: On Writing in the Wake of Katrina

On Writing in the Wake of Katrina

I watched CNN on Sunday for a long time, following the path of Hurricane Irene, worrying about relatives and friends who were in various states along the storm’s expected travels. As it became clear that the inland flooding from overflowing riverbanks would be by far the greatest danger to them, a tiny part of me jumped into a familiar anxiety mode, while another was outraged by the screaming coverage on television. While I pray for the families who lost loved ones, and I do empathize with the people, and there are many, who lost their homes, I was nevertheless annoyed by the continuous loop of video showing a lifeguard station in New Jersey coming off the sand and running into the boardwalk. That video was followed, on a fairly regular basis, by a photograph of a park bench, half hidden by water perhaps 3 ft deep, that the anchors kept looking at in amazement remarking that it had moved—all the way across the street. They were nearly dumbstruck with awe. I meanwhile remembered the endless loop of people on roofs, helicopters with little kids hanging in baskets and, of course, one bit of footage of a looter that was looped like the yarn on my grandmother’s crochet hooks around every other bit of footage as the levees broke six years ago. The coverage was frustrating and more than a little infuriating.

Doubtless there is someone in one of those states looking at the destruction Irene left behind and screaming with fury at the looping footage that doesn’t tell even a tenth of the story.

As Katrina headed in towards land, we had left on the Sunday afternoon before the storm after flipping a coin. Not the best way to make a decision, but one that we admit to as it is true. Under a sound roof in Alabama, we watched that looping footage, switching stations frantically to get more information, maybe better information. What was happening to our city, to the people in it? As the video of water coursing through neighborhoods started, we were shocked.

Then came the reports of what was happening in the Superdome, at the Convention Center, on roofs and overpasses. People. Lots and lots of people waiting for help. Some asking for water, just some drinking water. Reporters saying there were bodies floating near the overpasses. This in our city. Our country. Another couple days went by and we decided to return home after scouring nola.com for other news, connecting with some people, finding comfort in communication, being told we were crazy to go back. We were told it was the Wild West, it was a catastrophe of monumental proportions, it was illegal. We put the map on the dining room table, plotted a route home that would take us north through Hattiesburg and Bogalusa, a route that took us about 150 miles out of our way. We’d buy gas along the way wherever we could find it. We couldn’t sit watching the video loops another minute. We felt compelled to come back and at least make an attempt to help.

As we headed south to the Sunshine Bridge in order to come up 90, we hooked up with some other New Orleans-bound travelers. All of us with the same compulsion to get back, to pitch in. We talked a lot when we stopped for gas or supplies about what we’d do if we couldn’t get into town. What if all the exits were blocked by Guardsmen? We all decided to risk it. As we came north, the southbound lanes looked like something out of a Steinbeck novel. People with furniture tied to the roofs of their cars, passengers sitting on tied down mattresses in the beds of pickup trucks. Not a vehicle was moving. A giant parking lot full of frantic people and a few of their possessions. We wondered where they were planning to go, but we kept heading up toward the city. In the lanes next to us were a few National Guard trucks, humvees, and some personnel. We and the other couple traveling in their car were the only civilians we saw. We got to our exit and miraculously it wasn’t blocked. There was no one around as we approached our house. It appeared that there was no one anywhere. We saw no chaos other than a house in the middle of an intersection and downed trees and power lines everywhere. We lived on the Westbank at that time. We had been lucky. Just the other side of the river it was an entirely different story.

After a quick recon around the neighborhood, we found out who was home, and there were several. We gathered all the news we could, but the information void put us into an alternate reality: we only knew what we saw or what we heard in our little area. It was that way for people in other neighborhoods as well we found out later. We found out that a food distribution point was going to be set up at Blaine Kern’s Mardi Gras world so the next day we went to offer our services. The people on Powder Street needed medication. The lady by the levee was hooking up with animal rescue folks and needed our dog crate.

Our power was out but the phone line miraculously still worked. We had brought enough gasoline in with us to get us back out if that’s what we thought we should do. Instead we poured it into a generator that our neighbor had and we shared that generator one hour a day. I still had a dial up modem in my computer so I rigged a connection to a dial up number for AOL in New Mexico. It worked. On September 12, 2005 I wrote my first mass email explaining what we were seeing here at that time. I wrote every couple days after that well into March of 2006.

