Guest Postess: Valentine Pierce

It’s a fact, Jack—but is it?

I often tell people I love the Internet. It is a useful and powerful resource. It offers endless opportunities for gathering information, thought-provoking commentary, and communication. It’s shortcomings? It offers endless opportunity for misinformation, evil/harmful commentary, and avoidance of human connectivity. I currently have two blogs: Valentine Pierce Designs (http://valentinepiercedesigns.blogspot.com), my newest blog, which focuses on graphic design, and Poet Sense and Sensibilities (http://poetsense.blogspot.com). This one is me commenting, sharing, journaling. Sometimes I write things that could be construed as fact so generally I try to check my facts. One time, though, a reader hipped me to an error. I thanked her and reminded myself that I am usually better than that and should be better than that because I am the first one to attempt to verify everything. “Is that true,” I’ll ask? “I’ll have to do some research on that.” As a journalist with more time under my belt than I sometimes care to admit, I should have checked my facts. Even without the journalism background, I need to speak what I know and learn what I don’t.

Another reader checked me on my comment about creative nonfiction. Frankly, I was intrigued that he had read my blog. I guess I was spouting at the time—primarily as a dig against Blakely (http://poetsense.blogspot.com/2009/11/blakely-anybody-know-title-of-his-new.html) who totally ticked me off and because the phrase doesn’t work for me. I tried to clarify that in my response to his comment. Truth is, I probably should have been clearer in my blog that my history causes me to look askew at such a category; his history probably makes him look askew at things I consider normal.

Where is all this going? Well, it’s going in circles, the ones we create when we repeat without investigating. Some of it is funny, like a comment I read about “’round away’ girls.” It was by what I would call a youngster because I am now of that age where people seem like youngsters to me. My age also informs me and I know the phrase is “round-the-way.” In one of my blogs (http://poetsense.blogspot.com/2009/12/i-never-seize-to-be-amazed.html) I noted how someone “seize to be amazed.” They mixed up Carpe Diem—seize the day—and cease to be amazed. But what really got me riding on this train is the Times-Picayune article (http://www.nola.com/business/index.ssf/2010/02/whale_kills_orlando_seaworld_w.html) about a “killer whale.” For me, the news article is only part of the story. The real story is in the comments—as it always is. People just spout their thoughts without thinking twice. Few know that Orca, disaffectionately known as killer whales, are actually dolphins and were, at one time, known as whale killers because they do hunt in groups and can take down animals larger than themselves. Somewhere in time the phrase was turned and the animals were marked. The truth is, like most dolphins, murder is the last thing they do. Why this one killed a trainer and why have others attacked/killed trainers? We need to really think about this. In just a quick search I learned that they die three times as much in captivity as in the wild, that they don’t do well in captivity, that they live in family units or pods for generations, that they can travel 50 to 100 miles a day. No way they can live their normal dolphin lives in captivity. Local and national newscasters called Orca dolphins whales, too, as well as many Internet news sites. This goes to show how we sometimes tend to repeat what we hear without checking the facts.

The other branch to this is how Orca and other animals have been marked as violent, dangerous, killers by humans because they reject what humans are doing to them and their environments.

Yet another story I know is the African elephant in a circus that killed his trainer. Think about how you would act if you were taken thousands of miles from home, had your legs chained so you would learn to make those tiny steps necessary to walk around a ring, and penned when you were supposed to be roaming in the wild?

At this point you are probably thinking, well this is surely the long way around. I agree but we do live in a big circle, so big that we sometimes can’t see how everything is connected and how everything we do or say impacts that circle, most times negatively.

What am I getting to? We are quick to judge—people, animals, situations we know nothing about. We act/speak first, think later. We don’t look past the surface. The animal killed the human, that’s all we know. We don’t know why; we aren’t inclined to take the animal’s side in all this. Not that I don’t mourn for the trainer and her family. That, indeed, is quite sad. The thing is, I also mourn for the animal and all animals that are imprisoned merely to entertain humans.