I was asked what it felt like to write during that time. Necessary. That’s how it felt. It was necessary. It was eminently clear that news coverage was limited at best. That people in other parts of the country were getting barely a piece of the story. While I certainly couldn’t give a view of the entire city, I could absolutely tell people what was going on in my neck of New Orleans: what we had, what we didn’t have, when the power was expected to come on, where the food distribution was and who was distributing it.

After one week my mailing list swelled to over 200 as people forwarded my emails to each other and dropped me a line asking to be included on any future updates. AOL was convinced that I was running a gigantic spam operation, so I wrote them and explained where I was and what I was doing. They relented, allowing the emails to go out, and eventually the mailing list grew by another 50. I was getting emails from locals asking if we could check on their houses and post photos, I was getting emails from people outside of the country asking what they could do, I got emails from friends and others asking what they could send and how to send it as the post office wasn’t in service. I was getting emails from people saying that the original mail had been forwarded ten times until it reached them and that their thoughts and prayers were with us.

What started as a simple “we’re okay don’t worry” email had morphed into an on the ground news dissemination system and people wanted the information, not the stuff they were seeing on the news. They wanted the stories of what we were doing, who we had met, the incredible generosity of some guys who drove through the night to deliver much needed goods. We eventually managed to photograph several houses for people who couldn’t get back, and although it was slow going on dial up, we sent them out. It eventually got to a point where we could no longer send individual thank you emails, there were too many and our generator time was too short.

I said earlier that it was necessary to write at that time. It was. Not just because the news coverage was initially so bad, but because once that first email went out the responses we got sustained us. I am not sure how we would have managed those first few weeks without the support of all those emails. People we didn’t know were keeping us going when all we wanted to do was cry. A bond was forged with those strangers on my computer screen. I kept writing. They kept responding, and I felt a duty to continue sending out updates.

Many people sent boxes of supplies. Others sent vitamins and tasty things. They all came with notes of support, often with cash in them, and all with a comment about the frustration of trying to find a tangible way to help in that moment. So many kindnesses to balance the unfathomable cruelty of Katrina. It still chokes me up.

I had always written, an article here, a story there but nothing as regular as the emails written at that time. As the anger mounted and the sadness dropped us into pits of despair, the words were there being read somewhere by someone who cared even if we didn’t know their name. They met the people in my neighborhood, the people helping out. They heard the stories of the noble sons who’d stayed with their elderly, ill mothers. They heard the stories of lost people and our panic over their whereabouts. They heard about little triumphs and major hurdles. They heard about the heat and the exhaustion, the jubilation of power being turned back on, our first sight of Jackson Square covered in satellite trucks and humvees and old bandages instead of artists, and how many nails a tire can absorb before it becomes unusable.

In the writing of those missives I found the strength to cope with what I was seeing around me, and if the responses were to be believed, I was giving the people who read them a more realistic view of what was happening here during that time. Interestingly enough, six years later, sometimes those emails swirl through my consciousness with the tenacity of a CNN video loop.

~

Sam blogs at New Orleans Slate and is a contributing author and co-editor of A Howling in the Wires: An Anthology of Writing from Postdiluvian New Orleans. Her emails chronicling the days after Katrina can be read at Katrina Refrigerator.

Rebirth, festivals and small town America


Happy Independence Day! I’m posting this slap dab in the middle of the 2011 July 4th Weekend and am hoping that the two readers of this post are enjoying themselves. ;)

We spent our “celebrating America’s Independence” Day in one of my favorite cities, Bay St. Louis, Mississippi.

Located about 40 minutes from our home in Slidell, Bay St. Louis epitomizes the “comeback city”.

On August 29, 2005 Hurricane Katrina made her final landfall at Bay St. Louis. The little town was flattened and it still working on her rebound. In the past six years she’s done well.

click on picture for full size version

My husband and I take pleasure from our trips to Bay St. Louis, especially when we want a fantastic burger. We either go to the Mockingbird Cafe or the Buttercup Restaurant. Both restaurants are on the same street. The joys of small town America.

About four years ago we attended the Crab Festival put on by Our Lady of the Gulf Catholic Church in Bay St.Louis and appreciated the atmosphere, food, music and breezes from the Bay. So we decided to revisit the fest this year and were not disappointed.

While we truly love the French Quarter, PoBoy, Oyster and countless other Festivals in New Orleans, the ambience and down home comfort of a festival away from the Crescent City is a welcome hot weather diversion. The OLG (Our Lady of the Gulf) Fest is well done and small enough allow us park our chairs in a shady spot and take off for a few hours of eating and photography and return to find our chairs still there, unoccupied.

There were more than 50 dishes offered, a good deal of them containing the subject of the Festival.

Here is the food we sampled and savored:


Boiled shrimp (very tasty) and Lake Pontchartrain Crabs (sweet crabmeat)


Fried Catfish with fries, hush puppies and coleslaw


Crabmeat pie and fried softshell crab with cole slaw and seafood smashed potatoes

In between stuffing our faces we took walks and pictures. Our first foray was thru the arts section of Bay St. Louis.


This sweet little courtyard is dedicated to Jean Baptiste Le Moyne, a colonizer in the Gulf Coast region.


Here is a closeup of the plaque in the opening of the courtyard. Apparently Bay St. Louis was originally named Shieldsboro after Thomas Shields, a ship’s purser.

Main Street is the section of town that I love to haunt. It has shops and galleries that beg to be discovered.


This building is one of the few that survived the 30 foot storm surge of Katrina.


One of the tenants of this building, Bay Breeze, rents bikes and kayaks. It also sells home furnishings.


A little watering hole on Main Street by the Bay.


One of the art galleries we visited was Maggie May’s, a purveyor of local art.

I asked the owner if I could take pictures inside and she said as long as it’s not of the artwork. So I took a picture of this nifty glass block window:

There were some very nice pieces and paintings in the gallery which takes up a city block. Plus it has air conditioning, making it a perfect spot if you’re visiting BSL in the summer to take a break from the heat. Attached to the gallery is Lulu, a great little spot to catch a bite to eat. .

Moving across the street we found one of our favorite bread baker Serious Bread. We went inside and got a lovely, crusty loaf of bread and two craisin scones along with a complementary bottle of water from the owner himself! Mr Jensen makes fantastic scones, not dry like most that I’ve sampled.

Fueled up for another leg on our jouney around downtown Bay St. Louis, we carried on and soon discovered the sweetest little community garden which seems to be doing well despite our dry conditions this summer. Here are some pictures of their crops:


This old place is right next to the Mockingbird Restaurant on 2nd Street.


In the garden outside the Mockingbird is this very cool bottle tree.

On the other side of the Mockingbird Cafe is The Shops at Century Hall. Originally built by the Woodmen of the World for fraternal functions, Century Hall now houses an art gallery and many rooms of vintage antiques and one of a kind items. It’s a great place to spend an hour or two.

Here are some of the sights we found interesting:


I found this piece to be rather spooky.


I love this stained glass. Unfortunately, my little tiny house has no room for it.


There is a room devoted to old kitchen tools.


Another room is filled with folk artist and Bay St. Louis resident Alice Moseley’s work, including this video of Alice explaining her art. In another part of BSL you can visit Miss Moseley’s home, which is now a museum.


This plaque depicts the story of BSL’s “angel tree”. The background to the story is here..


Century Hall’s next door neighbor is an ancient cemetery, which I found fascinating.


Doves carved into a tree that died from the saltwater intrusion from The Storm seem to flutter among the graves.


some graves were behind old gates like this one


This angel, most likely carved from a Katrina tree, presides over the small cemetery.

Back at the Crab Fest they were still boiling crabs and shrimp


Ceiling fans and the breeze from the Bay kept it tolerable in the afternoon.

We decided to catch some of the more unique and patriotic outfits at the fest

One of the bands that played early in the day was the 41st National Guard Army Band They rocked.


Toward the late afternoon, we took a walk toward St. Stanislaus College and chilled out on the bench, watching the Bay and the crowds.