As well, I am more inclined toward the Paul Harvey approach. Before speaking, considering getting the rest of the story, the whole story, the truth and nothing but, as they would say on Perry Mason. And even be careful with “the truth” because some truths are lies other people tell us are true. We need to find the truth from as many sources as we can or at least try to speak with more caution. Don’t just blurt out the first thing that pops into our heads and don’t repeat what we don’t know. Huh? And, we need to do something about what happens to these animals in these parks, zoos, and those encampments where they are hunted merely for sport. And, we need to take a closer look—at ourselves.

~~~

Valentine is a gifted local poet who’s book, Geometry of the Heart, is a must-have in any self-respecting New  Orleans poetry-lovers library. She’s been know to read her original poetry locally at The Maple Leaf and The Goldmine as well as numerous out-of-town venues.

Related posts can be found here.

NoLA Hosts Regional Premiere of ‘Ameriville’ This Week

Southern Rep Partners with Junebug Productions, Ashé Cultural Arts Center, and Tulane University
for the Regional Premiere of Ameriville
by Universes, which runs February 24 – March 7, 2010.


In AMERIVILLE, the critically acclaimed Bronx-based ensemble group gives an emotionally riveting performance that is not only about Katrina, but also about the struggles and heartbreaks that happened in New Orleans. With the unbelievable power and passion that Universes brings to the stage, stories, facts, and memories are brought back through a mixture of poetry, hip-hop, jazz, and theatre.

Created by Universes, AMERIVILLE gives new insight and urgency to our national re-examination of what it means to be American – with heart, impassioned stomps, and incandescent harmonies. It’s a jubilant cry to rebuild America itself. Universes has created their own brand of high-energy performance, rooted in hip-hop but drawing on a global multitude of lyrical and musical influences and performance styles.

AMERIVILLE will be directed by Chay Yew, who is both a director and award-winning playwright, currently living in New York City. He has directed countless shows and is a recipient of the Dramalogue and OBIE Awards for Direction. As an alumnus of New Dramatists, he currently serves on the Executive Board of the Society of Stage Directors and Choreographers. Yew is a graduate from Boston University.

Steven Sapp, Mildred Ruiz-Sapp, Gamal Abdel Chasten, and Ninja make up Universes. All four actors are the founders of the company. Steven Sapp, a graduate from Bard College, is a playwright/actor. Mildred Ruiz-Sapp is part of this group as a playwright/actress/vocalist. Gamal A. Chasten is a songwriter/poet/screenwriter whose work has toured in over 25 U.S. cities and 5 countries. Ninja (William Ruiz) is a playwright/director and also a graduate of Bard College. Universes is a National / International ensemble Company of multi-disciplined writers and performers who fuse Poetry, Theater, Jazz, Hip-Hop, Politics, Down Home Blues and Spanish Boleros to create moving, challenging and entertaining theatrical works. The group breaks the bounds of traditional theater to create their own brand, inviting old and new generations of theater crafters as well as the theater goers and new comers to reshape the face of American Theater.

Southern Rep Artistic Director Aimée Hayes was drawn to this wide-reaching partnership out of a shared belief in the power of Universes’ production. “When I saw AMERIVILLE in last year’s Humana Festival, I jumped to my feet along with the rest of the audience to applaud before the lights came down at the end of the show. After seeing a production that spoke to my hometown in such a ground-breaking and inspirational way, I knew we had to find a way to bring it here to share with our friends and neighbors.”

Southern Rep is proud to be part of this expansive partnership project with Junebug Productions, Ashé Cultural Arts Center, and Tulane University Department of Theatre and Dance that brings together such a diverse group of stakeholders, including school principals, teachers, members of the media, church and business leaders, as well as organizations’ board members to ensure the widest possible impact of Universes’ work in New Orleans. Thanks to the support of the National Endowment for the Arts, Louisiana Division of the Arts, Arts Council of New Orleans, New Orleans Jazz and Heritage Foundation, and the National Performance Network, Southern Rep sees AMERIVILLE and Universes’ residency as fruitful and productive endeavor to benefit the New Orleans community at large.

Junebug Productions (JPI,) a professional African American arts organization located in New Orleans, Louisiana, produces, tours and presents high quality theater, dance and music that encourages and supports African Americans in the Black Belt South who are working to improve the quality of life available to themselves and others who are similarly oppressed and exploited. For the past 29 years, the company has toured the U.S. and performed internationally with John O’Neal, Junebug’s Artistic Director who co-founded the Free Southern Theater in 1963 as a cultural arm of the southern Civil Rights Movement. Junebug Productions is currently creating the Free Southern Theater Institute (FSTI) to codify the particular techniques, ethics, and aesthetics developed by FST and Junebug Productions. Artists from around the region and the nation will be able to come to New Orleans, learn the FST and JPI technique and work with the local community and artists. Junebug is currently offering the third of three pilot program courses, “From Community to Stage”, bringing in artists to work with community residents, high school and university students.