Seeing the beach being restored six years after the storm is very heartwarming .

All in all it was a relaxing and enjoyable trip. One that assures us that we will

St. Claude Ave, October 2010, Photo by Charlotte Hamrick

Swoon At NOMA

Brooklyn-based artist Caledonia Curry, known as Swoon in the street art community, will be unveiling her work, Thalassa, tonight at NOMA.  I first became aware of Swoon’s street art in 2008 when I saw her work (photo below) plastered on the side of a crumbling structure on Tchoupitoulas which is no longer there.

Tchoupitoulas St, November 2008, Photo by Charlotte Hamrick

Back then, I was regularly photographing street art along Tchoupitoulas as I traveled it twice a day to my workplace. I’d never seen art like this on the street before so I contacted ReX of NoLA Rising who told me it was Swoon’s work. I could tell the piece wasn’t actually painted onto the structure and, subsequently, read that Swoon paints onto paper which she applies to buildings with wheat paste.

In the fall of 2010 Swoon visited New Orleans again, leaving, I believe, three images in the Bywater/St.Claude area. I was able to photograph one of the pieces on St.Claude, below. (Update: went by this site 6/11 and the art has been greyed out.)

St. Claude Ave, October 2010, Photo by Charlotte Hamrick

St.Claude Ave, October 2010, Photo by Charlotte Hamrick

From the Times-Picayune:

“Big paper prints are Swoon’s stock and trade, but they’re not the sort of tame art reproductions so often found framed on apartment walls. Swoon, 33, gained international fame as a graffiti guerrilla, aggressively applying her artwork to public places with — or without — the property owner’s permission. But Swoon’s style has always been a bit gentler than most taggers. Curry’s lacy paper prints, often perforated with hundreds of shaped holes and affixed to public walls with old-fashioned wheat paste, aren’t permanent like spray paint. In time, they peel away. And the images she chooses to decorate urban common areas — mostly portraits of benign deities and ordinary folk — don’t have the same alienated bravado of most graffiti writers.”

Michael DeMocker / The Times-Picayune ~ Thalassa, a large-scale sculpture by street artist Swoon, rises in a New Orleans warehouse

Swoon will speak tonight at NOMA at 6 p.m. There is also reception is from 5 to 10 p.m. and Thalassa will be on view through September 25.

Freret_Market_Logo

New Orleans Most Interesting Market

New Orleans artists and crafters are gearing up for the city’s “most interesting market”- Freret Market! Saturday, June 4 (tomorrow) catch your favorite NOLA crafters and artists from 12pm-5pm near the corner of Napolean and Freret.

I particularly love this market as 3 of my favorite things in life are sold there: food, art, and flea market items (which are always great for repurposing!) The day also includes live music…lots of live music…because let’s not forget- this is New Orleans! Tomorrow will be my third time participating in the Freret market as a vendor and one of the characteristics I have enjoyed is watching the market rapidly grow over such a short span of time. The momentum of the team that leads the market is incredible. Freret now boasts 80+ vendors with a waiting list! I (and my business partner in crime Jeremy) are honored to be among so many local talents. The camaraderie formed between repeat vendors is priceless.

Markets such as this are a huge reminder to everyone in our city about how important it is to shop local.

Mark your calendar to attend. Tomorrow will be the last Freret market until September. (Although we’re hitting record high temps now, July and August typically get even hotter!) And drop by our booth (SHULTZILLA) and say hi :)

Keep it cheeky!

—–

For more info on the Freret Market, visit: freretmarket.org

from ferry

home.

I moved back to the New Orleans area last July. It’s hard to believe it’s been almost a year already, but the phrase “time flies” doesn’t even begin to describe life over the past year. For my introductory post, I tossed around a few ideas, and came to the conclusion that I should begin at the beginning.

Home.

I lived in Baton Rouge for 10 years. It wasn’t quite as eclectic as New Orleans, but it grew on me. Post-K, my family moved up to Baton Rouge…and then they moved back home a year or so later. I grew really close to my family in that year and they tried to talk me into moving back, but I felt established and independent in my little city. Eventually, my now-husband came along and set me straight! We bought a house in Metairie last year and I fell in love with New Orleans and its surroundings. It was a different kind of love than when I was a kid at a mere 18 years old. I find myself appreciating the rich history and culture that draws in people from all over the world.

Matt Faust. We went to high school together. He was two years ahead of me, and I can’t recall even sharing more than 2 words with him while in high school. Our paths crossed again, though, in my college and post-college years. He spent the year after Katrina creating a short film about his life at home. I was at a friend’s house a few years ago and Matt was telling us about this film that he had finally finished. He grabbed a copy out of his car, popped it in the DVD player and by the end of the five minute (approx) film, I was crying.

A little over a year ago, I picked up the Times Picayune (which I unfortunately only do on rare occasions), and just happened to see Matt’s picture in the paper…with Robert Deniro. Matt had won Best Documentary Short at the Tribeca Film Festival for the short film, now called “home.”

About a month ago, I thought about that night that I saw the clip. I found Matt’s website and immediately purchased “home.” The film shows loss- something most of us can relate to in one way or another. It also speaks to childhood. The film makes me truly appreciate my home for what it was, what it has become, and what it’s destined to be. And that, in some way, makes me happy.

I highly recommend picking up a copy. You can view the trailer of “home” or purchase a copy at www.mattfaust.net.

CheekyCherry

Thousands of Gulf Coast Residents Sickened by Effects of Oil Spill

The following post was originally published April 12 on local blog American Zombie.

More Cries for Help

Last Saturday I spent the day at Dr. Michael Robichaux’s farm in Raceland talking with well over 60 offshore workers, fisherman, and family members who are experiencing extreme health effects from the BP oil spill.  Many of the workers who came into direct contact with the oil and the dispersant, Corexit, are experiencing similar health problems ranging from mild sypmptoms to life threatening conditions.  It’s not only the men who were out on the Gulf during the spill that are sick, family members are experiencing health problems as well.  Even people who swam in the ocean are stricken.

While I can’t confirm this number, I am told by folks monitoring the issues that they estimate thousands, if not tens of thousands, of people along the Gulf Coast from Louisiana to Florida are suffering.   Some are experiencing mild symptoms such as asthma, nausea, and headaches, while others are suffering extreme health issues such as internal bleeding, paralysis and even death….yes death.

The following video is a testimonial from Louisiana charter boat captain, Louis Bayhi.  It’s 6 minutes long and I implore you to watch the entire thing:

Capt. Louis Bayhi – Charter boat captain and BP clean up worker experiencing severe health problems from Blackbird Media on Vimeo.

Louis was one of over 40 fisherman I spoke with on Saturday who is gravely ill.  All of these fisherman confirmed to me that the Gulf is still full of oil and dispersant is continually being deployed….including areas which have been deemed safe for seafood harvesting.

There are more testimonials coming….please help spread this message…please help spread the truth.  The nightmare BP left us with is not over, in fact it may just be starting.  The MSM is not going to report what’s happening, but I implore you to dig deeper and don’t trust what you are being spoon-fed.

I fully expect to get attacked on the seafood issue but my response is fire away…I just spoke with over 40 guys who are out there every day and their concerns have now become mine.  I will take their word over anyone.

Check out the LEAN – Louisiana Environmental Action Network website for more information.

jeff_lamb_last

Farewell, Jeff Lamb

I realize that this blog has already had a post regarding the passing of Jeff Lamb, but I wanted to share my own thoughts about him.

Here is a link to his obituary, written by his beautiful widow, Leyla. Thanks to donations from friends of Jeff, this obituary will remain online for a year.

The advent of social media has changed the way we correspond in so many ways. It has changed the way used to communicate via telephone. How many people do you know that still have a “home phone”? I gave mine up a few years ago. I find it amazing and yet refreshing that less and less people are relying on the telephone to contact people. I never was a “phone person” myself. I always found it intrusive and rude.

Social media has also changed the way in which we interact with people.

The birth of Facebook and Myspace and other social media sites have made it easy for us to have “friends” all over the world. Jeff Lamb was one example of this. Just check out his Facebook page to see how many people he touched. There are condolences there from all over the world.