Ashé Cultural Arts Center is an effort to combine the intentions of neighborhood and economic development with the creative forces of community, culture and art to revive and reclaim a historically significant corridor in Central City New Orleans: Oretha Castle-Haley Boulevard, formerly known as Dryades Street. Ashé is a gathering place for emerging and established artists to present, create and collaborate in giving life to their art so as to activate the artistic, creative and entrepreneurial possibilities available in our community. Storytelling, poetry, music, dance, photography, and visual art all are a part of Ashé’s work to revive the possibility and vision of a true “Renaissance on the Boulevard.”

The Tulane Department of Theatre and Dance is a multi-disciplinary program that offers a fusion of performance styles and techniques in the framework of a liberal arts setting. Their diverse and international faculty teaches a mix of approaches that allow their students to explore all aspects of the theatrical and dance arts in order to help them prepare for the world around them. After beginning with the solid foundation of a hands-on curriculum, students are allowed to individualize their journey by choosing study in numerous areas that include academic research, storytelling, regional and international dance styles, acting methodology, community action, directing, choreography, design and technical stagecraft. The Department’s goal is to create the beginnings of a well-rounded dance or theatrical artist who understands where she or he fits into a larger performance community.

TICKETS AND LOCATION:

Regular ticket prices range from $20-$35: $35 for Opening Night, Wednesday February 24 (includes post-performance reception); Individual tickets are $26-$29 with special discounts for students, seniors, K-12 teachers, active military, theatre professionals (with ID) and groups of ten or more. $10 Student Rush tickets are available 15 minutes before curtain on a cash-only basis, with student ID. On the edge of the French Quarter, Southern Rep Theatre is conveniently located on the 3rd floor of the Shops of Canal Place, where validated parking is available. For more information and to order tickets, call (504) 522-6545, or visit southernrep.com.

Southern Rep continues to show that it is staging the most important, challenging, and downright mesmerizing pieces of theater New Orleans audiences are graced to experience.Theodore P. Mahne, The Times-Picayune Lagniappe

“Their energy and realness is unmatchable.” The Village Voice

Ameriville is an experience on many levels: percolating, bubbling, and broiling, flooding the theatre to the very last row. Hold your breath and dive in.Theatre Louisville

“A headlong explosion of poetry, percussion, and multi-culti musical exploration that absolutely demands to be seen.” — The Boston Globe


Tuesday’s Bejeweled Women

You know when your mamma told ya “the older you get, the faster the time flies”? It’s true. Oh, it’s sooooooo true. Mardi Gras has come and gone and now, and from the comments I see on the social sites, everyone is either sick or tired which tells me is everyone partied their butts off and I daresay they would all swear it was worth it.

I was sick for the two weeks leading up to Fat Tuesday so I missed watching grown adults fighting for plastic beads at the parades (Yeah, that’s bitterness talking.) but I did make it on Fat Tuesday. I went to my BFF”s  place in Bywater where we went to a couple of house parties then met up with other friends and walked with the Krewe of St. Anne to the quarter. Part of the fun was that  everyone wanted to take my friend’s picture because of  his very unique costume (See it here.) and he got lots of hugs, high fives and yells of “Jew Dat!”  We stopped at Cafe Rose Nicaud along the way for some hot coffee and muffins to warm up. (Stronger beverages came later.) What a cute little place it is!  I highly recommend their carrot-ginger muffins and have had a severe craving for more ever since so it’s on the agenda for my next visit out that way.

I saw The Bourbon Street Awards for the first time – well, in between hordes of people, that is – most with some kind of wild head gear on which is reeeeeeely bad for short people behind them. All the costumes were fantastic but I think K&B man was my favorite – you can kinda, sorta see him here.

There were so many, many wonderful costumes to be seen making Mardi Gras a shutterbug’s paradise. Here are a few shots I took of  some of the beautiful, colorful and creative costumes I saw on women Tuesday. We did ourselves proud, girls.

This little woman rocks!

Sunday Morning Mardi Gras Magic

I know what you think.

You think it’s not for you, this Mardi Gras thing.  Maybe you don’t see yourself as much of a drinker.  Maybe you’re a little put-off by the whole girls-gone-wild thing; you weren’t the type to want to do Spring Break in South Beach even when you were in college.  So you figure that Mardi Gras isn’t for you.  And also?  That city?  New Orleans?  Well, you saw the pictures and heard the stories and it’s a mess.  You can’t figure out why people would even want to live there, let alone visit.

You’ve thought at least some of those things, I feel certain.  I fully admit that until I moved here, I thought THE VERY SAME THING.  Actually, both Paul and I did.  And now we can say that we were very wrong.

New Orleans is an absolutely fantastic place to be, especially during Carnival season — and especially for families.  As an example, here is our family, enjoying parades this past Sunday morning.  Music, laughter, conversation, floats, horses, football, dancers, prizes, and of course, beads.

Krewes of Okeanos, Mid-City, and Thoth.  Vantage on Magazine Street.

(This post is cross-posted.)

Flambeaux

Flambeaux

Photos by New Orleans Lady

Flambeaux originated a century and a half ago to light the floats in night parades. Indeed, the first Flambeaux carriers were slaves and free men of color, that held lights which lit the way for the floats and night parades before there were electric streetlamps able to gather light in such focus that it would enable crowds on the routes to adequately see the style and fancy, of the parades. / From History of the Flambeaux

These Are Strange & Beautiful Days