Jeff communicated with people in a way that found their happy spot. He made them “LOL” as they sat with their laptops, their desktops and their smartphones. Jeff loved people. He interacted with people VIRTUALLY. I believe that virtual communication represents the direction we are taking in interaction with each other. The whole world is out there for us to meet! Our parents never in their wildest dreams could have foreseen this. We are lucky to experience it.

You could tell through your online conversations with him that Jeff loved life. He would see the beauty in places that most of us would just walk right past; until we saw – through his photography – what he saw.

Jeff’s love for New Orleans never faded. He lived in New Orleans from 1978 thru ’85, where he met Leyla. His photography of the city will live on forever. As a matter of fact, Jeff’s pictures have helped the The Preservation Resource Center of New Orleans document some of the incredible architecture this city has had, both before and after Katrina.

Jeff loved his dog Sonny Boy, who was the subject of so many photographs. Here is a link to one of the hundreds if not thousands of photos of Sonny Boy.

Jeff leaves behind the woman he loved dearly, Leyla. If you would like to help Leyla out, go on over to one of his galleries and purchase some prints. Here’s a good start. I purchased six prints on Wednesday and got them on Friday. His photography is very inspiring to amateurs like myself.

Here is his photostream on flickr. that has many pictures of New Orleans in the late 70s, early 80s.

Here’s a book of Jeff’s photos available for purchase.

Another flickr album.

Here are other posts related to Jeff’s passing:

Random Photo Blog has a great photo of Jeff as well as a

Michigan Pics remembers Jeff

Lansing Rocks’ mention of Jeff’s passing.

Nola photos .

I just discovered that Jeff had a wordpress account, updated in 2011 here .

RIP, Jeff

A Crown Jewel in New Orleans

It has been close to ten years since I ventured to City Park in New Orleans. Since then the park has recovered from Katrina and is looking as beautiful as she can. Hubby and I had business to do in “Kennah” and chose City Park to kill some time; we were happily surprised in the beauty that the park offers. If you’re interested, this site Offers the history of the Park. I never knew it was once the site of a plantation.

Here are the pictures, in no particular order.

Click on pictures for larger versions.


the sundial


Popp’s Bandstand


Called the “Colombier de Carol”, this building is also called City Park Pigeonierre, or a dovecote.


This is the plaque for the Colombier . Designed and dedicated by former City Park President and New Orleans barrister Felix Dreyfous.

Speaking of signs and plaques, City Park has so many plaques throughout its 1,300 acres and you can find them and their history at this website.

There are so many bridges crossing the Lagoon at the Park. I fell in love with each and every one of them, as none of them are the same.


The Peristyle, built in 1907.


One of the lions outside the Peristyle


I spotted this beauty at a ticket window just outside the kiddie playground.

After walking the length of the lagoon, we decided to cross the street into another fenced in portion of the park and were extremely happy to discover that it was the Bestoff Sculpture Garden!

A coworker told me about this garden several years ago and I’d been meaning to find it. Glad we did today. What a tremendous place to spend some time.

Described by goneworleans about dot com as follows:

It’s a 5-acre garden under cypress and magnolia trees, as well as, centuries-old oak trees laden with Spanish moss, in the heart of City Park. It is beautifully landscaped. The garden contains several water features including a small cascading garden pool with stepping stones to cross. A lagoon that bisects the garden empties into two large basins, each containing a large sculpture. A sculpture pool cascades down into one of the lagoon basins. The lagoons are filled with fish and turtles. Herons and swans inhabit the area as well. Pathways wonder through the garden and lead to the larger sculptures. Because these paths were designed to preserve the extensive root patterns of the over 200 year-old live oak trees, they wonder through the garden in a design dictated by nature. Smaller sculptures are exhibited in the elliptical Sculpture Theater.

For a dollar you can obtain a guide to the sculptures, which I highly recommend.


Entitled “Mother and Child (1988) by Fernando Botero



Tree of Necklaces (reminded me of Mardi Gras) (2002) by Jean-Michel Othoniel


“Window and Ladder – Too Late for Help” by Leandro Erlich


This one is called “Monkeys” by Rona Pondick and it’s really disturbing when you look closely.