As a New Orleanian when you’re faced with a person that just doesn’t get it (as we inevitably are), link to this video.  It just doesn’t get any clearer or more heart-felt than what you’ll see and hear in this video.  Oh, and my favorite quote?

“New Orleans doesn’t have a place for people that are luke-warm.”

AMEN.

The Soul of New Orleans

New Orleans won the trifecta this past weekend

Overheard at work today…

“We sure did win the trifecta this past weekend. New Orleans elected a new mayor without having to go to a run off, the Saints won the Super Bowl, and we’re in the thick of Mardi Gras. Its a fabulous time to be a New Orleanian right now!”

Indeed…

AND NOW FOR THE SUPERBOWL PARADE!

The Saints will be rolling in a VICTORY (WHO DAT?!) parade Tuesday evening, beginning at 5pm. Yours truly will be rolling in it and I am excited beyond measure -indicated by the caps, which I save for special occasions.

So get yourself recharged, save a wee bit to come out and cry and laugh and dance at the team that has made everything new again!

Who Dat Say They Got The Best King Cake?


It’s Carnival time and King Cake is probably the third most popular topic in New Orleans behind The Superbowl and the parade schedule. Everyone has a favorite King Cake, be it traditional or filled, baby or babyless (blasphemy!), with little icing or deeply slathered. Well, ya know, the best is from Gambino’s, Haydels’, Antoines’, Frances’, Rouses, the old McKenzie’s (now available at Tastee Donuts locations locally) and, of course, Randazzo’s…..to name a few.

Chances are that not every New Orleanian has actually tasted King Cake from every bakery in the city which means there is cinnamon-laced deliciousness yet to be discovered. But guess what? You can taste cakes from all over the city on one night in one place, thanks to NOLA Eats.com.

So if you’re in the quarter (or even if you’re not) be sure to stop by and take advantage of having so many of New Orleans’ fine King Cakes just waiting to pass between your lips with a healthy swig of whatever your preferred libation may be.

What: NOLA EATS’ Second Annual King Cake Party
When: Saturday, February 6, 7:00-9:00 PM
Where: Craig Tracy – Painted Alive Gallery, 827 Royal Street

Also be sure to visit YatCuisine for the results and story behind a Randazzo King Cake blind taste test Tweet-up held at BSI Comics. Sticky, yummy fun!

Black and Gold…and PINK in the Streets Sunday

It seems that I am the writer of fun these days, such a nice change…

The Camel Toe Lady Steppers and The Pussyfooter swill be hitting the streets in two separate second line-type of gigs Sunday, warming up for the Super Bowl. It looks like both troupes will be adding the Black and Gold to their costumes, of course.

The Camel Toe Lady Steppers will begin their gallivanting at Louisiana and Annunciation to will finish up at Washington and Camp, from 11am-noon.

The Pussyfooters will be lining up in front of the King Pin for noon and will be, as they are annually, a part of the Lyons Club march. The band and krewe will be marching along from the King Pin to Grits via Ms. Mae’s over on Napoleon, hitting a few joints along the way like the Milan Lounge.

Crash the parties!

Also look for the Pussyfooters in the SUPER BOWL PARADE!

Peyton Manning must lay down

I’ve been thinking about this since we beat the Vikings. What a precarious position Peyton Manning must be in, to play his hometown team the Saints. I can’t imagine his father, Archie, and what he feels right now, toiling and suffering all those years quarterbacking for mediocre to just plain bad Saints teams and who never won a Super Bowl ring. Sure Archie’s allegiance is first to his family, but one doesn’t live in New Orleans, breathe the Saints, announce games for all those years and not secretly yearn for a Saints victory this weekend.

And what about Peyton? Haven’t we seen it in his face, the conundrum he is facing this weekend playing the team who put a roof over his head growing up and food on his table? Its got to be hard swimming all one’s life in a sea of black and gold and now to hear the chants and feel the frenzy of the long-suffering Saints fans and not be affected? The madness is palpable; all one sees in New Orleans right now is black and gold everywhere and what days next week is work going to be cancelled and the debate on what day next week is the best to have the Saints post-win parade because we’re in the middle of Carnival season. Hell, men who never dared showed up in force this weekend, dressed in drag, to honor the memory of the beloved Buddy D who swore he would walk down Bourbon Street in a dress if the Saints got to the Super Bowl? If that isn’t complete and utter passion and dedication I don’t know what is?

New Orleans is stripped down to one thing right now – that is an unprecedented focus on a Saints victory this Sunday in Super Bowl XLIV. This is such huge unexplored territory, no one here knows how to act, but all out. Peyton needs to contemplate this. Peyton needs to bow down to this phenomenon. He’s got his Super Bowl victory, this year its someone else’s turn – OURS. So under the leadership of Drew Brees and the punishing Saints defense Peyton better watch out. Better yet, Peyton better lay down – its a respect thing ya dig?

NFL & Me on ‘Who Dat’

From the NFL Superbowl blog: NFL explains “Who Dat” position thusly:

Posted: February 1st, 2010 | NFL.com Staff | Tags: New Orleans Saints, Who Dat

The NFL cleared up a perceived controversy over the “Who Dat” trademark.

The league is challenging the sale of items that use “Who Dat” in connection with the Saints’ trademarks or logos. The league isn’t interested in chasing down merchandise that merely has “Who Dat” logos.

“‘Who Dat,’ we do not claim to own by itself,” NFL spokesman Brian McCarthy told the New Orleans Times Picayune. “It’s when ‘Who Dat’ is used in conjunction with Saints marks that it’s a problem.”

McCarthy said the league will only become involved when the “Who Dat” is advertised as official Saints or NFL gear.

~~~
As a member of the WHO DAT NATION, I’d like to address a few points in the NFL’s statement.

#1. “perceived controversy”?? If you believe the controversy is “perceived” then you have a big problem with perception. The Who Dat Nation’s been expressing it’s displeasure for over two weeks now. But, yeah, we get it. It takes a letter from a senator to get your attention – fans don’t count. FAIL!

#2. “The league is challenging the sale of items that use “Who Dat” in connection with the Saints’ trademarks or logos.”
Fleurty Girl’s #whodat tee does not portray a Saints logo nor the “official” Saints/NFL fleur de lis yet she was served a “cease and desist” letter unless she preferred to pay a 10% royalty to the NFL. Perhaps the rep who drafted the letter needs a lesson on the finer points of distinguishing between the official NFL fleur de lis and its’ many, many variations. It ain’t just a flower. FAIL!

#3. “The league isn’t interested in chasing down merchandise that merely has “Who Dat” logos.”
See #2. DOUBLE FAIL!

#4. “It’s when ‘Who Dat’ is used in conjunction with Saints marks that it’s a problem.”
“Who Dat” has been the rallying cry of Saints fans since the early ’80′s and will always be the rallying cry of Saint’s fans. Do you have a jail big enough? Oh wait, you can use the Superdome since that is where you have SEEN ‘WHO DAT’ SIGNS WEEK AFTER WEEK AT EVERY SAINTS GAME since the early ’80′s. FAIL!

#5. “…the league will only become involved when the “Who Dat” is advertised as official Saints or NFL gear.”
Is is just me or does this remark contradict the remark in #3? Also, see #2. Again. DOUBLE #WHODAT FAIL!

Just be big boys. Admit you screwed up and apologize to the Who Dat Nation. Mmmm-kay?