“Travelin’ Light” by Alison Saar


Pablo Casals’ Obelisk (1983) by Arman

One of the strangest things we discovered was what appears to be a grave between the sculpture garden and the botanical garden.

We only could spend three hours at the park today, so we agreed that our next trip in two weeks we will visit the Botanical Gardens and the NOMA. Pictures to follow.

Musings about controlled madness

Photo credit: Traveling Mermaid/Charlotte Ash

With regard to the Eris parade incident, rumors have been flying today and few verifiable facts have surfaced. As usual, the NOLA.com account of this incident is drawing a variety of opinions and reactions: New Orleans police and marching group clash Sunday night in Marigny

This incident reflects the general conundrum I’ve been considering during the past week: On one hand, the City of New Orleans’ Administration and the New Orleans Police Department do appear to be selectively enforcing laws; on the other, it’s a fact that many of our city’s citizens cherry-pick which laws they’ll choose to obey.

Does the lack of a parade permit warrant the use of pepper spray, stun guns, or batons? My response is an unequivocal “No.”

But I’d also like to ask, could this incident have been avoided? Maybe.

I do not doubt that many of the participants in the Eris parade spend a great deal of time creating beautiful and fantastical costumes, planning for the event, and composing original music to perform during the parade’s night of marching. That being said, why is it unreasonable to ask that someone in the organization crosses the T’s and dots the I’s by securing a parade permit and the required NOPD escort?

I learned today that the cost for a parade is $875 to meet the minimum requirements (a $275 flat fee for the parade permit and $600 for the required minimum of four NOPD officers to provide an escort and control traffic for the parade participants). It’s my guess that $10 per person marching/participating would more than cover these fees, or that the money could possibly be raised through a one-night benefit event at a local bar or club.

Accounts of the alleged violence perpetrated by the NOPD are being shared at lightning speed, however, I’ve yet to see any investigative effort with regard to reports of so-called parade participants dancing on parked cars, kicking over mailboxes, tagging and scratching cars, or throwing bricks and bottles (nor are these alleged acts mentioned in the NOLA.com story).

It has also been reported that six law enforcement officers were injured; is there more information available regarding the circumstances from which these injuries resulted? Has anyone seen or documented the reported damage to the two police cars? Has it been confirmed that all of the law enforcement officers involved were, in fact, NOPD officers? Where are the photos and videos documenting the reported incidents? Without these facts, the story is far from complete.

All things considered, I would like to learn more about what occurred before everything went sideways.

The Krewe of Eris was formed in 2005; its brief history also includes other clashes with law enforcement. I have to wonder, is this part of the Krewe’s modus operandi? (Simply put: Why is it okay to accuse the NOPD of repeatedly offending, while it seems that this recently-created krewe is somehow above reproach?) Why didn’t the parade disband on Sunday night when the crowd was told to disperse or when it reportedly faced a barricade?

It’s ironic. While researching the parade permit details earlier today, I had the pleasure of watching the Red Beans and Rice Lundi Gras parade cavort down my street, filling the block where I live with joy, color, and music (an organization that’s only in its third year of marching). I’d estimate that there were about 200 participants (with newcomers joining in as the parade flowed by); they were led by an unmarked, lighted police car and had three motorcycle/scooter cops controlling traffic (who facilitated the parade crossing N. Rampart Street at an intersection without a traffic signal). The presence of the NOPD officers did not inhibit the parade or its participants in the slightest.

With that in mind, I ask this final question: If the Krewe of Eris had obtained a permit and secured the required police escort, would the alleged threats to public safety and incidents of property damage have been as likely to occur? This one act of compliance could have been sufficient to deter those who may have been determined to be destructive instead of celebrating creativity. It is unfortunate the event’s founders did not act to protect its participants in this manner.

All those questions aside, I don’t see the artists and musicians as being the troublemakers in this incident; I am disheartened that they were caught up in the fray. If it is determined that the NOPD (or any law enforcement agency) used excessive force or engaged in unwarranted action, then I expect those officers to be identified and prosecuted aggressively to the full extent of the law.          None should be exempt from being held accountable (regardless of occupation or avocation).